General Enquires: hello@atomnation.com
Bookings: pete@wearee.nl

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

«True Electric» returning to our roots within electronic music

Queer Dj - Producer - Promoter
HOUSE & ITALO RAVE
Boss: PWR RECORDS  -  POLIFONIC.MX
Resident: SUNDAY SUNDAY - PERVERT - FÜNK CLUB

MGMT: mgmt@mysteryaffairmusic.com
Promo: mysteryaffairmusic@gmail.com

contact:booking@djcharlymadrid.com

CHARLY, is a DJ & Producer who started his career in 2000. Whether it is House, Tech House, Techno or Progressive , he creates magical, electronic journeys in tune with what the audiences need to feel energized. 

As a producer, he is part of the roaster of Moonlife Records, Geometrical Records, Hypnothical Records and Modus Vivendi Records.  In 2024 he has launched his two  labels, DIESEL UNDERGROUND, focused on progressive and melodic techno, and DIESEL UNDERGROUND DARK, focused on techno. 

DJCHARLY has played at some of the most well know venues around the world like Alte Munze (Berlin), Bootshaus ( Cologne), DNA lounge (San Francisco), Electric Brixton (London), Fuse (Brussels), Fabrik (Madrid), Gashouder (Amsterdam), Fire (London), Input High Fidelity Dance Club (Barcelona), La Riviera (Madrid), KitKat Club (Berlin), Kapital (Madrid), Mantamar Beach Club (Puerto Vallarta), Metropol (Berlin), 1015 Folsom (San Francisco), Panama (Amsterdam), Razmatazz (Barcelona), Radion (Amsterdam), SteelYard (London), StudioClub (Malaga), Transformatorhuis (Amsterdam) or Westerunie (Amsterdam) among others. 

Thanks to his versatile talent many kinds of audiences embrace his extraordinary sessions in Festivals like:

Amsterdam Bear Pride
Bearsurrection Fort Lauderdele
Berlin Pride
Berlin Easter Fetish Week
Cologne Carnival
Cologne Pride
Darklands
Dorey Alley in San Francisco
Folsom Europe in Berlin
Folsom Street Fair in San Francisco
La Demence 35th Anniversary
Matinee Circuit Festival
Matinee Easter Festival 
Montreal Gay Pride
Matrix Sun Festival  Torremolinos
Madbear Torremolinos 
Madbear Madrid 
Milkshake Festival
Puerto Vallarta Halloween Weekend by Mantamar
San Francisco Pride 
Sitges Bear Week
Vancouver Pride
White Party Zurich 
WE NY Festival Madrid
WE Pride Festival Madrid
Sleazy Madrid Festival
Xlsior Mykonos

He is resident DJ of Angels Group (Switzerland),  BearNecessity (Amsterdam), MACHO Party (Spain) and Revolver Party Events (Berlin)

His gigs have included no less than internationally successful parties in:

AMSTERDAM
Bear Necessity
Fun House 
Milkshake Festival 2024
Strawberry Starlight 2026 powered by Milkshake Festival

ANTWERP
Darklands

BARCELONA
Circuit Festival
Matinee Easter Festival 2019

BANGKOK
Unload SongKran 2024

BERLÍN
Revolver@KitKatClub
Revolver@ClubOST
Wasteland Berlin
Instinkt by Revolver Easter BFL 2024
PIG Folsom Edition 2023
Beast- Revolver Pride Edition 2023
Mentabolism. Closing Party Folsom Europe Edition 2019

BRUSSELS
La Demence

COLOGNE
Greenkomm
Naughty
SEXY Party Carnival Edition 2020, Pride Edition 2021 & 14th Anniversary 2022

FORT LAUDERDELE
Eagle Wilton Manors

ISTANBUL
Stay Club 

LONDON
Beyond London
WE Party London 9th Anniversary

MADRID
MACHO Party (as part of WE PARTY Group) where he is its resident dj since 2017
Matinee Pervert Pride Edition 2024
WE World Pride Festival - Madrid 2017
WE Pride Festival 2018-2025
WE New Year Festival 2017-2024
MadBear 
Laboratorio Octogon
Sleazy Madrid Festival
Into the Tank
Odarko

MONTREAL
Bear Trap. Montreal Pride Edition 2018

MYKONOS
Xlsior Festival 

NEW YORK
Eagle New York
RAM Party

PARIS
Under

PALM SPRINGS
DILF Party

PUERTO VALLARTA
Mantamar Events

ROME
Muccassessina NYE Party 2023/2024

SEATTLE
The Cuff

SAN FRANCISCO
REAL BAD 30th  Edition in 2018. Headliner 
RITUAL. Dorey Alley Edition 2019 & 2022
PRIME Dorey Alley 2025
Big Muscle Bear Party Folsom Edition 2019
TORO@TrophyDad. SF Pride 2022 edition

STOCKHOLM
Xcape Party. Eclipse Edition March 2023

STUTTGART
Blow

TORREMOLINOS
Matrix Sun Festival 
Madbear Torremolinos 

VIENNA
Pitbull

VANCOUVER
Cruise Pride Edition 2024
GorgoMish Pride Edition 2024
Menagerie Vancouver Pride Edition 2023
Ruff Party. Gay Pride Edition 2019

WASHINGTON DC
MAL 2026 KINK by Kinetic events

ZURICH
White Party
Flash Party
Black Party

Huun-Huur-Tu (Tuvan: Хүн Хүртү Khün Khürtü, Russian: Хуун-Хуур-Ту) is a music group from Tuva, a Russian Federation republic situated on the Mongolian border.
The most distinctive characteristic of Huun Huur Tu’s music is throat singing, in which the singers sing both the note (drone) and the drone’s overtone(s), thus producing two or three notes simultaneously. The overtone may sound like a flute, whistle or bird, but is actually solely a product of the human voice.
The group primarily uses native Tuvan instruments such as the igil, khomus (Tuvan jaw harp), doshpuluur, and dünggür (shaman drum). However, in recent years, the group has begun to selectively incorporate western instruments, such as the guitar. While the thrust of Huun Huur Tu’s music is fundamentally indigenous Tuvan folk music, they also experiment with incorporating not only Western instruments, but electronic music as well.

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