

¢
funereal bowsprit. does the current
plumb that deep. was Laika felt that
strongly. she lived so short. did shelaika was the first living thing launched into space by humans.  laika was the sole passenger of sputnik 2.  she did not come back.  
continue on. broke from her vessel.
out of the lamp. the cat let out of
the bag.

then free of her metal shell. the
final point realized. needless
inorganic weight.

no thoughts need be kept in her canine
mind of hunger. the deep down code of
breathing could finally be ignored.

she opened her lungs to the void.

the matters of matter & physics &
necessary implosion we'll leave
behind here. beloved science thrown
to the ratrace. much less wayside.

gone by.

                   her jaws hung wide. in awe. disbelief.
                   she'd been flung first by slavic men
                   in a tincan from the kremlin's steps
                   up. up. and she was the first living
                   breathing beast.

                   flung now or freed. slipped easily
                   from a weird exoskeleton(most appear
                   so). stepped. fetched into the vacuum.
                   the open of space. this shell. carapace
                   fell. flung to burn in an uninviting
                   atmosphere.


         and she in her
         freedom. thought
         (and less than that).
         howled.
¢



¢
the cold calculation of instrumentation
       kept her in cage or capsule. thrust into
       the void in three stages. ninehundredthirtyseven
       miles up. (moscow to berlin)

space capsule. a dose of this world.
from this world. out of the outer
atmosphere. long notes. whole notes.
with nothing to carry them through space.
no means of being heard for that dog's
howl.

                       in the vacuum. absence. of objects.
                       matter. to reflect waves of sound.

but this interstellar beast.
wanderer of the space between.
the nothing that makes up the universe.

a dog breathing nothing exhales nothing.
her voice with no reflection accrues the
interest and qualities of light.

               it is heard as she approaches.


                       she follows closely.
                       speed, linear scale of time
                       unknown.

that wide held mouth's call persists.
¢

¢
it cant be said she had a
rachetty little ass and a
skirt all the boys liked
to chase. a shade in other ways.
she moved like the faint
distinction of colors in
the sky.


         an orbital albatross throughout
         an expanding fluid temporal
         depiction.

         canis. astral genus
         of an openended landscape. Laika
         a fledgling member. out of the
         nest.

         she caught a scent. struck a warm
         track. the natural thing. she
         followed the trail around imposing
         stellar organizations to its source.
¢
¢
         whether euthanasia or starvation
      were stated. released. a week.
      seven of the hundredeightytwo days.
      each orbit. a hundredtwo minutes.
      the second agent of man. machined.
      handbuilt. ferried out of the atmosphere
      in stages to circle the earth.
      cyclical consternation.

      and the first living breathing
      creature. a barker. biological
      observations transmitted from
      the ring described around the
      earth. (we all fall down) across
      a now-laden sky.


bowtie and tophat signs
of that celestial circus
enmeshed in orbit. in
rings. in unprecedented
sideshows. barked told
sold woven through the
stellar joyride of man-
made machine and man's
best friend.

                   the gambit there still lies in
                   belief. is the ringmaster's
                   rote or spontaneous ditty. his
                   bark. her call. the whole truth.
                   the way things really happened.

                         Laika's heart-rate. respiration.
                         biological observations. a week's
                         worth of reportage. taken down
                         in a scientific shorthand of
                         peaks and valleys. faded those
                         seven days. at the close no
                         weekend holiday.
¢
¢
 ivan or yuri or kasimir
          kept count of those beats
          tallied like meals on a
          prison wall.
                        cellular history.
          and one man. surely someone.
          kept the gravity of those
          tally marks. those primitive
          scratches in crumbling plaster
          to heart.


ivan or yuri or kasimir
surely one. esteemed the
moment the switch was
flipped. button pressed.
final breath was drawn.



                     then like a family pet's
                     fatal communion with a
                     speeding fender or whitewall
                     or the last quiet gasp
                     in a porch shaded by an
                     elder tree.
                                 Laika expired.
                     or transmuted. or escaped.
                     was freed of mechanical bonds.
                     of canine capsule.
                     zero gravity be damned.
                                              Laika
                     proceeded.
                                with the actions.
                     (if you'll allow those steps)
                     of history's initial spacewalk.
                     a cyclical hunt that continues.
                     unhindered in the void.
                     leashless.

                     big game or smaller targets
                     pursued by this spacedog.
                     free to follow.
¢
¢
the coarse wintry night of space
         feathered her fur with spacedust
         and cosmic rays. she forced this
         trail. kept up to its warmth. to
         tree or bay quarry.
                             to prey on
         what led her where.


wings. in another medium.
in an atmosphere. anyplace
else. would have been a
natural development.

but propulsion of that
variety. there. here in
space. would prove
useless.

so she went
without wings.
with no
noticeable means
of propulsion
past her gait.

                             a gait that far exceeded
                             any measured run within
                             the confines of earth. she
                             lit out across an expanse
                             of universe like
your neighbor's backyard.

¢

¢
thusly morning began or continued
                       Laika was free of her space capsule
                       released by time or necessity or myth

               she climbed.  for every direction in space
               is up from the right angle.  up & out
               from an infinite point.

                                       she climbed or descended
                                       to the center of a changing
                                       amorphous formation.
                                       expanding by law and theory.

       arithmetically impossible.
       she traveled at a speed
       that surpassed electricity
       without time.

       travel without time or measure.
       distance. milemarkers and lightyears
       ignored.
¢
¢
Laika.  Laaaiiikkaaa…
across a fertile valley
packed to the rafters
with game and peril.
peril put to ease
by a dog.


                       she runs through tall grass.
                       across an airy hillside.
                       in response to the call
                       of a young boy.  a boy whose
                       intent is love as that's
                       what boys with dogs
                       like Laika intend.


she leans into the light stride of her shoulders
to slow as she approaches the boy.  she barks.

                               the boy crouches. he pets the dog
                               with rough strokes of enthusiasm.
                               Laika verily towers over him.
                               licks his face.

this countryside. her valley
is in full view from the hillside with the boy.
trees yawn in the wind.
throughout, animals pursue life.

       Laika keeps tabs on the valley.
       but it changes. peril appears
       & migrates. lines & topography
       are changing.
 ¢
¢
she persists. examining the posture
of landscape & unbridled star charts.

       she rescues herself from a more likely demise
       extracted from conscientious nourishment
       in the bent of space. leaping a diminished rock
       fence.


something there is that doesn’t love a wall
that hurdles stone with a dog
& botanical denizens of a slightly
interrupted wilderness.
                                   the wilds between
planets & systems & celestial curtains
the boy identifies as an expanded hunting ground
(if he carried a powder horn he kept it dry)

               & the pursuit crossed its own path.
               doubled back on itself. to repeat.
               beginning taken for a finale
               that repeats.

       Laika. Laaiiiiikkaaaa…
trembling in the vacuum.
breathing the howl.
released
¢

Jamie Baggotts one half of (Arnold and Baggotts) Midlands UK, Labels JOOF Recordings ,Pure Trance progreesive ,Forescape Digital, Lost Language,Bonzai progressive Music,yang.

His music has been supported from the likes of Paul Oakenfold, Paul Van Dyke ,Ferry Corsten ,Solarstone,Gai Barone,Simmon Patterson,Airwave,Will atkinson,Solid stone ,Paul Thomas and more ...

Performing at Festivals luminosity and events like Passion ,Dancelove hub ,Trance Sanctuary,Trancecoda

I was born in Belfast in 1967. My interest in music was awakened when I was 7 years old, during a holiday when my parents and I (I have no siblings) stayed in a guesthouse near Dublin, run by a family of musicians, which included the composer John Dunn. Inspired by the wonderful flute playing of the teenage daughter, I immediately began learning the recorder, with the help of my father. My father was not a musician, but he was the kind of natural student who could turn his hand to learning almost anything, and together we both learned to play the recorder from tutor books at home. I never looked back. I was completely smitten by music. When I was about 9 years old a wind quintet visited my primary school to give us a concert. This was an extremely rare treat. What was that gorgeous long, black instrument with the bell and silver keys which oozed forth the most heavenly, rich, oily sounds I’d ever heard? I was so entranced by it that I cannot remember the other four instruments in the group. Ah, the clarinet! Thus, I then plagued my poor parents incessantly for a clarinet. But, being the shrewd people that they are, they made me prove it was no fad by insisting I study recorder for another year first. This I gladly did, and then they kept their promise and bought me a clarinet. I was so happy I felt giddy!
All through my teens I worked as hard as possible, studying the clarinet and piano at the Belfast School of Music, and completing all the usual grade exams. I even loved scales! Yes, I found it a great releasing of tension after a hideous day at school to take my frustrations out on the poor scales by whizzing up and down them as loud and fast as was sanely possible. My poor parents – they were saints to tolerate the racket without complaint!
Now, during all these early years my head was constantly filling up with music that I knew was not anyone else’s. All I was aware of was an enormous, urgent, internal drive to get it down on paper. And fast! I did not even know at this tender age that this was in fact the beginnings of composition. Composers, to me back then, were long dead geniuses like Beethoven and Mozart. I actually didn’t care what it was called; I just got to work, writing many little piano pieces and hundreds of single line melodies that just kept flying into my head every day, demanding to be instantly written down. It filled me with wild energy and excitement every time I was at work on a piece (no matter how small or insignificant) and it quickly became an addiction. Every time something happened to me, whether exciting, upsetting or just ordinary, everyday events I had to write, at the very least, a tune to express it. I still do this now. With the constant listening to the great works of Richard Strauss, Mahler, Beethoven and Haydn, this drive soon became one to write orchestral music. Now there’s a hefty challenge for you, I thought, how the heck do I write all this mish-mash down? I spent years (and still do) hungrily studying the orchestral scores of the great masters, learning how orchestral sounds were translated into written music. It is a lifelong journey which never ends, I can tell you!
So, when I was nineteen I finally made it into the London College of Music – a dream-come-true. There I spent 3 years on the GLCM degree course, specializing in clarinet with David Campbell and piano with Renalda Mackie. At this stage composition was still the hidden light under the bushel. I was shy about it and found it rather difficult to talk much about it back then. However, despite the piano and clarinet being very much dominant, the urge to write would not remain suppressed and it began to seep out. I just kept on quietly writing in my non-existent spare time and was lucky enough at college to have a few orchestral pieces tried out by the college orchestra. While they were not played to performance standard, it was enough to help me realize that I must pursue this further. My harmony tutor, Michael Regan, and John McCabe, the college director, both gave me great help and encouragement in orchestration, which I am still grateful for to this day. So, my post graduate year was spent on a wonderful Diploma course in writing film music, under Francis Shaw. I adored this course and learned a huge amount. It was invaluable having unique opportunities to have my music expertly played and recorded. It was thrilling beyond belief, and after it there was no stopping me.
Throughout the 1990s, when I left college, I wrote constantly and was lucky enough to have very good musician friends who played and recorded much of the music. I received some commissions also and worked on these with excitement and relish. I also taught clarinet and piano at Ibstock Place School in Roehampton and this was a wonderful position which lent me marvellous opportunities to orchestrate and arrange music for the school band, orchestra and choir. I also met many great people there, a few of whom I’m still friends with today. I enjoyed years of exciting freelance clarinet playing in a wide range of events from shows, weddings, chamber music and orchestral concerts, some of it extending as far as Birmingham.
But sometimes life takes unusual turns. In July 1996 I went to work as a brewer of beer with The Firkin Brewery! Looking back now, I realise that in some bizarre and twisted way, my music needed me to make this change in order for it to actually grow and mature. I didn’t know that back then though, and it really did feel a very odd thing to do. But I went with my instincts, and ended up loving the new job. And indeed, I met Bob, who would one day become my husband! Bob played fantastic folk guitar. Bingo! Out came my penny whistle and, together with the fine, good ale we brewed, we embarked on a fabulous life of Traditional Irish Folk Music. This led us to meet many folk musicians and for years we played in pub sessions, concerts and ceilidhs all over the UK and Ireland. Needless to say I wrote folk tunes nineteen to the dozen, which we played along with the usual traditional session music.
In 2000, after sadly being made redundant from the Firkin Brewery we moved to Manchester where we soon got married and started our family. Bob retrained into IT and is now a highly skilled Network Manager. We had 2 beautiful children, Megan (now 11) and Edward (called after Edward Elgar and now 9). I stayed at home with them until they started school, while at the same time still practising and continuing to write music, both classical and folk. And that takes us up to where I am now. With Megan and Edward now both at school,  I’m  back into the music life again for real. I currently play clarinet/Bass clarinet/Eflat clarinet with the Bolton Symphony Orchestra and cello with the Bolton Chamber Orchestra, and am also teaching part-time clarinet/piano/ whistle to both adults and children.  Fancy a good tune? Well, you’ve come to the right place – the kettle’s on!

  Jon Jesse Beckenham was born in northwest London in 1941, on 11th February. This makes him come under the star of Aquarius and the way his life developed ended up being very much along this kind of path. But it wasn’t evident early on in his life. At school his main subjects were the scientific ones and he did well, being several times top of the class. Everyone expected him to turn out to be a scientist or some kind of engineer. That is, except for himself, for he had no idea what he wanted to be. If you had told him at the age of 14 that he would become a singer, songwriter and a roving street musician he would have just given you a disbelieving smile and said “Really!” For until then there was never any sign of him having any particular artistic talent, let alone that of being a singer. However at the age of 15 his being an Aquarius exploded out of him on hearing Elvis Presley singing his first big hit “Heartbreak Hotel”. To his surprise he found himself happily thereafter singing along with Elvis. After that every day when he arrived home from school he would turn on his record player, put on an Elvis record and sing along with him. That was the catalyst which brought out his true character and at last he knew what he wanted to be, a singer like Elvis! It was a calling that never left him!  

  The rest is a long, long story stretching over a period of more than 50 years! For various reasons his dream of becoming a well known singer like Elvis never came true. Maybe he was just unlucky, or maybe it was because he simply didn’t get to know the right people. Nevertheless he was successful in that he was always able to use his musical ability to the full. Several times the direction of his life changed due to unexpected events. The first was an invitation by two German girls to visit them in Germany and which, after an unbelievable ‘message from above’, turned him into a songwriter at the ripe old age of 33. Ten years later at the age of 43 he became a street musician while on a holiday in Australia. You could say since the people were not coming to him, he was going to them! It turned him into a ‘Busker’, as street artists are called in England, and he has remained one ever since. He ended up doing three busking tours around Australia, in 1984, 2004 and 2009, the latter being his ‘25th Anniversary of being a Busker’. But also he has behind him more than a quarter of a century of performing on the streets through 11 European countries. So many times he has noticed how happy he makes people with his street singing and this alone has been reward enough and filled him with the motivation to keep him occupied with it for so long. As for becoming a big name singer, it was not for want of trying. Over the years he sent off hundreds of letters to publishers, recording companies and agents only to find hardly any of them even sending him a reply to thank him for his interest. So it was that 50 years after first hearing Elvis he found himself collecting his many songs and musical adventures together to produce four websites of his artistic achievements. This, the first one, tells you about and presents his wonderful compositions.   

  Jon Jesse has many beautiful songs for you to listen to and interesting and sometimes amazing musical stories to tell. Reading his stories and listening to his songs by means of his four websites gives you a clear insight into the quite unique artistic world he has been living in and it’s interesting to note that none of it was planned, it all just happened along the way. Most wonderful of all is how even at his age of over 70 he still hasn’t given up and continues to follow his dream and keep to his belief in himself. He even still goes out on the streets and sings. But then, when you are still able to make people happy when you pick up the guitar and sing, why should you stop!    

Research has shown that recess results in many social benefits as it is a time for children to release their pent up energy and develop their imagination. Recess has been conceptualised as a time of freedom and playtime for children. We’re talking about a different, but similarly beneficial, kind of Recess and playtime is exactly what they have in mind.

Musicians turned DJ’s, Recess began as a side project from their dysfunctional high-school band, their respective talents offering versatility and a fresh edge. These boys are known for bringing new noise to dance floors around Sydney, exploding onto the club scene with a plethora of auditory flavours from rockin’ oldies, party-anthems and the latest new dance ingredients. Loyal residents for Marco Polo in the ivy Changeroom, Soho Fridays, The Usual Suspects and pure ivy Saturdays the Recess boys are garnering a rep for being consummate mixtape pros inflicting mayhem on every dancefloor that they grace with their presence. When they aren’t busy orchestrating a disco at some of Sydney’s most exclusive venues you may catch the boys being interviewed by 3D World Magazine, supporting Miami Horror, Midnight Juggernaughts and Laidback Luke or making appearances at Future Music Festival.

The Recess train keeps on chuggin’ ahead and the boys are quickly shaping up to be one to watch – although cautions are needed for this sort of playtime… Warning: Recess may contain adult themes and may not be suitable for children, parental guidance is suggested.

FACEBOOK:
facebook.com/recessdjs

BOOKINGS: 
njzammit@hotmail.com
james.limbrey@bigpond.com.au

Clarance van der Schaaf. Singer/ Drummer/ Percussionist/Songwriter/ Music Coach
Label: Copyright: 2016 © Clarance (NL)

His artist name Clarance, was born on May 15, 1975 in Heerenveen, but then moved quickly to the Frisian village of Hallum. Already at the age of four showed the musicality of Clarance when he got his first drum. He might be mascot at the local band. Early age With this corps he earned two diplomas concert percussion. But Clarance wanted more. He went as Michael Jackson participate in playback shows, actually inspired by his sister, her solo career began with soundmixshow and talent end. Clarance was five years in the military. "To keep my head above water, I also worked as a bartender, among other things, the former nightclub Locomotion, I became known as the singing and dancing bartender Steenwijk. This period has given me any harm. So I include may sing a song together with Replay and I was allowed to participate in a performance of CB Milton in the local disco. But I was not quiet in Steenwijk. With almost every musician in this town has ever been. Sole musical touch So I got in touch with Nature vipers, a group of rappers from Steenwijk. After a few years I ended up in the band as lead singer Myngus. A contemporary band with rock / reggae / funky influences with their own texts. We were 'local heroes', but unfortunately this could not last long. The age difference was playing tricks on us here. "Clarance was afterwards involved in a number of projects, including as a vocalist in the acoustic lady's, the Melomaan, which soon the album comes out. "After that I heard as a vocalist and also as a vocalist with DJ Matt Styles. Currently I'm still active as a percussionist with DJs. But now I have decided to choose the solo part and do what I've always wanted to do. "

"There's hope again for Clarance"
In 2008, former resident of Steenwijk, Clarance van der Schaaf, his summer hit 'Holiday' charged. "Unfortunately this single did not make it." But now he scores with two new cover singles. 

After 'Vacation' broke a difficult period for Clarance. "I had to undergo major back surgery and received a prosthesis. I have long been unable to work and also for the future became difficult to maintain. "This job, he was rejected, lost his job and had to sell his house. "Then you fall into a black hole and you're at the mercy of fate." Clarance lived in Steenwijk 16 years and moved in 2009 to Zeist. But there is a glimmer of hope for Clarance. The 39 year old did not give up. "Giving up is not in my dictionary." Through his will, his faith in himself, there are other people to believe in him. 

Clarance, also his stage name, made some awesome cover singles and singles he wrote by himself. These songs are available for download at Itunes include, SBS 6, Spotify, Veronica and Net5. For many he is number 1 entered the top 10 downloads.

The singles are at Tv Oranje even arrived at number 15 and has reached the first place in the parade request. The songs in 41 different countries to be heard on the radio. It seems to him musically finally the wind to go.  Clarance his new song will be released in conjunction with a video clip. Written with his own song 'If you really want it "the beginning of August "The song is about the observance of your dreams.

Do not let anyone tell you that you can not do something. Belief in yourself is the most important thing and that has dragged me through the difficult time. I hope with this number to reach which are at the same point, or have been, and draw strength from this many people.

Contact with Clarance : clarancemusic@gmail.com



David W. Hamilton is a passionate musician.  He came to the belief that God did indeed have a special purpose for his life when he suffered a near fatal attack of myocarditis and heart attacks at the age of 16--and survived.  He plans to enter training for the music ministry in the fall of 2013.  In the meantime, he works as a composer for Christian films, and works on writing the stories/script for a Sci-Fi series of his own--something else that he feels the Lord has laid heavily on his heart.

David has been given an extreme level of gifting in music--being given an ability to learn any instrument he is given, simply by listening to performance samples, and being shown the most basic means of playing.  Since being taught to play piano, he can sing, as well as play the guitar, keyboard, and most recently drums.  He has also taught himself to compose for orchestra, band, and choir.

His completed film credits include the short film 'Holiday Hostage' (Flourish Films), the Web Series 'In His Steps: The Series' (Standing Sun Productions), and the feature film 'Indescribable' (Thorn Crown Project).

Works in Progress include the Feature-length thriller 'Othersight' (Brightsword Productions).

DJ Moniz is a keen turntablist with solid experience in the music industry.
Moniz loves performing in Ibiza and has done full season sets in iconic venues! He loves nothing better than mixing and getting the crowd going with exclusive material and wicked old skool cuts! 

Brand promotion: SOFUNKED247
SOFUNKED'S obsessive religion is embedded in the devout belief that exceptional music is the heart and soul of a night out to be remembered. 

Music Production:  From promos, themes, commercials and trailers, We can create fantastic audio soundscapes perfectly matched to the media objective.  
Follow us on instagram.sofunked247
Contact sfunked@gmail.com

"On Top By A Longshot" is brought to you by Longshot Productions in Collaboration with Longshot Marketing. Owner and founder Jeff Long is a Marketing Genius and has put together one of the Greatest Underground CDs in the United States: "On Top By A Longshot." You have Alabama's Hottest Underground Artist and future Mega Star M.P. Who was voted "Best Underground Artist" on Chamillionaire.com. Plus you have C Whisky with his “mic breaking capabilities” and unbelievable metaphors..  All Marketing by Longshot Marketing… Contact Jeff (831) 325-1645 for more info... Share this link on your facebook: cdbaby.com/ontopbyalongshot

http://www.jango.com/music/On+Top+By+A+Longshot?l=0

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2ELEVEN - "LIGHTS, KAMERA, ACTION" 
MUSE - "RESISTANCE" 
MRZ. SMITH - "CUTE BOYZ" 
JASON DERULO - "WHATCHA SAY" 
ONE CHANCE FEATURING T-PAIN - "ALL THE WAY TURNT UP" (NAPPY BOY REMIX) 
DIDDY - DIRTY MONEY - "ANGELS" FEATURING THE NOTORIOUS B.I.G. (DIRTY) 
SADE - "FLOW" 
SADE - "SOLDIER OF LOVE" 
SADE FEATURING MAINO - "SOLDIER OF LOVE" (REMIX) 
MARY J. BLIGE - "KITCHEN" 
JUSTIN BIEBER - "ONE LESS LONELY GIRL" 
TAM TAM & 6TRE - "U BOPN" 
RISKAY - "GUTTA BITCH" 
RISKAY - "FUCK BOI" 
CANDI REDD - "GUTTA MAMI BOSS" 
EBONY EYEZ - "DON'T TOUCH" 
KEVIN COSSOM FEATURING SCHIFE - "TAKE THE CLUB OVA" 
DORROUGH - "NUMBER 23" 
KHIA - "HATER WALK" (DIRTY EDIT) 
K-BOY THA PRINCE - "SHUT IT DOWN" 
STEVIE STONE FEATURING DA HOGG & OJ DA JUICE MAN - "PACK & DELIVER" 
STEVIE STONE - "WAIT A MINUTE" 
STEVIE STONE FEATURING TECH N9NE - "MIDWEST EXPLOSION" 
BIG HUD - "WHATS WRONG WIT DEM'" 
QUEEN KONG - "ON THE POLE" (DIRTY) 
QUEEN KONG - "EVERYTHING I NEED" (DIRTY) 
CANDI REDD - "INDEPENDENT BITCHES" 
CANDI REDD & SURREALL - "DON'T DO ME" (GIRLS) 
GANGSTA BOO - "NECESSARY" 
GANGSTA BOO FEATURING LACHAT - "BITCH DON'T LOOK" 
SPARKDAWG FEATURING GUDDA GUDDA & YA BOY - "DRANK N DANK" 
SOUNDCHILD CREW - "U COULD NEVA SEE ME" (REMIX) 
PEEP SHO - "GET MONEY" 
XO - "HUH" (DIRTY) 
XO - "CLUB HOPPA" (DIRTY EDIT) 
OJ DA JUICEMAN - "OHH 4SHO" 
OJ DA JUICEMAN - "COP A CHICKEN" 
OJ DA JUICEMAN FEATURING GUCCI MANE - "MAKE THA TRAP SAY AYE" 
OJ DA JUICEMAN, R KELLY - "POPPIN" 
PLA - "PRESTO" 
SPACESHIP OHAYSES - "ACT A FOOL" 
SEAN P - "EVERYWHERE WE GO" 
AZIZZ - "LETS GO, LETS GO" 
MS SASSI - "U C ME" 
DUTCH DEFOE - "OPIUM RIDER" 
MISS BRI - "HOOD HOOD HOOD" 
MISS BRI - "HE DON'T WANT THAT" 
MICA SWAIN FEATURING WAKA FLOCKA - "BODY TALK" 
SHELLA - "GORGEOUS" (CLEAN) 
PHARAOH - "WHO DAT PIMPIN'" 
TRAI'D FEATURING OJ DA JUICEMAN - "I DOOBIE" 
ILLFLUENT - "FOR THE DJ" 
SHOWKASE - "ALIEN" 
SPARKDAWG FEATURING DORROUGH X CHARLIE BOY – “O MY” 
DRAKE - "KING LEON" 
LIL BOOSIE - "TIGHT WHIPS" 
LIL BOOSIE - "WHERE YA HEAD" 
FELLA FEATURING PLIES - "BUDDIES" 
MZ. FE - "STILLETOES" 
YOUNG MONEY FEATURING BIRDMAN - "FUCK DA BULLS" (DIRTY EDIT) 
MARY J. BLIGE - "I AM" 
ROBIN THICKE - "SEX THERAPY (LIVE)" (SLOW CUT) 
RISKAY - "WHEN THE DRAWLS DROP" (SLOW CUT) 
AMAZE & GILLIE DA KID - "STUDIO RODEO" (SLOW CUT) 
LIL BOOSIE - "SO SEXY BOOSIE" (SLOW CUT) 
FUTURE - "LOVE IN THE SKY" (JET MIX V8 EXTENDED) 
YUNG FLASH - "FAVORITE POSITION" (SLOW CUT) 
ROGER THAT - "YOUNG MONEY" 
SNOOP DOGG - "ON MY LEVEL" (SLOW CUT) 
GLASSES MALONE featuring SNOOP DOGG & JAY ROCK - "BEFORE IT ALL ENDS" 
BIG STACKSSS - "BELL RINGIN'" 
YOUNG JEEZY - "TRAP OR DIE PART 2" 
DA KAPERZ FEATURING JD & DA BRAT - "JUST FOR U" 
DA KAPERZ FEATURING CARL MOE - "DON'T STOP" 
DRU HILL - "LOVE M.D.” 
JACKIE CHAIN - "MACK A BITCH" 
BENZINO FEATURING LLOYD - "STREETS IS TALKIN" 
TED SMOOTH AND LORE'L - "ON TO THE NEXT ONE" 
YING YANG TWINS - "SHE GOIN" 
THE DREAM - "LOVE KING" 
CODIZZLE FEATURING LUDACRIS - "TOUCH YOUR TOES" 
NUCCI REYO - “THE CRAZIES” 
LOUISIANA CA$H - "WALK WIT A DIP" 
HEAVEN SENT THUGS - "THUG LIKE ME" 
MOE.DIAMONDZ - "YUMMI YUMMI" 
HEAD ICE & TIFF LUCHIANA - "HOTTEST IN THE HOOD" 
LADY DOLLA - "4 MY CLICK" 
LADY DOLLA - "RIDE THAT" 
CHNA DOLL AKA MZ.904 - "BOOSIE WHERE YOU AT" 
SHELLA 'THA BLASIAN' - "GORGEOUS" 
GABANA - "CUTE GIRL"" 
CHOCOLATE - "MY HOMIE" 
LADY DUET - "DOPE GURL TWURK" 
LADY DUET - "GET A TASTE" 
LADY DUET - "DONT CHA CALL MY PHN" 
MS. PEACHES - "I GOT FLAVOR" 
MS. PEACHES - "I DON'T WANT YOUR MAN" 
SHAY BOOGIE - "DIAMOND RIMS" 
SHAY BOOGIE - "CHOPPIN PAPER" 
LARCENYCASH - "SO MUCH PAPER" 
BELLA DONNA - "AMSTERDAM TO LB" 
DPRHYME - "MO" 
YHAI PORTIER - "SET ME FREE" 
BOSSALINI - "A CHICK LIKE ME" 
CHANTELAY - "MY NIGGA SAYS HIS THURSTY" 
CHANTELAY - "BIG GIRL" 
V V BROWN - "SHARK IN THE WATER" 
DAY DAY - "SCHOOL BOY" 
DAY DAY - "I' M ROCKSTAR" 
TJE AUSTIN - "HOLLY WOULD" 
SEVEN DIGITS - "MOJO" 
BLUE FLAME FEATURING AHDEDOTT - "I'M FROM THE HOOD" 
CIARA FEATURING JUSTIN TIMBERLAKE - "LOVE & SEX & MAGIC"(THD PRELUDE RECORDS REMIX)
 FIRST UP FAM - SQUID KEY, SLIM, LUCK - "GO SHAWTY" 
KELIS - "ACAPELLA" 
JAY Z - "ON TO THE NEXT ONE" 
PRISCILLA RENEA - "DOLLHOUSE" 
LADY GAGA - "THE FAME" 
LADY GAGA - "DANCE IN THE DARK" 
MARIO FEATURING KELLY ROWLAND - "THINKIN' BOUT YOU" (REMIX) 
SUSAN BOYLE - "WILD HORSES" (SLOW CUT) 
JOELL ORTIZ - "TAKING MY BALL" 
QDM - "4 MY TOWN" 
LADY GAGA - "SPEECHLESS" (SLOW CUT) 
LADY GAGA - "MONSTER" 
BIG SHANE FEATURING GUCCI MANE & DIRT DIG - "FED EX." 
MISS B. FEATURING FLO RIDA - "TURN IT UP" 
MUFFY FEATURING GUCCI - "GET EM GIRLS" 
YUNG JOC FEATURING LIL JON - "WHERE DA HOES" 
MONET - "BOUNCE THAT ASS" (SUPER REMIXXX) 
DEM TWISTIT BOYZ FEATURING YOUNG QUAY, LIL FAME, LIL MAAL - "LIC DAT PUSSY" 
RISKAY - "DIS YO PUSSY" 
RISKAY - "GET ON YO JOB" 
RISKAY - "BLOW YO BRAINS OUT" 
RISKAY - "DOLLAS OVA DICKS" 
HONEE - "DO SOMETHING" 
HONEE - "DIMEPIECE" 
HONEE - "SISTER LOOKIN" (REMIX) 
CHNA DOLL AKA MZ.904 - "BOOSIE WHERE U AT" 
ZAY CASH - "BUBBLE FOR A BUTT" 
GANGSTA BOO FEATURING SHAWNNA - "BOOTY SWITCH" 
RUIN FEATURING OJ DA JUICEMAN - "WE WANGIN" 
OJ DA JUICEMAN - "GETTIN MONEY" 
LLOYD FEATURING J. HOLIDAY & NICKI MINAJ - "TAKE IT OFF" 
YOUNG MONEY FEATURING LLOYD, NICKI MINAJ - "BEDROCK" 
SWAG FEATURING GUCCI MANE - "ICE ON ME" 
ORMANDY - "OKIE DOKE" 
DORROUGH - "WIRED TO THE T" 
MZ. MACK - "PUSSY GAME" 
MZ. FE - "DO MY DANCE" 
KILLA KIM - "LOOK LIKE EM" 
RENA - "REAL BIG" 
SURREALL - "I'M AH MODEL" 
SURREALL - "SOMEBODY CALL NASA" 
LADY DON - "LOSE CONTROL" 
RED DIAMOND - "THE REAL" 
MISS B - "FALL UP N DA CLUB" 
KITTY KAT - "FITNESS CLASS" 
EBONY EYEZ - "NICE GIRLS FINISH LAST" 
MZ. E BABY - "SO FRESH" 
50 CENT FEATURING EMINEM - "PSYCHO" 
NYAH AKA THE REAL MS. MONROE FEATURING DIDDY BOP - "4EVA" 
SASHA THA BADDEST - "MAKE MO' MONEY" 
HEZELEO - "DROP IT TO THE GROUND" 
MZ FE - "STILETTOS" 
SUMMER ROSS - "TWISTED" 
GUOP BOYZ - "EAT IT" (DIRTY VERSION) 
CZAR BLACK - "YOU CAN GET IT" 
YOUNG QUAY FEATURING OAK CLIFF ASSASSIN - "DO YA THANG" 
BIG CHIEF - "WHEN U GONE LET ME?" (DIRTY EDIT) 
PIKE - "BIG TIME BACHELOR" (DIRTY EDIT) 
BEASLE - "MILLIONZ" 
RANDI - "GET FRESH" 
ALICIA KEYS - "TRY SLEEPING WITH A BROKEN HEART" 
DORROUGH FEATURING TUM TUM - "TRUNK GO BANG" 
MZ JUBILEE - "SWITCH'EM" 
LUNEY TUNEZ - "FREAK EM DRESS FREAK EM JEAN" (DIRTY) 
LADY DOLLA – "NO PANTIES ON" 
NICKY2STATES - "BETTA WATCH THAT BITCH" (DIRTY EDIT) 
B.G.FEATURING SOLJA SLIM, PLIES, C-MURDER, YOUNG BUCK, & LIL BOOSIE - "NIGGA OWE ME" (EXTENDED CLIP)
 B.G. FEATURING MANNIE FRESH & GAR - "MY HOOD" 
FAB BAKER BOY - "O.M.G.(OH MY GOSH)" 
ALJA JACKSON - "N**** BE TRIPPIN'" (MAIN) 
ALJA JACKSON - "PEARL STREET REPRESENTA" (MAIN) 
GRAND PRIX - "BAM IT GIRL" (DIRTY EDIT) 
HAZE ENT FEATURING GLASSES MALONE, KONCRETO & B DIAMOND - "MR. INTERNATIONAL" 
ROBIN THICKE FEATURING NIKKI MINAJ - "SHAKE IT FOR DADDY" 
ANGIE STONE - "I AIN'T HEARING U" 
N'DAMBI - "THE WORLD IS A BEAT" (DIRTY EDIT) 
BEETIKI FEATURING BAMBU - "BROWN BOMBER" 
YOUNG STAR - "I GOT IT" 
LADY BLISS - "OFF THE WIRE" 
KITA BOO - "WATCH ME CRANK IT" 
BIGG JIGG - "FLY AS A PLANE" 
BIGG JIGG - "GET IT" 
BIGG JIGG - "GUCCI GIRL" 
LIL BOOSIE - "SEND 1 AIN'T SCARED" 
NIKKI NICOLE - "TIPPY TAGZ" 
LIL YOUNG - "SHE WAS A BAD CHICK" 
JHA JHA FEATURING GEETEE - "5 STAR" (REMIX BARBIE DISS) 
LIKSHOTS - "WHAT IT IS" 
PHOENIX - "THE FIRESTARTER" 
KRISTINIA DEBARGE - "POWERLESS" 
BRICK SQUAD - "CANDY LADY" 
ROCKO – “NUMBERS” 
CHOPPER CITY - “SOMEBODY CALL THE DOCTOR” 
KEKE PALMER - "SUPER JERKIN" 
JANEL PARRISH - "RAINY DAY" 
GIRLICIOUS - "BABY DOLL" 
BLAQ TYE FEATURING LENA - "SKINNY JEANS" (CLUB-DUB MIX) 
8BALL & MJG - "TEN TOES DOWN" 
B.G. – "LIKE YEA" 
WACKA FLOCKA FEATURING OJ DA JUICEMAN – "FLEXIN" 
AMIYA & TAMIYA - "WORK" 
KIA SHINE FEATURING YOUNG DRO & MAINO - "CHECKIN' MY FRESH" 
LADY LEGACY - "FUCK WHAT YOU SAY" 
VENOM - "YES MA'AM SLAM" 
LADY LEGACY - "YOU DIDN'T KNOW SIZARIZED" 
MICA SWAIN - "SHAWTY THERE DA TRUTH" 
LADY BENJAMIN - "PAY A PIMP" 
LADY BENJAMIN - "GIRLZ LISTEN I SEEN" 
LADY LUCK - "SEXY BILL CLEAN" 
DEM TWINZ - "SHE GOT" 
MIA X - "I GET DA PAPER" 
ALLEY BOY – “SHIESTER” 
AXTION - "RUBBERBAND MONEY" 
LADY LEGACY - "RUN DAT SHIT" 
G-STYLE - "GANGSTA" 
PRIMO BROWN FEATURING A-WAX - "ME & MY NIGGAZ" 
OMG GIRLS - "AIN'T NOBODY THINKIN BOUT YOU" 
BIG-B - "I WISH AH MOTHER FUCKA WOULD" 
BOSS PLAYA - "KEEP FUCKIN ME" 
MELONYE - "ON IT" 
LIL HYPE - "KUSH N BEANS" 
YUNG KEE - "I BE ON DAT GOOD" 
ROB DEE - "CAME TO HAVE FUN" 
THE BANGZ - “BOYS WITH TATTOOS(WE JERKIN’)" 
CLIQUE GIRLZ - "INCREDIBLE" 
JIMMIE REIGN - "DIFFERENT PERSON" 
LIL BABY - "IM FEELIN YA" 
MONEY BOYZ - "MYSPACE PRO" 
SHADINA - "IF U STILL LOVE ME" 
MC LYTE - "I CRAM TO UNDERSTAND U" 
BROOKE HOGAN - "THE REDEMPTION" 
JORDIN SPARKS - "BATTLEFIELD" 
TEENA MARIE - "YOU BABY" 
PINK - "FUNHOUSE" 
ORIANTHI - "ACCORDING TO YOU" 
CASCADA - "EVACUATE THE DANCEFLOOR" 
KE$HA - "TIK TOK" 
COLETTE CARR - "BACK IT UP" 
SHAKIRA - "GIVE IT UP TO ME" 
SHAKIRA - "SHE WOLF" 
TAYLOR SWIFT - "YOU BELONG WITH ME" 
BRITNEY SPEARS - "3" 
USTIN BIEBER - "ONE TIME" 
TAYLOR SWIFT FEATURING T-PAIN - "THUG STORY" 
MADONNA - "CELEBRATION" 
GREEN DAY - "21ST CENTURY BREAKDOWN" 
LIL JON FEATURING LMFAO - "OUT OF YOUR MIND" 
LIL JON FEATURING PASTOR TROY - "THROW IT UP PT 2" 
YOUNG JEEZY & TREY SONGZ - "SAY AAH" 
JIM JONES FEATURING REV RUN - "WISHING ON A SUCKER MC" 
WU MASSACRE - "METH VS. CHEF PART 2" 
RED CAFE FEATURING FABOLOUS - "I'M ILL" 
KRS-ONE & BUCKSHOT FEATURING TALIB KWELI & GEO OF BLUE SCHOLARS - "OH REALLY" 
LIL HAZE FEATURING DORROUGH & RICH BOY - "SWAGG ON" 
TREY SONGZ FEATURING USHER & KERI HILSON - "I INVENTED SEX" 
SAV KILLZ & J-RONIN FEATURING SHA STIMULI & SKYZOO - "BROOKLYN RENAISSANCE" 
SAV KILLZ & J-RONIN FEATURING VAST AIRE, LORD LIFE, BARON & TRAX - "MURDER 1" 
CURREN$Y - "FAMOUS" 
XZIBIT - "HURT LOCKER" 
FRANK RAMZ - "TRAITOR" 
LIL BOOSIE - "BOOSIE WE GONE MISS YOU" 
NINO BLAC - "DAT CHEWIN" 
KNOC TURN'AL, CA$HIS, & ONE-2 - "JUST LIKE US" 
ALICIA KEYS - "EMPIRE STATE OF MIND 2" 
N'DAMBI - "CAN'T HARDLY WAIT" 
MAIYSHA - "SLEDGEHAMMER" 
T-RAW - "45 ON MY SIDE" 
GUCCI MANE FEATURING PHARRELL -"HAVE IT ALL" 
YO GOTTI FEATURING YUNG L.A., J FUTURISTIC, ZEDZILLA & ALL STAR - "I'LL RIDE, I'LL DIE"
 PLIES FEATURING KERI HILSON - "MEDICINE" 
SUSAN BOYLE - "I DREAMED A DREAM" 
YOUNG MONEY - "ROGER THAT" (DIRTY EDIT) 
C.O. CAKES - "SOUNDS GOOD" 
HOLLYWOOD - "SHE GOT IT " 
2 PISTOLS FEATURING RAY J & J.U.S.T.I.C.E. LEAGUE - "YOU KNOW ME" 
NEW BOYZ FEATURING RAY J - "TIE ME DOWN" 
THE BANGZ FEATURING NEW BOYZ - "FOUND MY SWAG" 
YOUNG SKEE FEATURING 2 PISTOLS - "BABY BEND IT OVA" 
BUTTONS - "TIC TAC TOE" 
BIG BUSH -"I GET MONEY" 
GOLD D - "SPACE BALLIN" 
FREDDY CASH - "CASH" 
B.O.B. - (BOBBY RAY) - "NOTHING ON YOU" 
BEYOND BELIEF - "TAKE THIS FROM HERE" 
ALI VEGAS - "LOVE AT 1ST SIGHT" 
SEAN FALYON - "WONDERFUL LIFE" 
JAHEIM - "AIN'T LEAVIN' WITHOUT YOU" 
WIZ KHALIFA - "THIS PLANE" 
D-BLACK - "OK, YOU'RE RIGHT" 
THE NOISETTES - "DON'T UPSET THE RHYTHM (GO BABY GO)" 
INFINITY - "ROLL WIT CHA" 
NINA ROSS - "TRAFFICKING" 
F.C.C. - "POCKETS ON SWOLE" 
MIKA MEANS - "WHAT THEY SAY" 
THE REAL DIAMOND - "I'M A STAR" 
THE REAL DIAMOND - "ALWAYS STRAPPED" 
JACKIE CHAIN & TAM TAM - "IM THERE" 
BIG BANK BLACK - "TRY IT OUT" 
CHARLIE BOY FEATURING SLIM THUG - "I LOOK GOOD" 
HOTSTYLZ -"AUNTIE BOOTY" 
SLIM THUG - "FUCK U" 
XTASY - "DIS COOCHIE" 
LOLA MONROE - "BOSS BITCH WORLD MIXTAPE" 
TRILLOGY - "WARNING" 
KANARY DIAMONDS - "MONEY" 
DY FEATURING FLO RIDA - "SHOE GAME" 
D. MALONE - "PUCKER UP" 
JASMINE MARCHE' FEATURING G MAY - "FLY" 
MZ. ROSS - "SET IT OFF" 
Tamika Scott FEATURING Trina. Rasheeda & Gloss Da Boss - "Say Ahh" (Remix) 
SWAZY BABY - "HALF OF IT"

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