STRANGE BALANCES AND MIDNIGHT REFLECTIONS

Wow!

Doing this with https://soundcloud.com/florian-luethi-59518579 really managed to create very uncomfy feelings in the first place..... I am very afar from the point where i would call myself a Keyboardplayer or a "Keyboardist", but that is something i really want to achieve some day. Then there is this Swiss Army Knive of a man, playing in a Band, playing in a Bigband, reinventing old classics, playing the Keys like a young god - how can you keep up with someone like him.

He sent me the first stem back then , i think in April 2021... and said that he want it to be our thing. There was a  toiletpaperroll kind of instructions which came along with it and music sheets which i really cannot read. Thank you, goddamn! AHahahah.  It is also slow, has various changes in timing and there is also a short variation in a part with a bpm change. 

Adding this into my DAW and setting it up was one thing, finding the right key to jam along with it and trying to go JAZZ was a complete different take. Holy SH*T. 

I prelistened alot this two milestone versions out there:
Thelonious Monk Quartet - 'Round Midnight -https://www.youtube.com/watch?v=-yg7aZpIXRI and
Miles Davis Quintet - 'Round Midnight - https://www.youtube.com/watch?v=GIgLt7LAZF0, and while doing so, i felt terrible feeble and developed some slight depression torwards the thing which Mr. Lüthi sent me. I was flatterned, that he thought i can keep up with something like that, but also frightened AF.

So i did listen to his version and i simply was not able to do it. I gladly was able to work on any music, but going 42 BPM, sorry, i fucking started going idle ... so slooooooooooow!!! (Remember : Dawn of Damn is 160 bpm - so this track here is a bout 4 times slower). After many months i finally set everything up and for another few months tried to play something to it - progress about to be aligned with those BPM hahah....

Late but nevertheless, the inspiration finally came and while i tried to line up with this jazzy thing, Florian wanted the FY - Mojo and Crazyness, so he completely changed the whole base for the song and bam bam bam - boomarang!! We both hope that you enjoy this new version of a classic which has been re-issued about 2000 times! We are pretty confident, that this version is quite different... :)

Thank you Florian for the possibility to do this with you and all your patience, your super cool uplifting attitude and positive and constructive critic! Also pretty happy, that he allowed me to collaborate with his unique drawing style. I really tried to adapt and went full drawing mode this time! This was so much fun!

All the best to all of you and a great 2k22 !
Yours,
CMD FY

FL: Base, Sub, Guitar, Beerbottle-Organ, Guitar FX, Drums, Pads, Coda and the THEREMIN!
FY: Trumpets, B3, Music-Box, Wolf-Keeper, Forest-Ambiance, Mix, Master

Check out this absolutely wonderful short video of the German Shepherd "Jedi" - who is kinda going nuts while listening to this one! -> https://www.youtube.com/watch?v=sfSLrQv_Tlc

'Round Midnight

'Round Midnight - Collab with Florian Lüthi

Error Call Hybrid Trap\Dubstep special experience Sound design By Egyptian Ground Music - { E.G.M}- Beat Maker @magdi-nabil
Free Download 2022

Magdi Nabil - Strange Phone Calls - Number

I AM HONORED TO HAVE DONE THIS BEAUTIFUL COLLAB (OUR FIRST AND NOT THE LAST) WITH THE GREAT JOHN PALMER https://soundcloud.com/john-palmer WHO I HAVE ADMIRED FOR A VERY LONG TIME AND THE TIMING WAS FINALLY RIGHT FOR US TO CREATE SOME MAGIC TOGETHER.  JOHN'S SILKY SMOOTH AND ON POINT VOCALS SIMPLY SHINE (I MADE CERTAIN THEY WERE THE FOCAL POINT) IN THIS TUNE.  THE MOTIVATION FOR THIS TUNE WAS ME PURGING SOME REAL DEMONS IN MY LIFE AND MOVING ON FROM THOSE WHO REALLY DO NOT HAVE MY BEST INTERESTS IN MIND AND WHO I REALIZED ARE ACTUALLY VERY SELF ABSORBED.  SO, THIS IS A CLEASING TUNE FOR ME.  I ASKED JOHN TO LAY DOWN SOME VOCALS BECAUSE I KNEW WHATEVER HE CAME UP WITH WOULD SIMPLY WORK, I NEVER HAD ANY DOUBT.  THIS IS THE KIND OF TUNE THAT YOU CAN HIT REPEAT TEN TIMES, LAY ON THE COUCH, AND FADE AWAY WITH A GOOD DRINK, A GOOD SMOKE, OR JUST BE WITH YOUR THOUGHTS, OR SIMPLY NONE AT ALL,,,BIG LOVE TO ALL AND THANK YOU JOHN, I AM HONORED TO HAVE COMPLETED THIS TUNE WITH YOU MY FRIEND.
VOCALS/SYNTH-JOHN PALMER https://soundcloud.com/john-palmer
PRODUCTION-ROOTS DUBMAN

REFLECTIONS NEVER LIE / ROOTS DUBMAN & JOHN PALMER

You need balance they say.
I curse the skies that turn to grey.
Far off where the sunset meets the sea
balance there was and balance there shall be.
--------------
Here is an acoustic track from our EP "Centurions"
This album features voice, piano and cajon. (plus ... a few other real instruments on other tracks) 

-----------------------------------------------------------------------------------------------------------
Mastered by Tainted Icarus https://soundcloud.com/taintedicarus
We highly recommend him if you need mastering help. Be sure to follow him on soundcloud. He is a great musician and a great guy!
----------------------------------------------------------------------------------------------------------

You need balance they say.
I curse the skies that turn to grey.
Far off where the sunset meets the sea
balance there was and balance there shall be.

We only need one wheel.
The smallest spark can start a flame.
We don't need any brakes
when we're driving insane.
Oh we're already gone.
No, it didn’t take long.
It's only one wheel. Only one wheel.

Bills note:
This EP and especially this song has been very difficult to put together. Yes, we wanted to release this in November but it just wouldn't happen. I tried but I'm a miserable failure.
Thank you Jeff for putting up with me ... again.
Melissa was able to make the melody work. She changed it from what I originally created and I'm glad for that! The result is quite good.
This is all real music and sounds quite similar to what someone could hear at the majority of our gigs these days.
We find ourselves doing quieter acoustic kind of shows, but hey, that's not a bad thing is it?
 (By the way - I really have no patience for people who put "helpful" comments about the sound of the kick drum or the snare or the synth sounds I used. THERE ARE NONE! It is just a piano, a voice and a cajon. https://en.wikipedia.org/wiki/Caj%C3%B3n That's all.)
Will is my right hand man. Hopefully you can hear the interplay between the piano and the percussion. To me, his percussion playing really adds a cathartic energy as the piece goes on.
Okay.
Enough of the rant.
I hope you enjoy the music.
If you've actually read this far then God bless you! You are truly the most important people in the world to us.
Imagine a small family living in the woods of New England making music that people all over the world listen to? since 2014 ... how cool is that?
Cheers,
Bill from NS

Balance

https://dominiquelebars1.bandcamp.com/album/mini-compil-1-chansons

Compil Chansons

Live Reflexion#033

Salut voilà la version trio enregistrée en live lors de la session du 08 mai 2025 à La Barraque Mirepoix (09) du morceau : "Rejet Pyramidal " extrait du set de Mathieu Torres Trio : https://youtu.be/y6GRZZ0K-xs

Rejet Pyramidal - Trio version - Video in description

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
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[ Facebook Page ]
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[ Twitter ]
https://twitter.com/NegaPhone

Youtube

Process

Cast of characters:
Jack Karasek — beats and seed idea
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer
TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production
This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it. 
  Oh, and just a side note for all of our friends who follow along with us, we won't be releasing a song this coming Friday, the 4th, but will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us! 


Throwing Rocks - The Eclectic Collective

On This Side Of The Blues

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation acoustic guitar, lead vocals, lyrics, and compostion
Scratch Kelly -- @scratchkelly — Sarah —  vocals
one man verity show – @one-man-verity-show – Scotty – Epiphone Casino melodic  electric guitar and vocals
Joe Stroffolino-- @joseph-stroffolino --  vocals
Mistermark-- @user-432503709 -- Mark – triangle and vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Llanpsych -- @llanpsych -- Tez – Tom Anderson Custom T electric guitrar, mix, and production
TexMex Shaman– @texmex-shaman –Stephen — Fender Stratocaster electric guitar, production, mix, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass

I just want to say I'm beyond honored to be the subject of such adoration from my musical family here. Carl really knows how to make a brother feel special, and he did it for me this time, with the help of some of our EC extended family. Here's Carl's write up. 
"Mr Bringer-er Together-er is Josh. You may also know him as artist Entheogenic Psychnought, or the spine of Eclectic Collective. We all came across Josh in our own lucky ways, but he really sets a high bar for spreading constructive musical love and encouragement on SoundCloud. This song started out as a comment. I (Carl/TBD) went to call Josh Mr Bringer-er Together-er and my phone auto corrected it. the next morning K2 swooped in and said what I wanted so I used that as a trigger for the song.
So, I had a rough arrangement. We then invited a few artists, except Josh, to paint it for him. Scratch Kelly, aka Sarah, beamed through some amazing vocals. Not long behind Joe Stroffolino painted in some brilliant backing vox. Then Scotty (One Man Verity Show) chimed in with some amazing guitar, trippy backing vocals, and the super artwork you get to enjoy. Mark brushed in a triangle and some vox, and then Ken added those trusty drums. Tez then strutted in and added some super lead guitar, and not far behind him was Stephen with some epic rhythm guitar that showed the way for the song from that point of view showing a much better space to all the other instruments than the original demo guitar. That was a lovely lesson on less is more...

The song was now ready to give to the main man for him to paint, and he chose his trusty bass to put some strawberries on his own musical cake.

I now stared at 37 tracks and went... Hmmm Stephen, Help! Stephen mixed and mastered it to its crisp current form, and it was a very difficult mix. He basically had to merge 3 projects to one and really aced the challenging mix and master like the true shaman he is. We hope you enjoy the song that brought us together again. May it give us more togetherness like Josh so wonderfully demonstrates everyday

You da brother man Josh 🤘🏽"

Lyrics

Magnet of human
Moulded by melody mind
Just jester Josh delivers this kind
Collective of creed worth all our belief
Friendship
Togetherness through skill and relief

Sharing, Caring
Composer of purr
Human vibrations of the highest occur
Let's celebrate this human some more
It's Mr Bringer-er together-er

Mr Bringer-er together-er
Mr Bringer-er together-er

Loving, Not shoving
Honing, Not moaning
Positive to give
In music he live
Loving his kids
Like he loves us
The luckiest kids who take this EC bus
Josh is the driver
Mr Music Jeez
More Mr Bringer-ers together-ers please

Mr Bringer-er together-er
Mr Bringer-er together-er

The Joshua Tree collecting collective
Physical dreams
Metaphysical pleasures
Skills. New.
Unconditional prime time
The only thing we tow is how we making new time line

Mr Bringer-er together-er

You are the rod
You cast your spinners
You reel us back in from lake bitter winter
It's Spring all the time in your World and Page
Our Mr Bringer-er together-er sage

We all love ya mate

Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo
Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo

Mr Bringerer Togetherer (Eclectic Collective with TBD, Scratch Kelly, Joe Stroffolino, and One MVS

The dream of flying , far from this world, with the beloved one....

On Oubliera

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering
This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens (Eclectic Collective)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


In My Memory

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