HOLA 
POSEIDO DON FLOW,
NACIO EL 03 DE FEBRERO DEL 1996. EN QUITO EN SAN BLAS 
HIJO DE NARCISA CULQUI Y ANTONIO URREA.
SUS PRINCIPIOS DE NIÑEZ FUE DESDE LOS 05 AÑOS VIVO  EN EL BARRIO LA PULIDA EN EL NORTE DE LA CAPITAL DE QUITO CON SU TIA.
EN EL CUAL SE INFLUENCIA EN EL ARTE URBANO DESDE MUY TEMPRANA EDAD CON SUS PRIMOS EDWIN CON 18 AÑOS DE EDAD  Y  FABIAN CON 22 AÑOS 
TENÍAN EL ARTE DE RAP HIP HOP EN CASET Y VINILOS LOS MAS CONOCIDOS GUDMAN Y DISMAN  RECUERO QUE UNA VEZ QUE ME COJI UN GUDMAN DE FABIAN  EN EL CUAL TENIA UN CASET DE COLOR DE ORO EN EL CUAL TENIA ESCRITO EL NOMBRE DEL CANTOR  (VICO C) EL TEMA EL  tony presidio CONOCIDO ACTUAL MENTE POR EL FILOSOFO DEL RAP LO CUAL ME GUSTO SU CONTENIDO SU RITMO Y SU PALABRA Y EL AMOR QUE METÍA AL CANTAR.
PASO EL TIEMPO Y LLEGUE A LA ADOLESCENCIA  ALAS 12 AÑOS DE EDAD EL AMOR AL ARTE SE HIZO MAS GRANDE CADA DÍA COMO UN ADICCIÓN AL SPRAY Y RITMO DE RAP TENIA CUADERNOS LLENOS DE MÚSICA BOCETOS ETC LOS REPASABA CONTASTE MENTE CADA DÍA SIN PASAR EN ALTO HASTA QUE LLEGUE A CONOCER A LOS COLEGAS DEL BARRIO EN EL CUAL FORMAMOS UN GRUPO DE 20 ENTRE GRAFITEROS MC,S BIG BOY, EL NOMBRE ES DETONADO CULTURA ESTATAL FUE UN GRUPO DE MAS QUE AMIGOS HERMANOS PERO TODO CAMBIA EL TIEMPO LA DISTANCIA Y LOS PROBLEMAS NO FALTAN EN UN GRUPO POR UN LIDER. 
LLEGO UN DÍA DE GRABACIÓN A MI CASA EN EL CUAL TENÍAMOS UNA COMPUTADORA DE ESCRITORIO Y UN MICRÓFONO DE KARAOKE CON EL PROGRAMA ADOBE ADICIÓN 1.5 CON MI AMIGO DR DECKO ESPESAMOS A PLASMAR LÍRICA (NL GFS)  LO CUAL ME INFLUENCIA MAS EN EL ARTE Y ATARME A SEGUIR CON EL HIP HOP CON UNIÓN  SALIENDO A CONOCER EL AMBIENTE DEL HIP HOP A EXPERIMENTAR COSAS NUEVAS DE MI PARTE 

MAS DETALLES EN BORRADOR

“Underdog, underrated, demonstrating un-brokenness...(They)Figure if I fall off I’ll fade off to nothingness”--Joe-G, “Struggle All My Life”. 
March 29, 1978 : An innocent baby boy is born to a teenage mother. He’s passed around until he settles with a family member. There are other children present who think that it would be fun to spray the baby with oven cleaner. Unsupervised, they creep into the room, and pull the blankets off of the sleeping infant. They cover him from head to toe, including his mouth and nose, with the toxic chemical spray. When he opens his mouth to scream, they spray the toxin into his mouth. The baby sustains burns over the entire front of his body. He escapes death... 
That baby was Joe-G. From the start it would seem that he was not destined to survive. He has beaten the odds time and again to rise like a phoenix from the flames and ashes of defeat, loss, pain, deception, and betrayal. He memorializes the good and the horrid in his life through freestyle and written verses. He shows a vulnerability that is rare in an industry overrun with artists who glamorize detachment and materialism. 
His work ethic is impressive. He has, to date, completed 4 mix tape albums in one year. Despite having no sponsors, a tiny budget and a growing family, Joe-G continues to create content for his label RUI Records/ENT. His vision includes a comedy sketch show, a podcast, a mini-movie, and a web series. Through collaborations with  and Thighbone Industries, these projects are all in development. 
Stay tuned to more from this incredible artist, producer, writer, inventor, and visionary. He can be found on ReverbNation by clicking the link:www.reverbnation.com/joeg2. He’s also on SoundCloud at www.soundcloud.com/joe-g. His first video from the mix tape album “Thug Revelations, Volume 1” can be found on YouTube by clicking the link:https://youtu.be/hDz2TmOtvJA.
RUI anchor artist and CEO Joe-G joins Soundcloud to share his bounty of music from his 4 albums to-date. They include tracks from "Thug Revelations Volume 1", "Joe-G Presents: Joey Gallo"," Thug Revelations Volume 2", and "High Voltage". All completed in the last year and recorded at the legendary Grill Studios in Emeryville,CA.

Wasted Image is a Electro/Hip Hop group from san Diego, Ca. It consists of three brothers from the same mother. D Spray (Dustin Ray, writer and vocals) Jesse J (Jesse Ray, Producer, Writer and vocals) and Boy Wonder (Zack Ray, Writer and vocals). They grouped together and started creating original music in late 2010. Since they have had many successfule performences and put out multiple fresh and innovative songs. All their usic is written, composed, and produced by them. All music up is free as they will be working on their first retail album for the very near future. Check them out and enjoy!

Shawn's BIO: 

Back in the days Shawn learned and lived as much of the Hip Hop culture as he could (check Blaze Magazine which mentions Shawn as being the godfather of the Salt Lake City hip hop and House scene ). As a break-dancer, graffiti artist and emcee, Shawn was living the culture and quickly developed an ear for the music people wanted to party to. Putting two records on the turntable and breakin' to the sounds of early Soul influenced Dance Music, Hip-Hop and Techno-Funk helped Shawn develop a vibrant passion for a DJ culture and the music associated with it. 

Holding his own with turntable skills refined since his humble beginnings, Phillips perfected different scratching techniques and learned how to "quick mix" 50 records in 25 minutes. He also produced numerous 4 track edited "quick mix" tapes which showcased his unique style. "I remembered our Mom allowed us to fix up and spray paint the basement of her house so that we could practice all night." Shawn was so good at Poppin’, Lockin’ and breakin, he performed in numerous shows and concerts also appearing at the Salt Palace during the halftime of a Utah Jazz game. 

While living in the Bay Area, Shawn observed and replicated well known DJs such as Cameron Paul, and others , perfecting skills and marketing strategy one step further, with his own radio and club events. 

Shawn then hooked up with Sam Smith (a well known radio DJ) at Salt Lake's KCRL 91 FM and began to expose his mixing ability and musical selection to the station's audience. Soon thereafter, Phillips was hired to spin at "The Bay," one of Salt Lake City's largest night clubs. Once behind the decks, Shawn sharpened his club skills, learning how to take control of a crowd through the music AND his own mixing ability. Through the years Shawn continued to be responsible for the success of all of the big dance clubs in Utah. From The Bay to Jags to The Vortex to Bricks (Club Sound) and Club Axis (and many more), Shawn was the musical genius behind them all. It is also noted that Shawn was the first to break new genres of music in Utah such as Hip-Hop and House Music. 

In the 90’s after working for 5 different radio stations, Phillips locked down a gig at KZHT 94.9 (now 97.1), Salt Lake City's first Dance and Urban radio station (now mainstream top 40), programming Hip-Hop, R&B, techno and house mix shows for the past 15 years, (personally creating, producing and hosting one of the longest running “Underground HOUSE shows” in the US called THE VYBE) lasting through many ownership changes at the station. Shawn also produced, created and maintaned Utah's first ever Hip-Hop commercial radio program called "The Tossed Salad Show". One must note that Shawn was the first DJ to ever have a mix show in Utah on a commercial radio station. 
Interesting fact is that in the late 90's early 2000's Shawn was deejaying live @ one club while his pre-recorded mix was rocking another club and his mixshow was on the radio for 4 hours all at the same time. 

Shawn has worked with the biggest names in the industry. He has deejayed for and worked with numerous artists including: 

RUN DMC, SOS Band, Gap Band, Kurtis Blow, Sugarhill gang, Roger and Zapp, Rose Royce, Boys II Men, Chaka Khan, The Jets, Lakeside, Whodini, Ce Ce Peniston, Montell Jordan, Coolio, Groove Theory, PM Dawn, Monica, Naughty by nature, The Baka boys, Lighter Shade of brown, Skee-lo, Digital Underground, LaBouche, Ace of Base, The Real McCoy, Jocelyn Enriquez, U-Krew, Maxi Priest, Planet Soul, Groove Theory, Max-A-Million, Brandy, Usher, Tia Carrere, India, Joey Kidd, Grand Master Flash, Dj Jazzy Jeff, Mixmaster Mike, DJ Spinbad, Guru, Louie Vega, Kenny Dope, Johnny D, Todd Terry, Davidson Ospina, Brian Tappert, Erick Morillo, Moby, Funky Green Dogs, Georgie Porgie, Xavier Joshua, Maurice Joshua, Bad Boy Bill, DJ Lynnwood, Paul Johnson, Richard Humpty Vission, Ian Pooley, Roger Sanchez, DJ Spen, DJ Oji, Jose Nunez, Grant Nelson, Eddie Amador, Benji Candelerio, DJ Dan, DJ Icey, Swedish Egil, Pete Heller, Armand Van Helden, Miranda, Groove junkies, Mijangos, Moby, DJ Groove, Dj Enrie, DJ Midi-Mac, Paul Oakenfold, Tony B., DJ Sneak, Derrick May, Mark Farina, , Mousse-t, Doc Martin, Boris Dlugosh, Kerri Chandler, Lego, Richard F., Jesse Saunders, Dj Disciple, Kerri Chandler, Steve Silk Hurley, Bear-who, Mike Rizzo, Juan Atikins, Juan Martinez, Mike Flores, DJ Irene, Tiesto, Frankie Bones, DJ Trajic, A-Track, Diplo, AfroJack, Kaskade, Alex Boye’ and many many more… 

In addition to Shawn's years of experience in the clubs and on radio, he's also maintained close ties to the national dance music industry. Through his Billboard and Dance Music Authority and other world known dj magazines, Shawn was eventually recognized for his contributions by being named Billboard Reporting DJ of the year at the Winter Music Conference 1999, the world's leading dance music industry convention. Shawn was also awarded the prestigious “CLUB DJ of the YEAR” in 2000. 

In 2000 Shawn, partner Dave Altamirano and sister J. Love co-produced "Alright" with Los Angeles superstar DJ, Richard "Humpty" Vission for Tommy Boy Records Silver Label. Thus resulting in a Grammy nomination for Richard for this exact song!!!!! 

Deejaying is about exposing the music that creates memories for that moment in time. Deejays have the ability to take you back or move you forward. They have the ability to teach you and to lift you up. It is the responsibility of a dj to expose the music that otherwise doesn’t get promoted. The dj should make you DANCE and remember that life is worth celebrating. 

“Come back to Life, happiness and love while playing music”. You should be able to let your worries and weekly stress go while listening, dancing or watching a DJ. 
DJ’s should not only blend two records together but with today’s technology create a collage of sound and feeling to LIFT and INSPIRE your crowds! 

Today more than ever with the state of our world we need to enjoy GOOD MUSIC! We need to experience the exhilarating sensation while the DJ takes you higher. We need to allow music to bring us together for a brighter tomorrow! 

2007-2009 Shawn Phillips MOVIN 100.7 in Salt Lake City. You could hear him in the mix every weekday @ 12 noon, 5pm and Fri & Sat Nights from 7pm til 2am...

Today Shawn continues to be heard around the country with his exclusive mixes found on satellite, terrestrial and internet radio.He is also working with Dave Altamirano 9th & Shunk on new projects including fresh new sounds and artists to rock the world!!! 

Shawn can also be heard and seen at local Utah clubs (Dojo, Metro, Club One, Zest, The Basement, Club Sound, Urban Lounge, Gracie's, The Depot, The Complex, Downstairs, Circle Lounge, Lumpy's, Brighton Ski Resort, Snowbird,  Sundance Film Festival, Cisero's, Epic, Kristauf's, Mo's Bar & grill, Studio 600 and hundreds of events and concerts), and numerous venues across America!

Whether it is his quick many styles mash-up sound or his love with HOUSE music, Shawn continues to pioneer the next level in the world of the REAL DJ!

“There’s not a problem I can’t fix, cause I can do it in the mix” – Last Night a DJ Saved My Life 

Bookings: 435.201.0706
latterdaysoul@me.com

Utah & Las Vegas Bookings:
stephaniepowermedia@gmail.com
Office: 702.763-7430

Brother Leap was formed in 2010 to put together modern jazz (Hal Onserud on bass, Rob Wallace as percussionist) and Peter Marin's poetry about the homeless. The name of the group was created by putting together the letters of the first names of its members rearranged appropriately.

The poems themselves were chosen from among those written over a ten year period, when Marin spent time, off and on, on the streets and in the shelters of various cities in order to see homelessness for himself and to hear about it from those in the streets. Oddly enough, there are at least a few convergences among some of the natures and experiences of the homeless and those of certain artists, writers and musicians. What they share is a way of seeing into the world from the outside, of understanding certain things about the world others do not, of making lives "beyond the pale" out of choice or necessity. The Irish dramatist Synge once commented that, in Ireland, if you were rebellious, discontent or at odds with the world you became a vagabond and tramp if you were poor; if you were better off, you became an artist, a writer or musician.

Is that true in America? Maybe not entirely. But surely a relationship of some kind still exists between the homeless and poets and musicians like those in Brother Leap who struggle at the edges of society or rebel against it.

No doubt, of course, the homeless suffer these days in ways that few artists do. There is something terrible at work in our nation that does not presently get the attention it should. In every American city there exists a world, with countless inhabitants, everyone wants to pretend does not exist. And maybe one of the many jobs of artists to draw attention to it -- the way Synge and O'Casey did in Ireland,or John Steinbeck, in America, in The Grapes of Wrath.

Thus, the words and music in MARGINS are meant to convey a bit of the reality out there on the margins of America but also right here among us: on our corners, in our alleys and abandoned buildings, in forgotten subway, in shelters and missions. It is there (and, we hope,  in these words and this music) you find the insulted and injured, the throwaway people drowning individually in a sea of cruelty, indifference and, yes, sometimes hatred.

Brother Leap tries to give voice to the voiceless, to make you look, if only for a moment, at those who otherwise remain invisible. We hope you will find beauty as well as sorrow here, and at least a bit of joy and humor within the pain and difficulty of the men and difficult of the men and women exiled and forgotten within their own country. That too is part of homelessness. "Joy weeps,"  Blake said, "sorrow laughs."




The artist known as Ito has been on a journey very similar to the music that he loves. Reggaeton started in Latin America, and when it exploded in Puerto Rico, Ito was practically born into the beat of the snare. From Puerto Rico he moved to New Jersey, and when he was four years old heard his father, Sugal Boy, recording a song onto a cassette tape. He grabbed ahold of the rhythm and the lyrics and would endlessly rap that song to everyone he saw for the next four years. His father must have known that his music would become his son's music even as Reggaeton was being suppressed by the Puerto Rican upper class. Ito and Reggaeton had moved to the big stage of America where Reggaeton was set to blow up from the underground into the mainstream.

Spanish is his first language but he nearly forgot it once he learned English from school and his new friends. As a teen he moved to Sacramento and decided that his music should reflect his father and the roots of Reggaeton, and switched back to rapping in Spanish. Eager to perform, he pestered the administrators at his high school for a chance to shine at a rally, presentation, anything. When they finally gave him the chance he got up in front of five hundred of his schoolmates and blew them away. His popularity in school went through the roof, and he began entering talent shows, festivals, and community events.

The young man with the Spanish audio attack got questions from all sides about Reggaeton and why he raps in Spanish. "Well, first of all it's in my blood to do what I do - and what I do is rap in Spanish and to make it more interesting. I love to share my talent with not only Latin America but also the United States."

In March of 2007 Ito traveled to Miami to see the Reggaeton scene. He met Daddy Yankee on Univision's Sabado Gigante with his uncle Jose Luis (aka Josenigma/The Spray Master). Because Reggaeton is only now really making inroads into the mainstream, it is hard to explain how amazing such an event is for Ito. Think of a rock fan getting to meet The Beatles onstage and having them give you music tips and you might be getting close to the feeling.



In 2005, David Thomas stage name King David emerged from the small town of Prichard, Alabama as the C.E.O. of Lordstyle Entertainment to begin leading the way for all hip-hop artists in Alabama. Lordstyle was created in dedication of King David's long-time friend Edwan Hosey whose life-long dream was to create music. King David started Lordstyle Entertainment with a vision, a few artists and two m
odels. After realizing it was going to take more than nurturing his artists in the way he wanted them to grow, King David took it upon himself to begin dropping mix tapes. “Back to Skool” was the first street banger to come out of the Lordstyle camp followed by “Hard Hittin' Hillbillies” Vol.1, “Stuck In That Alabama” Mud Vol.1, “Roach Spray,” and the “Lordstyle Mafia Mixtape” Hosted by Mr. 2 Official. The most current mix-tape King David was featured on in 2011 is “I Am Alabama” Hosted by DJ Frank White 97.9 Jamz , King David has also been featured on many other mixtapes such as: DJ Ames "The UK's Mixtape Messiah" Grind Time hosted by Murphy Lee, DJ Chief Hustle Boy's Hoods Of America, Smush'in Dez Roaches hosted by DJ Jukebox at 95.7 Jamz, DJ Frank White's Gump's Most Hated Vols.1&3, and King David also plans to drop his first full length album by the end of January 2012. King David has never been modest on his journey to greatness, and on any given day you can catch him hard on the grind in the streets passing out fliers and cd's, hanging posters, or on the internet promoting his music worldwide. In 2007 King David was finally recognized for his superior grind style by Dead Serious T.V. in Auburn Alabama. King David was nominated for the Dead Serious Award On the Grind, and won. In 2008 King David was invited back to the Dead Serious Awards winning the coveted Internet Swag award, and was also nominated for the Most Hustle award and the Impact Artist of the Year award. King David was nominated for the 2009 “Indy Rap” Artist of the year by the S.E.A (Southeren Entertainment Award) and also received “Mix-Tape Artist” of the year in 2011. King David has recived a total of four awards from Real Talk Magazine the first award received in 2009 the “Hardest Grinding Artist” and then in 2011 he received three additional awards for “Industry hustler”, “Impact Artist” and another award for “Hardest Grinding Artsit” all by Real Talk Magazine. King David was also featured in the second issue of Real Talk Magazine in 2008. In addition to being a C.E.O and artist King David is also a skilled business man. In 2006 he started a partnership with the Yang boys, Sonny and Tony, creating custom gold grillz and jewelry, and most recently King David has ventured into the film industry with the creation of his first motion film entitled "Tables" LORDSTYLE COMING THROUGH!!!!

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