*Experimental Alt Pop*

Miscellaneous mixes & all the fun stuff that's not on Spotify

Put a group together which became Jurassic 5.  Co-creator of Brainfreeze with DJ Shadow, and original member of Ozomatli.  Here is the home of   my audio archive. Follow me and take a journey through my personal music collection.

www.arca1000000.com
email - shaun@codexmgmt.com + regeneratedgirl1000000.com

Välkommen till Bopolpodden där du får veckans aktuellt inom bostadspolitik och där vi ger fördjupning och analys av ett intressant ämne.

DEEP BLUE HEART, my new album officially out everywhere 🌙 💙

Louise Aubrie is an indie rock musician who splits her time between her hometown of London and her adopted towns of Los Angeles and New York City, bringing together the electrifying spirit of these cities.
Louise first started writing and recording music in London before developing her signature sound over many years living and playing in New York City. She has been described as “brilliant” by BBC 6 Music and “magnificent” by Louder Than War, and compared to Blondie, The Smiths, The Pretenders and The Killers.
During her career, Louise has recorded at the legendary Abbey Road Studios in London, at Knight Time Studios (originally commissioned by Steve Lillywhite), and in Europe and New York City. She has played at renowned venues in London (The 100 Club, The Brooklyn Bowl at the O2 Centre) and in NYC (The Bitter End, The Bowery Electric).
Over the years, Louise has worked with Boz Boorer (musical director and co-writer for Morrissey), Andy Woodard (musical director and drummer for Adam Ant), Tom Edwards (guitarist for Adam Ant, Edwyn Collins), Roger Joseph Manning Jr (keyboards for The Killers, Beck, Morrissey), David Ruffy (drummer for The Ruts, The Waterboys), James Knight (producer for The Kooks, Kirsty MacColl), Ken Sluiter (mixer/engineer for Morrissey, Red Hot Chili Peppers, Sum 41, Mark Almond), Cam Blackwood (producer/engineer for George Ezra, Jack Savoretti) and Dave Collins (mastering for Jane’s Addiction, No Doubt, Weezer).
Louise’s debut album, ‘Fingers Crossed…’, was released in 2010 to critical acclaim in the UK and US, receiving national radio airplay. It was produced by Boz Boorer and described as “excellent” by Billboard Discoveries.
In 2013, Louise released her second album ‘Time Honoured Alibi’ with Boz Boorer once more at the helm, both as a producer and a co-writer with Louise on a new track. The lead single ‘Where Are You’ was consistently in the Top 5 of Digital Radio Tracker’s National US Airplay Independent Charts and in the Top 10 most requested at Indie 104 iRadio LA.
‘Late 44’, Louise’s third album, was released in 2016. Recorded at Abbey Road Studios and produced by James Knight, the lead single ‘Winter Dolour’ was featured on national BBC Radio 2 and BBC 6 Music, along with international radio play, and garnered outstanding reviews in the music press.
Louise’s fourth studio album ‘When I Don’t Love You I’ll Let You Know’ was released in 2019 and was inspired by classic Cary Grant movies. It was produced by Andy Woodard, with Boz Boorer adding his incomparable guitar parts. The singles ‘On The Run’ and ‘Enough’ were featured on BBC 6 Music and in a live session for BBC Radio London.
Louise’s latest record, ‘Antonio’, will be released in Spring 2021. Recorded at Studio 55 and RFL Studios in London, it features Francis Horovitch on guitars, Boz Boorer on guitars, keys and percussion, Andy Woodard on drums and bass, and Roger Joseph Manning Jr on guest keys. It is produced by Andy Woodard, mixed by Ken Sluiter and mastered by Dave Collins Audio in Los Angeles, CA.

The Black Site began about 30 seconds after Bam Bam and C.M., old acquaintances from very different parts of the globe (Bam Bam a California transplant and C.M. a Yorkshire native), ran into each other at a Thurston Moore gig that was on that night exploding from a roadhouse in East London. 

C.M. was glad to see Bam Bam, at the time mostly because it was the end of the month and he thought he might be able to have lend of a couple of quid for another pint, only to discover she was very much hoping for the same thing. So, instead, the two of them walked soberly down the street together basking in the ear-ringing afterglow of the almighty distortion king. C.M. told Bam Bam he liked her white leather shoes, she read him a couple of lines from a Ted Hughes poem she’d found, and together they re-discovered the thread of their old bond over hammed-up Scott Walker impersonations and story-telling competitions in the subject of childhood mischief. A couple of footsteps further and they decided they should write some songs together. 

H came over from his native Switzerland to record the band’s first demos, bringing with him a suitcase half full of fancy Russian mics and drum gadgetry and half with limited edition whisky and fine Winstons. Bam Bam and CM quickly decided he was a genius and cancelled his return flight. 

The rest is unwritten. But whatever happens next, it’s bound to involve a lot of language, vast amounts of noise, and at least one overly exaggerated line from ‘Montague Terrace.’

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