machine improvisation

Pop and Ambient/Instrumental works.

I'm a home studio composer/songwriter/musician with poor self-marketing skills and no allegiance to a style/scene. In an earlier age, I played live music (guitar, bass, vocals) with various originals bands... but I've always been much more interested in writing+recording (or jamming with talented musicians) than playing for an audience.

I'd describe the majority of my vocal music as pop (in various subgenres) with interesting lyrics, mostly performed by myself with a few instruments+microphones and some software. I also have quite a few instrumentals (adapted chamber music, soundtrack etc) that I'll be posting.

Occasionally, I also play bass in a band that plays some of my songs, as well as a lot of Grateful Dead: https://soundcloud.com/savage-gulf

Thank you for listening, and I hope you enjoy it! Play away, and leave a comment to start a discussion; likes and reposts are also appreciated :-)

NOTE: Lyrics reading have been moved to a separate profile: https://soundcloud.com/user-647643083... Read by Luci Christian, Patricia Duran, Adam Gibbs, Andrew Love, Monica Rial and John Swasey

猫/
dub/
ambient/
electronic/
and vinyl select0r 👁‍🗨

Voltaroxx is the sound of forgotten futures, midnight circuits, and dust-covered dreams rendered in rhythm and noise. Born from the flicker of CRT screens and raised on a steady infusion of cyberpunk cinema, glitchy game consoles, and VHS fuzz, he builds music that’s less about genre and more about atmosphere—audio collages from the back alleys of the imagination.

Growing up, Voltaroxx was glued to the glow of Blade Runner, Akira, Ghost in the Shell, and obscure sci-fi anime taped over Saturday morning cartoons. The worlds were bleak but beautiful, eerie but electric. At the same time, he was living inside the soundchips of machines like the ZX Spectrum, NES, and Mega Drive—systems that hummed, beeped, and crackled with strange life. Those early sounds never left; they just evolved.

His music doesn’t follow rules or trends. One moment it's dusty lo-fi techno, the next it’s eerie ambient, then suddenly it's chaotic 160 BPM jungle with warped pads and broken memories. Tracks like VizzerLine show just how deep the time capsule goes—an atmospheric 90s jungle homage that blends ghosted-out pads with rolling breaks and a dreamlike energy..

Voltaroxx doesn’t believe in “sticking to one style.” He follows moods, fragments, old files, and the static of ideas half-remembered from forgotten arcade cabinets or the background hum of a tube TV. Some days it’s electro with a sci-fi edge. Other days, it’s decayed ambient or synth-heavy jams with melodies that loop like a corrupted memory card.

He never really thought anyone would listen. These tracks were, and still are, made mostly for himself—just an outlet, a way to exorcise digital ghosts. So when people started listening, following, commenting—it was surreal. It still is. Every play, every follow means a lot. No PR machine. No hype. Just raw sound from a bedroom somewhere, echoing into the void and somehow landing in your headphones.

Thank you for tuning in. Really.
?



songs & story

underwater
deep space
robotnik

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

I like techno,rock,fusion,jazz,classic,hip hop,house,etc....... Korg gaddet user and other music!!
皆さんよろしくお願いします。トラックメイキング頑張ります。

Instrumental music is my lifelong pursuit — a passion I explore on weekends from my home studio in Sakai, Osaka, Japan.
I blend sound design with hands-on electronics, often crafting my own effect pedals and audio cables to shape my tone.

Since 2025, my creative focus has shifted toward fusing Black music traditions with sampling-based drum sequencing, seeking that raw pocket where groove meets circuitry.

Genres:
Techno / Electronica / Ambient / Funk / Blues / Rock / Soul

Main Gear:
	•	Elektron Digitakt II
	•	Roland Jupiter-X
	•	Yamaha YC61
	•	Sadowsky Metroline MV-4 Jazz Bass (Tokyo-era)
	•	Fender American Elite Stratocaster
	•	Antelope Audio Discrete 8 Pro Synergy Core
	•	Avalon U5
	•	Marshall Origin20H
　　•      Tascam AV-P250LUV

Release
2017 1st Album "Haute Couture" On DOD TuneCore (under the name of The Pekingese)
2018 2nd Album "THE END" On DOD TuneCore (L.B.C name)
2019 3rd Album "Mix tape -03-" On Bandcamp (Eric "Little Bird" Luv)
2019 1st EP "BRiDGE" On Soundcloud
2020 4ht Album "My Flagships" On Bandcamp (The Tricera Project)
2020 5ht Album ”For example, if I call this Art Brut.” On DOD TuneCore (The Tricera Project)
2020 2nd EP "My musical instruments" On Soundcloud
2021 3rd EP "Treasure Sword" On SoundCloud
2022 6th Album "The Music UMA" On SoundCloud
2023 7th Album "おとだまの怪異"
2024 8th Album "MixTape'04"
2024 9th Album "pallet"
2024 10th Album "太陽の為の吟遊(Song for the Sun)"
2025 4th EP "What a wonderful night！"
2025 11th Album "Anno Domini"

machine improvisation

WALUNAKOTAM