@automeoton Thank you very much for listening and reposting! Glad you like it! :)

awesome dark enigmatic sounds, is like a garden of an unknown planet, really beautiful

Excellent ambient music. So deep and layered. 

The Secret Lives Of Beekeepers
By THE NEW REPUBLIC
March 11, 2009
On a sunny Saturday afternoon in mid-February, a small group of New Yorkers—beekeepers, environmentalists, and a handful of honey aficionados—huddled together in an empty SoHo office building for a local honey-tasting session. If this had been Portland or San Francisco, it wouldn't have been a notable event—just a harmless gathering of honey connoisseurs. But in New York, bees are classified under section 161.01 of the health code as "wild animals," and are just as illegal to own in the city as lions, cougars, alligators, or polar bears. So a local honey-tasting event is, in many ways, an act of political defiance.

09212018

And lonely when she left. 712 ( 1994 ) Margareta Theorin - Eddy Mango ( Margareta )

Rework 2025

Devilish People (Rework 2025)

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Incoming Age of Melancholy // Astaganaga Variation Single Cut

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lyrics written and narration provided by fictionalive

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music is a tiny excerpt with the title Astaganaga by Massada of an epic mighty double dutch DJ set spun by Cavaliere Spruzzi & Murphy at Kasheme, Zürich.

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vocal arrangements, production, final mix and drop by fictionalive

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listen to the full piece here: 
The Odyssey Begins - Incoming Age of Melancholy // a Variation
https://soundcloud.com/fictionalive/the-odyssey-begins-incoming-age-of-melancholy-a-variation?si=02010d6f661c424fac64a211cf6ddecc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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fusion of it all -
fictionalive with the popoems series and the hyper media reports

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dropped
tuesday, september 23rd, 2025
time - passes tick by click, it's
10 am central european ex-hot
summer time: honey, it's freezing -
put the heating on! winter is coming,
have a great day

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Incoming Age of Melancholy // Astaganaga Variation Single Cut

Part 4 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 4

Auteur : Claude Moine \ Compositeur : Pierre Papadiamandis
ISWC : T-003.027.119-2
Editeur : EM Production
Sortie : Octobre 1977

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English translation below the French
Lyrics link : https://www.google.com/search?sca_esv=637c0e90f834ed3d&q=paroles+de+eddy+mitchell+la+derni%C3%A8re+s%C3%A9ance&si=AMgyJEv17PWw0XQW3IlwXAKl7dSlPQF61q4qYdeyP6OamT3IFLvfsHCnTLI6T2AU5LF_XJ4OKyr6tEmG0ZJsdUWQElQ8NnRIp-z2Hek1emPY8Pj1C2qrK7U93ENbHWPLErKRx-DCe27eXLWdj15N3v-U80CJ6cJ1IflPjmzacLsAwgSPShJgsUp8ONjbP55km6uSH10vz30m&sa=X&ved=2ahUKEwi4it-1wu6PAxWQfaQEHXChD_MQv_UKegQIDBAD&biw=1406&bih=685&dpr=1.25

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Encore une fois, je fais honneur à la chanson Française.
_________________________________________________

J'aime bien ce morceau et cet artiste qui est très connu,
mais on n'entend pas beaucoup parler de lui...
Ce morceau est un extrait de l'album
"La Dernière Séance" enregistré à Nashville (Tennessee)

Cette chanson figurait dans le générique et
donnait son nom à une émission de télévision
animée par Eddy Mitchell lui même, de 1982 à 1998
qui était consacrée aux classiques du cinéma américain.
(dont je raffole)

J'adore aller au cinéma et toujours à la "dernière séance"...

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Once again, I honor French songs.
_________________________________________________

I like this track and this artist, who is very well-known (in France),
but we don't hear much about him...
This track is taken from the album
"La Dernière Séance" recorded in Nashville, Tennessee.

This song was featured in the credits and
leaved its name to a television show
hosted by Eddy Mitchell himself, from 1982 to 1998
dedicated to American cinema classics.
(which I love)

I love going to the movies, and always to the "last screening"...

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Vocal : Anh
Arrangement (Yamaha PSR-SX900) : Phong
Recorded : August 26, 2025

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La Dernière Séance - Cover (Eddy Mitchell)

Title: The House in the Woods, Part I
It was the kind of Sunday that felt like an Indian Summer—soft golden light filtering through the canopy, the hum of tires on gravel, and the scent of pine and late-blooming wildflowers drifting through the open windows. Harry and Elise had no destination, only the pleasure of each other's company and the winding road ahead.
As they rounded a bend, Elise leaned forward, her eyes catching something through the thicket.
“Darling, please slow down and turn around,” she said, her voice tinged with wonder. “Did you see that home back there?”
Harry glanced in the rearview mirror, puzzled. “No,” he replied, “but I’ll go back for you, dear.”
He reversed slowly, the tires crunching over fallen leaves. There, nestled deep in the woods at the end of a long dirt path, stood a Victorian house—its silhouette grand yet weary, like a forgotten melody. The gables were ornate, the windows tall and shuttered, and ivy curled around the porch railings like nature’s embrace.
Elise stepped out of the car, drawn as if by memory. “It looks like it’s been waiting,” she whispered.
Harry joined her, brushing aside a low-hanging branch. “Waiting for what?”
She didn’t answer. Instead, she walked toward the house, each step stirring the silence. The air grew cooler, the light dimmer beneath the trees. A strange feeling came over her being, as if someone was watching and following them.  A rusty hinged door creaked open with a cry, as the couple crossed the threshold into a place where time had folded in on itself. 
Inside, dust danced in shafts of light. A piano stood in the parlor, its keys yellowed but intact. Portraits lined the walls… faces half-faded, eyes that seemed to follow. Elise ran her fingers along the banister, pausing at a carved initial: E.
“Harry,” she said, her voice trembling, “I think I’ve been here before.” (To be continued... )

Music composed and performed by Jennifer L. Jones
Story Concept, Characters, Development of Story by Jennifer L. Jones with a little help from Copilot

The House in the Woods, Part 1

"Modular Residue"

Gimme / feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://www.looperman.com/acapellas/detail/16204/gimme-89bpm-pop-acapella
https://soundcloud.com/patriciaedwards
Paploviante:
E Bass, Composing, Arrangement, Mix and Mastering
Picture: AI Perchange

Gimme feat. Patricia Edwards-Papploviante

Back

How long

Call Me (Remix)

Let them be revealed in ash

Received a message from a well-known man (obviously delayed in the mail), whose ideals, while heard by some before, still hope toward to a brighter vision of tomorrow. Inspired by the intro of the past to offer this liberal interpretation...

The Message (Alzo Sprach Zarathustra - Intro) - Interp by Hverheij

nebula

Next mix. Now with stereo whistling in the outro!

Armaggedon's Yellow Moon (Take2)

I am an amateur musician.
I make music with "Magix Music Maker", because I can play the piano very little.
The singer in my tracks is not a human being. She is a synthesizer software named "Vocaloid Yukari".

Duke Ellington said there are only two kinds of music, good and bad.  Someday I hope to have my tracks fall to the former category. I figure I have 18 years to play at it. :)

nebula

anon8924

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No Mates Ensemble

Fernanda Hannah

J - J Harry

J.M. INC.

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