Name: LARRY (featuring holy shitshow) by STONERJAZZ
Duration: 4 min 23 s
Description: This song is an outtake from an expansive holy shitshow project(still in production) that I was honored to work on. I like this little snippet of an on going story of the band, and particularly about Larry, the bass player. So here it is with HS's gracious permission. And a Huge thanks for his beautiful music in this song.

Beautiful gentle vocal expression Dear Jeff! Awesome sounding mood scape! Lovely sounding! Deeply enjoyable XOXOXO

***very cool track,,,,reminds me of a broadway... lovely song

Great viocal performance and guitarsolo,,,nice orchestration and arranhement

Just incredible descriptive lyrics!!! So powerful and heartbreaking- could stack up to bill callahan...

An excellent song - Really effective vocal arrangement and sound :)

West Beat

For the defenders of Ukraine.

Written, recorded and produced by K Gennery.
All instruments played by K Gennery except the wonderful main piano's and beautiful BV's by Alise Kirtley. 
Image not my own.

Thank you Alise for being so generous with your time and talent and coming to work in my very basic home studio, with ancient gear and an ancient bloke. You helped to make the record exactly what I had imagined. It truely needed a gifted pianists touch and not my rough and heavy mitt's.
Twas a delight spending time with you. 

Heres the actual open mic performance.
https://youtu.be/CLDW8ZK1J-g

And Alise performing a cheeky little number at the very same open mic.
https://youtu.be/7PvJ6utVoC8

A few links to my fave songs from Alise and her band, The Bearing.
https://youtu.be/ixaPvRT08Is
https://youtu.be/ZE168NXoXJU
https://youtu.be/p3sm6Buu1ec
https://youtu.be/Sr7zzooy-kc?si=EGzPLxoCGzhuu6mp

The story:
I wrote this song on my acoustic guitar and started to record it that way, but just wasn't getting the vibe as I did when played live. I tried various ways to get it down with the guitar including an electric...nope, nothing happening.
So I  then thought maybe it wants to be a piano song but my wooden, plonkey key skills were not up to the task. About this time I was thinking possibly the song was not that good. Maybe I was feeling the emotion from the lyrics and not the melody. So I decided to play it at the next open mic, along with two other new songs and I asked the audience to pick which to record next. They all said this one.  On the way to sit back down Alise, who I knew was an amazing piano player, said, "Thats a beautiful song". So, I tried my luck and replied, "I'm just not getting it down with the guitar, what the song needs is a classically trained pianist, anyone spring to mind?" Alise smiled and said, "I would love to be involved". I was tickled pink.






Lyrics:
So many of us fall, cause we all heard the call,
to bleed blue and yellow.

For this is our own home, dust will cover our bones, forever,
we'll never concede.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Keep or children safe, teach them of our bravery.
Death in defiance, we'll never be compliant to invasion,
cause this is our nation.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Where I Once Stood

The table shown in the picture belongs to a suite of pieces of furniture crafted in the early 1990s for the interior of the Kremlin by an Italian carpenter's workshop specialising in oak-design.

A big Thank You to The Neighbor for dropping in and playing a wonderful guitar.

Oak

1
Out of one single seed
With lots of nutrients to feed
Within the ground
Out of a natural striving
Heavenwardly
At least 5 centuries ago

Cut one morning
Somewhen in the eighties or seventies
Last century, supposedly in Italy
Your leaves were so green - and
Then you stopped to breathe
And were stored and dried for ys

ref 
300 ys to grow,
300 ys to bloom,
300 ys to die
That’s your „normal“ life

2
Skilled artistic carpenter hands have worked upon you 
After your death with devotion
Cutting, sanding and priming -
„Lying Flat“ on these three pillars
Born out of a single notion:

"A place to meet",
10 elliptical, oval square
Out of one single piece
Lacquered in white and
Adorned with gold leaf
Six meters long, 2.50 wide

ref 
300 rings to grow,
300 rings to bloom,
And then 300 rings to die
Oh, that’s your „normal“ life

3
Hard to believe that must be necessary
Something like you
Being so earthbound and stable
Was that already inscribed  
Somewhere in your fibres ?
Ending up as a „dissension-table“ ?

Next moment the mad imperator will receive an unwelcome guest and 
An oppressive breathless coldness spreads  
Just for an instant before the lightnings of the camera flashes begin 
And then all this weighs down on you.

ref 
300 rings to grow,
300 rings to bloom,
And then 300 rings to die
You would have outlived us many times

out
Now that you are an icon 
The outmost insane things
Happen at your long edges - and
What have you done to deserve that one ?

Oak (ft The Neighbor)

Lady of Fire Poetry original music & poetry

New video link:
https://www.youtube.com/watch?v=GlzW5SQfq4U

Kaossilator pro+, vocals, arrangement: Tanisha Jackland
Kaoss pad: Robert Jackland
mix, mastered by Tanisha Jackland

Blessed are the Women

They'd rather we hide
our magic
underneath the stones
thrown at us
to keep us quiet and
away from our power

But we are
everywhere

In the fire you burnt us
to be reborn again
from the soot

In the air you suffocated us
to wax and wane again
with the breath of the moon

In the water you drowned us
for our
lungs to cradle us again

In the earth you buried us to
grow again like seeds from its
precious womb

bandcamp

Blessed are the Women

This song is an outtake from an expansive holy shitshow project(still in production) that I was honored to work on. I like this little snippet of an on going story of the band, and particularly about Larry, the bass player. So here it is with HS's gracious permission. And a Huge thanks for his beautiful music in this song.

LARRY (featuring holy shitshow)

Kaleidoscopic Sun

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

My favorite Beatles song… since I can remember!! All recorded on “ touch” instruments @ GarageBand!!!

Strawberry Fields Forever ( The Beatles cover )

Paola Madeleine:  Vocals
Ben Juul:  Drums, Mix & Master
Dirk Taubenheim:  Guitars, Bass, Vocals

This song is based on the great series "The Chosen", which portrays Jesus in a very different way than usual. Here you can see why He wowed people so much! Many thanks to Paola for her incredible vocals and to Ben for friendship and musical support!

LARRY (featuring holy shitshow)

STONERJAZZ

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