Kubi $I is a fresh, young hip-hop/pop artist hailing from war-torn Congo to Milwaukee whose talents range from rapping, songwriting, as well as a very talented basketball player. With the influence of his brother and friends, in 2010, Kubi $I grow his interest in rapping. Kubi $I decided to take full advantage of his God-given talent and launched a plan to fulfill his dreams of becoming a globally-recognized artist. 
  
Kubi's life-long plan started with his first song “So Much”, which led him into a brief stint with 20 Entertainment (formerly an Universal Records affiliate). With 20 Entertainment, Kubi worked on his first mixtape “The Revolution”,  but parted ways with the label.


In early 2011, Kubi began performing shows with his brother, rapper “Matic”. This is where Kubi started earning his rep and was asked to open for Lil Wayne in January of 2011. Soon after, Kubi had to take a partial break in his music career to finish off his senior year in high school and pursue playing basketball in college, which he was awarded a scholarship to Indiana Tech University. December 2011, Kubi started working on his first mixtape, “ Redshirt Freshmen”, which draws a parallel of being a red shirt freshmen in basketball, while being a relative new comer to the music industry, and how overlooked new artist are when they are not with a major label. In February 2012, Kubi released three tracks Dreams Money Can Buy, (Freestyle) 5’10 intro, and also the Single “Coolin” produced by D&L Productions.
 
“Redshirt Freshmen” mixtape dropped in March, 2012 on Dat Piff. The mixtape lead to a chain of YouTube videos, live performances in Milwaukee, Tennessee, and Illinois the generation of his Facebook and Twitter profile. 
 
Since the development of his social media profiles and Youtube Channel, he has proven to have what it takes to satisfy the musical tastes of both U.S. and International public's through the rapid growth of his fan-base, song-play, add statistics, and profile visits in such a brief time-frame! Kubi is rapidly developing a style of his own. 

Lino & Manu is a well-established duo who has been together for a while now. Their DJ-sets have always been characterized by an eclectic mix of techno and minimal sonorities, although always being grounded in the most radical House Music. 
Their background builds on highly musical research, which has been contaminated by an accurate and transversal growth. 
Evolving from the unmistakable sounds of Miles Davis and Coltrane, to bands that have influenced the world music such as Depeche Mode, Radiohead, Kraftwerk and Massive Attack, Lino & Manu’s music encompasses influences from more innovative artists as Björk or Alva Noto through to the most experimental House and Techno of the 80’s and 90’s. 
Their love for these soundscapes drove them to create two bootlegs – one of Thom Yorke and the other of Björk – supported by many artists and producers. 
Their experience involves many gigs with hugely talented DJ’s such as Matthias Tanzmann, Ryan Elliot, Laura Jones, Livio e Roby, AlexKid, Nicl Curly, Anthea, Guti, Yaya, Barem, Hobo and Alex Celler. 
In parallel their project “White Rabbit” is a collaboration with a trustworthy group of contributors. Since 2009 it’s been giving birth to a great mix of music, vjing and animation, with riveting and experimental parties leaving their mark among the night scenes.
In recent years Lino & Manu have moved to production, with tracks being released under different labels like Alboratory, Not for us Records, Basswalk, Pild, Diva Records & Wave Impact Label.
 Besides their Italian experiences they have had the privilege to bring their music to clubs such as “The Egg” in London for the party “Paradox”, and to “Club Der Visionaere” in Berlin for “Dunkle Dummies”, strengthening their international presence and ensuring that they’re always growing and evolving.
Contact : lino.manu@hotmail.it

César Coelho always lived with music all around. Initiating in 1997, his contact with ambient and dance music with psychedelic orientation, early felt the strong link to this musical genre starting to  follow the growth of the trance movement in Portugal and increasing his love for this culture. In 2001 initiated his path as dj, under the name Plurgrim, participating since those days in all major festivals, bigger and smaller partys in Portugal (Boom Festival, Freedom Festival, Sinergia, ZNA Gathering, Cosmic Gate...), and some partys and festivals in Spain, England and Ireland (Life Festival, Harmonia Festival...). Living these experiences side by side with some of the biggest references in this cultural and musical orientation. 
 Without letting get stocked to any style, explores sonorities that go from ambient to psy trance, always trying to create sonic landscapes where rhythm and melody flow as one, giving sense to what moves him in this musical area, the communion between Nature, Music and Man.
 
In parallel develops a project dedicated to Minimal, Techno... check it out at http://soundcloud.com/unmatter 

Born in Medellin, Colombia, in 1986, Andrés is an eclectic and versatile flute composer/performer.  Although he felt a great affinity to music from a very early age, and having had a proper initiation, first learning to play the recorder, then receiving his first basis of solfège, piano and choir singing, and finally getting to know his mother-language-instrument, the transverse flute at the age of ten, his real proper and regular training would begin later in his life at the age of fifteen.
His real motivation to begin a true training in flute playing would be the desire of sharing music with his comrades at school, who used to play diverse styles of music as salsa, rock, funk, jazz and tango. Even if his instrument didn't have a good acceptance at all these styles, Andrés would always be enthusiast to play and learn from this popular music environment. In parallel, he would be receiving classical flute lessons from a private teacher, through which he would always conserve a close link to classical music. He would also feel a very close affinity to improvisation, composition, and arrangements, things he would discover little by little thanks to the challenges of getting to adapt to playing jazz, tango, salsa and funk with his school comrades. Finally, after finishing school, he chooses music as his professional project and, after preparing for a year, he manages to enter at the EAFIT University music degree, in his natal Medellin. There he would get to know Leon Giraldo, a definitive influence for his flute playing and his eclectic vision of music, being Leon a polyvalent flutist and musician. Andrés would also be under Hugo Espinosa's guidance, one of the fathers of a new generation of flutists in Medellin, and Elizabeth Osorio, who would be a very challenging and demanding teacher and one who would polish his character as a musician.
During his years in the EAFIT University, Andrés would experiment an enormous musical growth, having the opportunity to play in the Students and Professional orchestras of his school, plus having the opportunity of making very meaningful internships in the "Orquesta Filarmónica de Medellin", the city's main orchestra.  He would also grow as a soloist flutist, playing different solo concertos with the student's orchestra of EAFIT University, as well as many competitions in his country, earning the first prize in the Fourth Version of the Universitary Flute Competition of Bogotá in 2009. In parallel, he would continue to grow as an improviser, thanks to his participation within projects of fusion and latin music, as well to the advises received by great jazz players from the US who came to the country for cultural exchange. 
After finishing his flute degree in 2010, Andrés looks to widen his horizons. Having met beforehand with swiss-canadian flute teacher Michel Bellavance, he made contact with him and decided to try to audition in order to win a place in his flute class in Geneva's "Haute École de Musique", in Switzerland. After a painful travel and lots of new experiences, he presented the flute audition and was happily accepted. He  would then begin his new challenge in this new country in 2011. He made an intense flute bachelor under Michel Bellavance's guidance during three years. After finishing his flute bachelor period with Michel, he would then decide to take another direction, choosing to make a Music-Theory-and-Composition master in the same school, after realizing that he had to add something more creative to his musical experience and that he lacked the character of a soloist flutist required at an international level. After two years of intense work, he would finish on 2016, closing a long period of studies. Andrés is now pleased to share some of his first works written during the last two years.

www.waiting.space

ABOUT:

'Waiting Space' is an audio & visual project - and alias of Waterford-based, musician and artist, Chris Falconer.

Through a D.I.Y. process that is enabled by contemporary technologies, as 'Waiting Space', he creates self-recorded/self-produced songs - characterised by dynamic vocals and cinematic instrumentals, typically blending programming, electronics, and live-instrumentation. Each piece of musical-output is 'complemented' by visuals which Falconer independently creates in response - including artwork, animations, and short films.

'Waiting Space' began in 2013 as a side project - initially a platform for musical ideas that 'did not fit' his existing bands’ catalogues. As other projects subsequently went on extended hiatuses, and Falconer found himself with an increasingly irregular schedule in which to create music (as his artistic-output was forced to compete with his full-time work within the architecture-industry), embracing Waiting Space as a solo/D.I.Y. project, and recording in domestic settings, made increasing sense.

The process also acted as a catalyst for Falconer to learn more about the technical aspects of music-making, including recording, mixing, & producing, and developing new skills in animation and video-production, in order to create the 'appropriate' visuals to match his sounds & words.

Radioplay has included RTÉ Lyric FM, RTÉ 2FM, Beat 102-103, a number of regional stations, and occasional international radioplay. Uniquely, given the project's visual aspect, Waiting Space has also crossed over into the gallery world: the Waiting Space piece 'Cocoon' (accompanied by a drone video filmed by Falconer of an empty Waterford City during COVID-19 ‘lockdown'), featured in the exhibition 'Stories From Lismore & Beyond' in Lismore Castle Arts Gallery; and Waiting Space has also been commissioned by the Luan Gallery Athlone, to create a number of musical-scores for ‘virtual walkthrough’ videos of the gallery’s exhibitions, a number of times during 2020 and 2021. Most recently, a Waiting Space audio/visual piece called ‘Unseen Happenings’, was commissioned by Garter Lane Arts Centre in Waterford, with the installation being viewable on-site in March 2022.

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Trans.formation is the hip-hop producer/mc duo of Wunderflo (Germany) & Essential I (Washington State).

Their debut album (a free release) titled Meta.morphosis is a collection of tracks created between the years of 2004 and 2010. 2014 marks a decade long journey of completion in the cycle of 100% independent, organically created, avant garde, purely hip-hop music.

All instrumentals were produced and all vocals were recorded prior to 2010, and the 4 proceeding years have been spent balancing the trials and challenges of everyday life with mixing, mastering, innovating and upgrading the works for their imminent release.

This project represents not only a musical, but also a human metamorphosis. Symbolizing growth and change. Although the tracks are a bit older, they are far from outdated and in fact remain mostly relevant today.

The objective of the album is to provide some real, underground, undiluted hip-hop with powerful messages as well as positive, fun vibes. All of this in an experimental and cutting edge way that has no real parallel in the world of hip-hop today.

The name Trans.formation stands for transfer of information. A reference to the way this project was created entirely via online communication as Essential I & Wunderflo have never been in the same studio room, let alone in the same country together.

The title Meta.morphosis describes a metaphorical metamorphosis as two young artists embarked on the journey of life, constantly maturing and ultimately emerging renewed and ready to take flight.

Hi! I'm Giorgio and i was born in Tegucigalpa immersed in the Latin rhythms of street artists of the Honduran capital.
When i was back in europe the soulful and deep Sounds atract my interest and inspired also by the sound of my native land, i undertook my first steps with battered turntable and a lot of passion. My spasmodic hunger of music led me to experiment with different styles and techniques and dive more and more in the nightlife culture. My personal and artistic growth ripe in a more electronic and hard taste and overbearing that turns into a heterogeneus musical style performances that guarantee “broad spectrum” and a multi-faceted sounds that does not forget its origins. The baggage accumulated and the passion for discovery led me to the parallel road of music production with a thorough study and a tireless pursuit of its sound through the sound design. Today i'm a performer always open to collaborations, always searching for myself to refine my techniques and my musical taste.

Haven September is following