Be Massive's official record label is one of Budapest's most renowned electronic music institutions.  The Be Massive show has been present in the nights of Budapest for 18 years. Metha is the resident DJ at Be Massive nights.  He is responsible for the music and for the visual projections. His partner is TheLucky23 who helps to arrange the events, bookings, and label works. 

For the first step Be Massive made its own club nights back in the years, just to enjoy music and representing clever techy genres! This party series has been regular event in Budapest. For the next step they started to invite their absolute favourite DJ and producer icons. In the last 12 years Be Massive had lots of A-list guests on the techno and tech-funk scene. Now each month they invite an international guest such artists like Sam Paganini, Pig&Dan, and Oliver Huntemann.  
The resident DJ is Metha, who played in front of thousands of people at all the major Hungarian festivals and in Germany, France, and Ibiza, Spain. He is a famous Hungarian underground DJ and producer. TheLucky23 also appears in the club nights of Budapest with his DJ sets and his techy music productions.

After doing many shows in the whole country, Metha started to select local DJ talents and cooperating with them, leading and promoting professionally his philosophy and visions of electronic music.
In year 2011 this two guys made big steps for self-realisation and finally made their mark in this scene with brand new releases! Their productions are different and has been released separately so far!
As a final step, they founded their own label and this time they working together on Be Massive's production works. 
Be Massive Records has strict deep sounds, fat bass, hypnotic grooves and metallic minimalism coupled with compelling logic.
Hybrid fusion of raw, ancient techno and breaks without all unnecessary philosophy, and frills, but even clever.
BeMassive Records  is distributed by MN2S Label Services www.mn2s.com/label-services

Demo!

We’d love to hear your music but please note that we only accept demos in digital form, preferably with a soundcloud link. If we want to hear more we’ll get in touch. We recommend highlighting two or three songs at most. 

Please email: info@bemassiverecords.com
with a private link to a Soundcloud.

Please DO NOT send MP3s as attachement as your email will get deleted and your name will be mud.
thanks

General Contact: info@bemassiverecords.com / soma@bemassiverecords.com

Euphonios was started in 2007 by Jen Anderson whilst at University. Since then Jen has gone on to work across a number of different music industry roles including A&Ring for Fiction Records (Universal), lecturer (The Academy of Contemporary Music, Point Blank and SAE), tour manager, label manager (King Tuts Recordings), promoter (DF Concerts – Live Nation) and venue booker (King Tuts) amongst many other things. She taught music business to platinum selling artist Felix Jaehn (Cheerleader) and has toured with the likes of Major Lazer, Chase & Status, Owl City, Azealia Banks, Izzy Bizy, Eliza Doolittle and Iggy Azalea.

Jen says “I wanted to start a pioneering brand that could chart all different genres of music. There are so many talented bands and artists all over the World. Euphonios promises to be the home of endeavour, experiment and expertise.”

Jen is also a music industry consultant, if you would like to arrange one-to-one consultations you can do so through her Music Business Academy – Study Music Business.

In 2016 Piers George joined Euphonios. Piers is an experienced and professional Tour Manager and Production Advisor with a commercial background specialising in the entertainment and media industries. Piers has over 16 years experience of tour advancing, logistics, security, immigration and travel/ground transport and extensive Worldwide touring knowledge. Piers was Tour Manager for Lady Gaga as part of her Fame Ball & Monster Ball tours as well as tour managing artists such Duke Dumont, Kiesza, Joey Bada$$, Aluna George, MIA, Iggy Azalea, and Chase & Status, amongst many others.

As part of his role he has worked very closely with the artist themselves, liaising with management, the record label, and promoters. As such, he has also worked at most of the established festivals and music events across the world.

In 1978 a german mother and her puertorican man decided to give birth to a little boy called Kai Torres. His father's passion was music, especially experimental shit and mixing vinyl. Instead of telling stories or playing tapes of fairytales, the evening sessions were affected by feeling the beat and getting involved in the deep fervor of music. So Kai began to get familiar with electronic music in the early 90s and started to dub his first tapes for friends. Therefor he had to use his father's equipment even after he was able to buy his first own record player. The more he grew up the more he found friends in his neighborhood and his down to the present day partner and friend Oliver Flohr (a.k.a. Flizz). Oliver was also highly inspired by Hip Hop and electronic music. This was the birth of the collaboration between Kai and Flizz and they spent a lot of time in working with beats or rather cutting and dubbing them for friends. Both of them were known for innovative and emotional sets in their circle of friends but as time goes on other people got attentive to them. It was time to rock parties, first in small spheres but shortly after that in regional clubs as a real DJ. Kai could socialize with many folks and even national clubs and organizer were interested in him. Later he started to arrange his own parties in cooperation with Flizz and their friends while Oliver put his focus on producing substantial Hip Hop beats which he was able to take to various mixtapes in the US (DJ Soulless presents …). At that time both of them combined their Know How, whether flowing Hip Hop beats or electronic nightlife, and thus produced House & Techno with a touch of Soul and Black music. In 2004 they made it to the very popular festival „Phunkadelic Nites“ in Idar Oberstein. By now for about twenty years of being a team Kai & Flizz are still working on tracks and playing their sets at House parties known as „Radaubrause“ around Mainz (Germany), always fulfillig the crowd's needs and obsessions. 


CANDLE compose, arrange, produce and record music, voice and sound effects for TV, radio, cinema, internet and multimedia commercials

Sonic discharge. Currently seeking medical advice.

I produce, record, write, mix, compose, arrange, and occasionally email music.

Hey there - we're Backporch Productions. We sing, arrange and record a cappella. Sometimes we play instruments too. Enjoy!

Musician and songwriter from Yankton, SD.  My Soundcloud page is where I often post musical ideas, experimental recordings, and live tracks. Basically, almost anything I use my phone to record with ends up here. Anyone with a smartphone or tablet has access to tools, many of them free, that can turn your device into a miniature studio.  These features are a goldmine to those of us who use sound as a "journal" of sorts. Soundcloud helps me save, arrange, and consolidate many of my musical ideas and projects.  Thank you for checking out my cloud of sounds.  Click the link below to visit my bandcamp site to hear or download albums that I have released.  


"SOCIALLY DISTANT since 2004"

Free-Fusion Avant-Ambient Glitch-Jazz Post-Post-Rock Electro-Acoustic Improv-Collage.

Since 2009 dadala has been a long-distance ensemble blending improvisation with digital alchemy, collage and serendipity. 

RDunlap produces, edits, arranges/mixes/remixes recordings from members @loopy-c @Erocnet @r369improv with past members and contributors including @darius-improvise @brass-lines @johann-meier-471100500 @michael-chocholak and RDunlap's brother Frank Dunlap.

Earlier dadala (2004-2008) was more specifically a remix project using already-existing recordings from an eclectic assortment of internet artists and RDunlap's own archive from 1985-1996 (solo and with friends/brother).

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