another older track I'd like to try to expand on some day. Just didn't have the playing chops at the time of recording it. Still don't  :O)

This track was also used (temporarily) as a middle section of an alternate, slower and extended version of ‘Jazzy Ditty’, one of my favourite tracks. But I hope to eventually replace it with something that fits better. 

Artwork is a variation I did (added guitar strings) on a well known Matisse print.

Comments always appreciated, but don't feel shy to give critical feedback - always trying to get better!

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Belle Curves Blues

Orchestration mix and production by ↯Mahan↯💀↯Mahan↯ @mahan-mahan
lyrics and vocal by Stonerjazz

i forgot to not think about anything at all
i really dropped the ball
never gonna make it to the hall a fame
that's a shame-
everybody ought to have a shot to show the people what you got

it doesnt matter now cause i'm old
or so i'm told
but what the hell does anybody know anyway
this is only one of infinite scenarios
everybody ought to turn the volume up on their Stereos everybody ought to turn the volume up on their Stereos

Infinite Scenarios  ~with ↯Mahan↯💀↯Mahan↯ (turn the volume up on your stereo)

Tonight

Inspired by Maurice Ravel's Ma Mère l'Oye No.3 Laideronnette - Imperatrice des Pagodes 
Compare: https://youtu.be/ihRt2hmBGcQ

Imperatrice des Pagodes

Going Home

Hi Friends,

I'm pleased to present you Cyber Night.
It goes up from analog to the digital space, full of fresh sound colors.
Lay back and enjoy or dance to trance, all allowed. 🙂
I wish you lots of fun! 🎹🎛️🤖👾🔊🎧
 
Cheers CJ 😎


CJR-Music originals | more info also here: https://www.cjrogersmusic.com

Cyber Night

Bonjour,
J'ai le plaisir de vous présenter la version Trio enregistrée en live lors de la session du 08 mai 2025 à La Barraque Mirepoix (09) du morceau :
"La nuit, la colline a du Spleen " :
https://youtu.be/J55nNfEKvFM

Mathieu Torres Trio est un projet intimiste jazz - rock - blues - funk hip hop - qui jongle entre old school et modernité, porté par un son rond, vivant, chaud, organique dont l'objectif est d'arpenter des terrains cosys, calmes et poétiques.

Contrebasse et arrangements :  Jean-Baptiste Azanza
Batterie et arrangements : Guy Ould Yahoui
Guitare et composition : Mathieu Torres

Issu c'est une reprise d'un morceau joué initialement avec M'Z un side project.

Plus de musique ici :
https://soundcloud.com/mathieutorresworks/sets/set-list-mt

et ici les anciennes vidéos (en solos) :  
https://youtu.be/XB7ExqJ2uG8
https://youtu.be/eI8yArJpvxc
https://www.youtube.com/watch?v=fP69ovvmteU

Mathieu TORRES Trio - Matziz records
https://matzizrecords.bandcamp.com/
https://soundcloud.com/mathieutorresworks
https://www.instagram.com/torresp2b/
https://mastodon.social/@Matziz
https://www.facebook.com/Matzizrecords
https://x.com/EtcAux
https://www.youtube.com/@torresmathieu6027

La nuit, la colline a du Spleen - Mathieu Torres Trio - Video in description

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

Cast of Characters:
Didier Burli-- @didierburli — acoustic guitar, main vocals, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland Phantom organ, Roland piano, Paul Reed Smith cutom SE electric guiar, Warwick four string fretless bass, vocal harmonies
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar

This song began with Didier coming up with it on his acoustic guitar. However, when he first sent it to Josh, he had played electric guitar, bass, keys, and drums on it, because he is a very talented multi-intrumentalist. This song passes the stool test, though, which is the question of whether it sounds good with someone just sitting on a stool with a guitar, playing and singing it. So, when we asked him to give us a version that we could add to, it was already a great song that he sent us with just him singing over his acoustic guitar. 
  Tez was the first one up on this one, adding the fiery fills throughout, as well as the co-solo at the end. Ken entered the fray next, adding his rock solid, dynamic drums. Once the drums were down giving him something to play against, Josh added his fretless bass to the song. Being very excited about this one, he also added piano, organ, and eventually the lead guitar solo at the end. He also went in and added all the vocal harmonies throughout. Stephen then brought up the rear with some really cool textural guitar throughout. 
  Once we had it in the bag, we asked Tez to produce and mix it for us, which he did in his usual expert fashion. 
  This is our first song with Didier, but we hope it's just the beginning of his new inclusion into the Eclectic Collective family. He has a lot of great music on his page, which is worth checking out, too. We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Didier Burli:
I wish I could stay awake but I need to sleep
Thunder is on it's way but I don't hear it
I don't fear the ghouls, and I don't fear the creeps
And with this dancing zombie, I don't know what to do with it
And I just get too much information....
in the middle of the night, when everything is silent....

(chorus) And the noise rises up
From all those things, that mankind does, that makes you want throw up

(chorus) And the noise rises up
From all those things, that mankind does that makes you want dream of

(chorus) And the noise rises up
From all those things that makes you scared of

(chorus) And the noise rises up
From all those things that mankind lost

And I just get too much information....
in the middle of the night, when everything is silent....

The Noise Rises Up-Didier/Eclectic Collective

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

By the bar (prod.by Ryini Beats)

"more fun than i deserve" 
 stepping off the ledge with desire

Infinite Scenarios ~with ↯Mahan↯💀↯Mahan↯ (turn the volume up on your stereo)

stonerjazz