Mid/Air is the first 'official' Dive Index album commercially released in 2007. The album was recorded in NYC and features vocals by Natalie Walker, Ian Masters (Pale Saints), Merz and Cat Martino.  
Produced by Will Thomas
Cover design by Timothy O'Donnell 
Mastered at Sterling Sound, NYC

More info at
neutralmusic.com
Social - @diveindex
Neutral Music on Soundcloud
Mid/Air on Spotify -https://open.spotify.com/album/1Wx5Ld8KJger1eekiysS2y?si=2LxGR5_3RZCBZjbpWxAuhg

Dive Index on Spotify - https://open.spotify.com/artist/5JidUgrDylYdIVGtshxw9Y?si=fEeJv0ScSr2IgXagfN2wKA

For Centuries

Collisions is a collection of remixes of song from the Dive Index album, "Mid/Air".  Featuring remixes by The Album Leaf, Tunng, Jason Bentley, Beat Pharmacy, Roger Eno/Plumbline. 
The album was release in 2018 and includes vocals by Natalie Walker, Cat Martino, Ian Masters (Pale Saints) and Merz.
Design by Timothy O'Donnell
Mastered at Sterling Sound, NYC
More info at 
neutralmusic.com
dive-index.com
Socials - @diveindex

Dive Index on Spotiy - https://open.spotify.com/artist/5JidUgrDylYdIVGtshxw9Y?si=z6KaLlACTluDoElCPk51qw

Collisions on Spotify -

Screen To Screen (Beat Pharmacy Remix)

Dive Index is a collaborative indie-electronic project based in Los Angeles lead by composer/producer Will Thomas and features a variety of guest vocalists and musicians. Associated with the independent label Neutral Music, Dive Index made its full-length album debut in 2007 with Mid/Air. In addition to Thomas, the catalog features vocalists Joseph Arthur, Mark Gardener (Ride) Natalie Walker, Merz, Ian Masters (Pale Saints), Simone White as well as musicians Kevin O'Donnell, C.J. Camerieri, Julia Kent, Maxim Moston and Alison Chesley. A remix collection, Collisions: The Mid/Air Remixes, features contributions from the Album Leaf, Tunng, Jason Bentley, Roger Eno, and Beat Pharmacy, among others. 

Waving At Airplanes, the fifth full-length, alternates between vocalists Natalie Walker and Merz. For this album Will set specific parameters to his production writing process sourcing almost everything (percussion included) from modular synthesizer. The only exceptions are piano, acoustic guitar, and occasional extraneous sounds – nail gun, jackhammer – that leaked into the studio.
The songs were mostly recorded in Will's studio near L.A.’s Laurel Canyon (with Merz contributing remotely from Joshua Tree), Waving At Airplanes was mastered by Mike Bozzi at Hollywood’s legendary Bernie Grundman Mastering. The record is at once an audiophile delight and, warmed by Walker’s finely-grained timbre and Merz’s emotive expressions, a reassuringly visceral expression.

Screen To Screen (Beat Pharmacy Remix)

Dive Index

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