Классика

To have a muse, in person or in spirit, is an artist's greatest yet most fickle gift. This closes the loop, completing a set of 3. 

The Muse: http://soundcloud.com/oliversadie/the-muse
The Muse II: http://soundcloud.com/oliversadie/the-muse-ii

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Photograph © 2012-2013 <a href=https://www.facebook.com/photo.php?fbid=532762340073690&set=pb.156806751002586.-2207520000.1370912183.&type=3&theater>Cap Photography</A>.

Support Artist

The Muse III

November

9.  Attraversiamo - Dario Marianelli


Shigatsu wa Kimi no Uso Boku to Kimi to no Ongakuchou 四月は君の嘘 僕と君との音楽帳 (Download) 

(MP3/320K/BK) Release (2014.11.19)

Tracklist 

01 Piano Sonata No. 14 <Moonlight> Third Movement
02 Violin Sonata No. 9 <Kreutzer> First Movement
03 Introduction and Rondo Capriccioso
04 Étude in C-sharp minor, Op. 10, No. 4
05 Étude in A minor, Op. 25, No. 11 <Winter Wind>
06 Étude in E minor, Op. 25, No. 5
07 Love’s Sorrow
08 Love’s Sorrow (Piano Solo Version)
09 Étude in D-sharp minor, Op. 8, No. 12
10 Clair de Lune
11 Pavane Pour une Infante Défunte
12 ‘Waltz’ from “The Sleeping Beauty” (Piano Duet Version)
13 Étude in C minor, Op. 10, No. 12 <Revolutionary Étude>
14 Ballade No. 1 in G minor, Op. 23


03 Introduction and Rondo Capriccioso

Tony Anderson
https://soundcloud.com/23violins
http://www.tonyandersonmusic.com
https://www.facebook.com/tonyanderson
https://twitter.com/tonypterodactyl

Picture by Shane Black
http://www.shaneblackphoto.com

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Download

Tony Anderson - Eyes Wide Open

Piano Concerto No.2 in C minor, Op.18- 2. Adagio sostenuto

Rachmaninov - piano concerto No.2 (Adagio sostenuto)

We can never tire of this delicious piece!

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Clair de Lune - Debussy

Music; Yuriko Nakamura
Original song album; Many Thanks to You
Cover Piano Solo; Tomoki Umeda

Piano Ballad  時は優しく流れて

DOWNLOAD
Bandcamp: http://bit.ly/2nrRo7g
iTunes: https://apple.co/2En47jt

STREAM
Spotify: http://spoti.fi/2FpEH3S
AppleMusic: https://apple.co/2BCAiZ6

WATCH VIDEOCLIP
Vimeo: http://bit.ly/2BCqu1p

'Tambour - Silhouettes'
Co-produced by Pietro Amato and mixed by Mark Lawson (Arcade Fire’s collaborators) - the eight minute piece in two movements juxtaposes an intimate, slow moving opening that is overtaken by a series of gripping, ambitious orchestral swells in the second half. Pairing delicate, melodic piano with lush string and horn sections, the track displays Tambour (Simon P. Castonguay) at his best: patient, carefully constructed arrangements that are at once full of life and vivid imagery…

Silhouettes

Tambour - Silhouettes

First song of my new album 'I thought you would give me a place'.
Very excited to share it.
Please 'Repost' if you deem it worthy!
Facebook: https://www.facebook.com/aCeruleanState
Spotify: https://open.spotify.com/artist/3zZFuygq2bubBNoZkpArom
Bandcamp: https://aceruleanstate.bandcamp.com/

I thought you would give me a place

Support

The warmth I searched for

chapter 3/7

//aethoro
//fable

OUT_NOW: https://aethoro.bandcamp.com/album/fable

https://twitter.com/aethoro

Fable

Life

Ilya Kuznetsov & Mapps - Anticipation [2018]

Support on iTunes/Apple Music: apple.co/2FJy7VH
Support on Spotify: spoti.fi/2HPFfG9
License: https://musicvine.com/track/ilya-kuznetsov/anticipation

Mapps:
https://soundcloud.com/officialmapps
www.twitter.com/officialmapps
www.facebook.com/officialmapps/

Spotify

Ilya Kuznetsov & Mapps - Anticipation

More on YouTube: http://www.youtube.com/watch?v=9lKofYUaDTk

Chopin – Nocturne Op. 9 No. 2

Return

Spacca

From my new album, "Illumination", coming July 16, 2012.  This is my arrangement of Clint Mansell's "requiem For a Dream" (Lux Aeterna), originally from the soundtrack of the movie "Requiem For a Dream".  This is a piano-based classical crossover version. Enjoy.

Requiem For a Dream

Songs From Rainbow Hill

Ben Crosland - First Rain of Summer

The Biber Project is a live performance in which the interpretation and recreation of the Baroque repertoire merge with sonic experimentation and interaction.

The musical studio is a broad-spectrum cognitive pathway that through interpretations, new readings, audio manipulations, original and recomposed tracks, investigates the expressive canons of the seventeenth century.
The idea was born when the soundtrack was written for the Ginevra Napoleoni's installation named "Pieghe". Following the performance requirements, I revisited, on that occasion, the Rosary Sonatas by Heinrich Ignaz Franz Biber.
The assumptions were two well-defined axioms, set together: the baroque proportion of the forms seen in its inter-penetration between the parts and the material singularity of the fragments that assume, in a macroscopic view, their autonomous architectural identity.
The Biber Project seeks its DNA in this geometric reconstruction that follows the numeric proportions of the Golden Section. A sort of great instrumental suite, a unique act that flows into a continuous stream of experimentation and formal purism in an articulate sound vision half-way between the recital and the live musical direction.

Tracklist

Johann Sebastian Bach
Preludio in Do Maggiore dal Clavicembalo Ben Temperato , Vol.1
(live)

Luca Longobardi
Jeudi  (original composition, live)

Heinrich Ignaz Franz Biber
Sonata del Rosario n.1 - L’Annunciazione
(mechanical + sound manipulation)

Domenico Scarlatti
Sonata in Do# minore K.247
(live)

Luca Longobardi
Mutazione #1 (original composition, live)

Johann Sebastian Bach
Preludio in Fa Minore dal Clavicembalo Ben Temperato , Vol.1
(recomposed, live))

Vivaldi - Richter
La Primavera
(mechanical + live)

Georg Friedrich Händel
Sarabande
(recomposed, mechanical + live)

The Biber Project - Corde, Tasti, Numeri

Ten directions is a Eastern cosmogony’s term that means "in all directions throughout the space." These directions are the eight of the compass: east, south-east, south, southwest, west, north-west, north, north-east, plus the Nadir – to the down - and Zenit - at the top.  These "Ten directions" are often matched to past, present and future to describe the set of all places – Ten Directions - and times - Three Times.
 At any time and in any place existed a sound that awakens and resonates at a specific emotional state. A call that is heard and collected by those who were looking for it for a long time and in any direction.
 
While playing or composing, I take refuge into myself, directing the sound through the ten directions of space. Then, I let my thoughts meander both in the internal direction, the innerself, and in the outer, the discovery and the meeting. The union of these two states arouses emotion, subtle matter that can be felt by those who are listening and are on the same frequency and in tune.

 The launch of the thought starts from the silence, and then, one key after another, starts moving and traveling through the air like an arrow into space. The sound is without obstacles, in the ten directions, and resonates through the invisible world of vibrations. Announces itself and enters the inner space. It comes to ears, the hearing organ, and shakes all the other senses. It kidnaps, touch the nerve centre and pervades us. It meets and joins up with something that is already there, and is welcomed as it was expected all along.

 The sound is clear, it radiates and spreads everywhere, and comes back, in a two-way process, creating contact points and unexplained bridges. Is a dimension that affects and charms because we recognize it, surprised and excited at the same time. As a light, it illuminates hidden areas through the mind and the heart, and reaches the deepest part of our inner. The listener and the player finds themselves alive in a sensitive state, and this sharing creates the communion, the union of sound and spirit, music and noise away from fiction, which dwells always and everywhere in the ten directions.

Ten directions - Handel Hendrix House

Select your favorite platform: ampl.ink/gyEw9
'Solemnis' was composed and released through Sanfilippo's personal Label ad21 in Buenos Aires, just the year of its foundation, in 1998. This work was opportunely presented in Compact Disc (1.000 copies). In the creation process Bruno used - as in the previous two albums still discontinued - a MIDI sequencer Alesis MMT-8, a Kawai K4r synthesizer, the Ensoniq EPS 16+ sampler, the EMU Proteus 2 and 3, and an Alesis Quadraverb processor, today those are clearly vintage...

Recorded by Bruno Sanfilippo at Osiris Studio, Buenos Aires, 1997
Assistant Engineer: J.Manuel 'Puppy' Bordiga
Graphic Design: Adrián Segal
Cover Illustration: Sebastián Drouville
Mastered CD by Javier Cosentino,  Buenos Aires, 1997
Remastered at Splendour Mastering, Barcelona, 2019

Bruno is an Argentinian classically trained musician, producer, and composer based in Barcelona who writes for strings, piano, and electronics.  In 1998 he started as a producer for ad21, a personal platform and label. His Piano Textures series, started in 2007, is one of Sanfilippo’s most representative set of recordings, but he has also gained wider recognition in modern music – one of his piano compositions formed the basis for Canadian rapper Drake’s seminal hit, ‘Started From The Bottom’.

www.bruno-sanfilippo.com

Solemnis (Remastered)

Solemnis

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[ES]
Os invito a escuchar mi última grabación "Atrapar una nube con las manos" con la colaboración de Ignacio Nuñez (un gran compositor). Es un tema muy especial para nosotros. Es muy emocional. Esperamos que os guste. Saludos!

[EN]
I invite you to listen to my latest recording "Atrapar una nube con las manos" with my partner Ignacio Nuñez (A great composer). The song is very special to us. It´s very emotional.I hope we enjoy it. Best wishes!


Классика

Tonadus