BQ:RAM are a duo of Italian djs and electronic music producers. 
Their experience as selecters in clubs and underground events deeply influenced their first LP(Unspoken, SVP, 2007), a fully instrumental trip into downtempo, breakbeat and post–hop music.
The debut album was followed by along tour around Italy in which djsets and selections (mainly hiphop and electro oriented)introduced an original showcase where tracks of the LP were re-arranged and live remixed through laptops, samplers and fxboards.
In 2010, BQ:RAM promoted their second LP (Blue Sand City , SVP) a complex double flavoured (soul-jazzy/electro) work which featured appearances by many underground artists of the Italian and International hiphop scene (ElDaSensei, Punchline, Raashan Ahmad, Bisco Smith, Tormento, Al Castellana).
In just three months, BlueSandCity turned out as an European HipHop Classic. 
Distributed on Itunes and sold through the most important European HipHop retail store (HHV.de), the critically acclaimed lp gained positive feedbacks from Korea to Portugal, being labeled as a proof that eclectic music and hiphop can still walk together.
In september 2010, BQ:RAM toured the USA hitting NewYork and NewJersey.
Inlate 2011/early2012, BQ:RAM released three remix eps (ReWorked Vol.1,2,3) featuring international remixes by Mabanua, FidMella, Brenk, JazzyPidjay, Kixnare, Shag, TheJazzment.
In June 2012, they released an instrumental EP (The Day Before I Loved You) exploring soft atmospheres with a brand new, less sample-based approach, which they further developed in “2212”, their last EP, released in Dec 2012.
In the meanwhile they published the main remix for “Chiamamme”, the lead track of “Reality” OST,a movie by the Italian M.Garrone, which previously directed the world known“Gomorrah”.
In May 2013, BQ:RAM released an EP (Atlantic Sky) featuring the LA based mc Bisco Smith on the vocals, exploring the roots of golden age hip hop blended with a fresh approach on the rhythm patterns.
BQ:RAM's highly anticipated third LP will be dropping fall 2014. 


DAVE MARC - born 04.30.1993.
Young, ambitious, cheerful boy with the maritime towns, Trzebiatow.


Before Radek adventure with music started has a lot more things related to sport.
Interest in football, basketball, volleyball, but the fact that Radek football went more and fascinated.
At first it was a love rescue teams from oppression as a goalkeeper.
But the fascination with the sport was short, very short.
After a reference during the match, injury (broken arm), with a sober mind Radek came to the opinion that the end of the sport.
For a long time not because the two months he did not know what I want to do, to puki not enabled Internet radio.
Then fascinated him playing a DJ console and love for music started then zoom, minute by minute, with the transition to the transition and since then music, and a DJ has become the most important Radek.

Since 2000, since 2004, began his career DJ'ską.
It was not a big deal, because it was the same school discos, then started playing on the radio online.
One day something breathed Radek and his head he heard "DJka is not enough! Start to produce." So it happened.
It takes exactly since 2005. In 2010, Radek decided przystopować career remixer, and take up the production of our own songs.
In 2011, the Project was named "RADEK P" in progressywny song with the participation of the singer, who is known for hits such as:
3r - Shine On, Robert M - Super Bomb, 3R - Black Cherry, which was released in the My Music.
He was in such radios as OpenFM (c. party), My Music Radio, but it's not the end of the successful song "Keep Control"!
Also, the song appeared on two prestigious compilations, which is the media patronage Radio ESKA.
Sounds dominant Radek songs are very pleasant and suitable atmosphere to those who are playing at the club, sitting at home.
The "RADEK P" was announced by the DJ Remo as another young Cossack Polish club scene.

Now, as "DAVE MARC" Radek is planning to conquer the scene works House, how can the Commercial Club. "The works produced provided for me I'm trying to develop a melody like most, but to go without chaos, or, incorrect ones."

https://pumpyoursound.com/sl/r/5bdefb5c04304/

Tyler Derrik, Skyler Greene, Jared Greenway, and Bob Pollard are the integral elements that form The Knowing Hand; a progressive rock band from Mountain Home, Arkansas that started in a garage. Through haunting lyrics and hypnotic guitar tone that pushes one into a dark but oddly comforting place one can hear the influences of Rush, Tool, and Pink Floyd. Greenway admits that The Knowing Hand steps into a conceptualized wonderland that keeps one guessing whether it’s surreal fantasy or a waking nightmare. The Knowing Hand centralizes their music on themes and not a pop music format, creating movements like waves in a ocean forming ripples upon the sand below. Just make sure you don’t fall off course and sink into dreams that will drown you when you listen to Charybdis.
 
The newest and only Knowing Hand album is a great coming of age album about self-doubt, teen angst, and learning how to fit into your own skin with as minimal causalities as possible. Rise above the despair that life brings along with it and grasp hope with a death grip that the double bass drum played by Tyler Derrick encourages. Bob Pollard creates a rich environment with his delicious bass notes for Jared Greenway, the guitarist/keyboardist/singer, to dazzle the crowd. Greenway gives an ecstatic performance by jumping onto chairs, folding to the floor, and encouraging crowd participations. Greenway is more than a singer. He is an entertainer pure and simple. The Knowing Hand gives a breath taking live show with plenty of energy, sparks, and smiles.
 
Meet the men who make up The Knowing Hand after any show at the merch table and realize how approachable and friendly they truly are. You’ll be coming back for more. Let them know how bad ass you think they are! 

A DOUBLE HEADED SERPENT ALL UP IN YOUR CLAN WITH SAND.   UNDER THE SAND, UNDERSTAND?  THE DAMN CLAM'S NAME WAS SAM.

A MÍ / TO MYSELF
"Un hombre solo es mucho para un hombre solo." :) (Antonio Porchia, poeta ítalo-argentino)

"A man alone is too much for a single man" :) (Antonio Porchia, Italo-Argentine poet)

A LOS OTROS / TO THE OTHERS
"Deberíamos tender a ser el grano de arena a través del cual Dios se explaya".

"We should tend to be the grain of sand through which God expands".

SOBRE ESTOS TRABAJOS 
. Se trata de una selección de grabaciones y sobregrabaciones caseras realizadas a lo largo de 30 años, entre 1975 y 2005. 
. La música ha sido compuesta, arreglada e interpretada por mi persona en piano, teclados, órgano, sintetizadores, guitarra, guitarra eléctrica, bajo, contrabajo, batería, percusión, silbido y voz. 
. Asimismo son originales y propios los textos.
. En algunos casos el audio no es bueno. He intentado mejorarlo con alguna tecnología actual, pero no siendo a mi gusto satisfactorio el resultado, he optado por dejar la muestra original.
. Es muy recomendado el uso de AURICULARES.

REGARDING THIS MATERIAL
. It is a selection of home recordings and overdubbings made over 30 years, between 1975and 2005.
. The music is original and has been composed, arranged and played by myself in piano, keyboards, organ, synthesizers, guitar, electric guitar, bass, double bass, drums, percussion, whistle and vocals. 
. The lyrics are original as well.
. In some cases the audio is not good. I tried to improve it with current technology, but not being in my taste satisfactory the result, I have chosen to leave the original sample.
. It is very recommended the use of HEADPHONES.

LES DESEO UNA CÁLIDA BIENVENIDA A TODOS / 
I WISH A WARM WELCOME TO ALL

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

PARA MAYOR INFORMACIÓN POR FAVOR CONTACTAR / 
FOR FURTHER INFORMATION PLEASE CONTACT 
greuter1951@gmail.com 
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Nota: PARA USO PERSONAL EXCLUSIVO / Note: FOR PERSONAL USE ONLY
En caso de solicitar autorización para su uso público, por favor contactarse conmigo. In case of request authorization for public use, please contact me.

Muchas gracias / Thank you

I WRITE RAPS IN BILINGUALS,
 IF TImE is money..im THE SAND
 in CLOCKs falling out the system of a limbo
 FOR THE SAKE OF LOVE I STAY ON WAR
 AGAINST mIND CONTROLS , locked doors 
bad vibes, hunger, high walls, cold worlds

I RAP MY RYmES EQuals, TIC TOCs WAKE uP 
 GOT my pen vs your glocks. get up stand up
wtf...did you mofos forgot or what, times up
belive or not my ink never miss on the x mark, 
double dare for haters im waitin your shots

An icy fog has filled every space in this tired old city, and gaslight turns it to gold. Every living detail becomes a secret.

As you leave your damp footprints on the cobblestones, the fog swirls, revealing: here, a discarded glove; here, a gull feather; here, a sand-blasted bottle. Movement across a dark window catches your attention and you stop. In the stillness comes the faint lapping of water. There is a weight behind your eyes and the world slips sideways. The warm water rises to meet you. As the light dims to darkness, you catch a hint of a distant voice. It draws you to float onwards.

You drift through memories of dreams. You find a lost blue plush elephant, a lost best friend, a lost favourite jacket, a lost caress and shiver up your spine… At last you come to rest. There had been a bridge here long ago. The last time you were here, not yet ten years old, you knew you’d been here before. Your breath sends curls of mist spinning above the hidden waters of the gulf. This time, you know to let go.

On the other side is a forest, where feathers of frost gleam on bare twigs. In the centre of a clearing stands a lone tree, still holding on to its leaves. All at once, with a single thrum as you approach, sparrows erupt from the tree and leave it bare. Looking around the clearing, you see them hopping between branches.

One bird darts back across the clearing in front of you, and you glimpse something glinting in its beak. It flies back up into the lone tree and hangs the object on a high twig.

A breeze stirs. You can just make out dozens of other tiny objects in the treetop. They are too small to see clearly at this distance, in this murky light, but one-by-one, you recognize them, remember them. You gaze a long while, replaying scenes, echoes of memories, until one sparrow flutters down to your feet. There is a hint of candle-smoke on the breeze.

The sparrow stares up at you, beak open.


floer are:
Judith Mann
Andreas Laudwein
with:
Anna Kaluza, saxophone
Stephan Bleier, bowed double bass

twilight shore lyrics written by Cameron Wilson
cover painting by Marc Lüders

© 2018 floer

Dj Rizal W Tribefunkt // Edc

DJ Rizal began spinning classics in his home town of Surabaya in 1992 before taking a two-year break to burn rubber on the tarmac, racing GP125 and 150cc modification motorcycles professionally, as a sponsored rider for Team Suzuki. A terrible accident on the track left him with serious injuries, but he was rebuilt – faster, better and stronger – in Singapore and soon after recovering reignited his DJ career with a move to Bali in 1999. Here, he established his name and reputation playing a number of guest spots until he acquired a permanent residency at Kuta’s Old Bounty, followed by Bali Globe on Jl Dhyana Pura, where he rocked the progressive beats for two years. From there he went on to spin a number of slots at Bali’s best – Double Six, Amnesia, Tu Bar, Spy Bar, Fuel and more. In 2005 he took up an ongoing residency at F-Lounge, a chilled lounge bar that caters to a unique musical niche and a discerning audience. He still gets regular slots at Bali’s famous Double Six Club, and also takes Bali beats to other island shores including Java, where he plays at the prestigious Balcony Embassy in Jakarta, and Gili Trawangan, where he holds an ad hoc residency at Dive Indonesia. Overseas incentives such as his 10-week, Western Australian tour, the Amini DJ tour in New Zealand, and a tour of Malaysia and Thailand in 2007, have gained Rizal recognition as Bali’s most famous Indonesian DJ, each tour firing him up with febrile inspiration. In 2009 Rizal Move To Malaysia And 2010 Working For Karma Lounge at Cyberview Lodge Resort & Spa As Entertainment Director & Residency Dj




ON THE DECK…

DJ Rizal wields control over his art as he moves from soulful house and progressive trance into slamming sets of pounding electro house, combined with fast cuts, and smooth mixing tricks. He is renowned for transcending the rigid divides between underground, overground and commercial spheres by constantly introducing fresh elements. He begins by dropping chilled grooves with a strong emphasis on instrumentation, swirling synths and downplayed vocals, blending sexy layers of sound with a driving 4/4 beat. As the night wears on he revitalises the vibes and fuses the party mood with his creative house force, successfully infecting the dancefloor!

GENRE

Chill House, Soulful House, Deep House, Electro House, Progressive, Progressive Trance, Psychedelic

MUSIC STYLE
Grant Nelson, DJ Chus, Erick Morillo, Jerry Ropero, Sandy Rivera, Antoine Clamaran, DJ Pippi, David Guetta, Dave Seaman, Robbie Rivera, Paul Van Dyke, Tiësto , Jerome Isma Ae,

RESIDENT & GUEST DJ EXPERIENCE

Bali
1999 - 2002: Old Bounty Club – Resident DJ & Marketing Promotion For New Bounty Club,Paddys Pub Legian Bali
2001:18 Hours Live Set New Year’s Eve Party, Tanah Lot (2000 To 2001)
2001-2005: Double Six
2001 / 2002: Crusoes, Euro Club, La Boheme, Amnesia
2003: Tu Bar, Spy Bar, Fuel
2003: Saint Duppont X Mas Party, Bali Globe
2002-2005: Bali Globe Hotel & Club, Manager Entertainment & Resident DJ
2004: Event Orgenaiser Earth Dance Party – the music festival for peace and the largest global synchronised dance event in the world – Canggu
2004: Dance for Life, Puputan Square, Denpasar
2005–Ongoing:Kudeta Bali
2005-Clossing End 2008: F-Lounge – Resident DJ, Manager Entertaiment & Marketing for ‘Pro Motion Events’ and other special events
2007-Ongoing: Double Six
2007-Ongoing: Bali representative for ‘999 Records’ production, Jakarta
2008-Ongoing: Double Six
2008: Grand Opening Anantara Hotel
2008: Ozigo Bar Ubud
2008: Royal Resorts 10-Year Anniversary Party at Karma Kandara
2009: Hipnotique Club Seminyak Square
2010: Ozigo Bar Ubud Bali
RESIDENT & GUEST DJ EXPERIENCE

Outside Bali

2001-Ongoing: Dive Indonesia, Gili Trawangan, Lombok, Indonesia
2002: 10-Week tour in Western Australia, performing at:
1 White Sand, Scarborough Beach
2 The Studio Club at Geraldton, Perth
3 The Stanford Arms at Scarborough, Perth
4 Earth Dance, Perth
5 DJ Presenter at RTR FM 92.1 Public Radio, Perth – An epic, all-night marathon that was broadcast worldwide
2004: Vilai Bar, Koh Phangan, Thailand
2005: Papillon, Yogyakarta, Java, Indonesia
2005: New Zealand
1 Club Ink, Auckland
2 Jet Bar, Wellington
2005: Full Moon Party, Gili Trawangan, Lombok, Indonesia
2005: White Party, Gili Trawangan, Lombok, Indonesia
2005: South Australia
1 Cumberland Club, Adelaide
2 The King’s Head Club, Adelaide
2006: Tropicana, Senggigi, Lombok
2007: Cyberview Lodge Resort & Spa, Cyberjaya, Selangor, Malaysia
2007: Spy Bar, Koh Chang Island, Thailand
2007: Vertical Six, Surabaya, Java, Indonesia
2007: Hugo’s, Malang, Java, Indonesia
2007: Balcony Embassy, Jakarta, Indonesia
2007: Pure Embassy, Jakarta, Indonesia
2009: The Result Domestic Departure, Vertical Six Surabaya
2009: Hibernation State Of Party(Dj David V6 Engine Tribefunkt Bday Bash), Verical Six
2009: Triple celious, Vertical Six Surabaya
2009: Pure House Every Thursday, Vertical Six Surabaya
2009: A Mild Live Gatering Entertaiment, Nen's Corner Surabaya
2009: A Mild Live Production " A Mild Music Corner " Nen's Corner Surabaya
2009: A Mild Live Production " A Mild Music Corner " Nen Corner Bday Bash
2009: Clossing Party, Vertical Six Surabaya
2009: Grand Opening A Club Cyberview Lodge Resort & Spa, Cyberjaya, Selangor
2009: New Year Eve Atap Lounge Bar & Club Cyberview Lodge Resort & Spa, Cyberjaya, Selangor Malaysia (2009 To 2010)
2010: Riverview Hotel Bandar Seri Begawan Rizal & Rina Wedding Party 11 April 2010
2010: The House Club Surabaya


COLLABORATIONS

Pete Small (UK… no 4 of 12 Big Bash Mild Live 2007)
Funky Gong aka Numanoide (Japan)
Killatronik (Japan)
Claude Von Stroke (USA… of Dirty Bird Records, San Francisco)
Tsyoshi Suzuki (Japan)
Ben Herred (Germany… of Love Parade Berlin 2003)
Matt Caseli (Pacha Ibiza)
Marco Polo Cecere (Italy)
Sultan (Yoshitoshi Records)
Harlze (Tribefunkt/ Australia)
Nev Simple Psyman (Australia)

CONTACT FOR BOOKING & INFO

Tel: (+62) 81 7340 144
(+ 60 ) 1696 898 39 / (+60 ) 1696 898 49
E-mail: Dj_rizal73@hotmail.com
http://www.tribefunkt.blogspot.com
http://www.eightballsdj.com
www.facebook.com/DjRizalWTribefunktEdc

We are an experimental improvisation band consisting of members Keenan Hallas, Tyler Raborn and Dylan Travers. All music is conceived of and performed on the spot.



Description for the Part I: Commencement set:

Our first release, a double LP consisting entirely of improvised jams recorded over the course of a year. 
It tells the story of a group of worker robots who live their lives in mechanical monotony ("I. Well Oiled Work (WOW!)"), only getting entertainment through equally strained performance events ("II. A Rusty Performance"). One day a mysterious character, Mr. Megalomania, invites the robots to join him for a party ("III. Mr. Megalomania's Riveting Get-Together"). It starts rigidly, but quickly the robots begin to get drunk on oil and have a good time ("IV. The Fuse Blowout"). The robots begin to relax and seem to be reaching a point of departure ("V. Gearing Down"). 

But suddenly a flare of inspiration rises among the group, and they create a roaring bonfire ("VI. The Inspired Bonfire"). Worried by the robots' newfound sense of individualism, Mr. Megalomania laces their oil with psychoactive drugs, causing them to lose control and wreak havoc on the town ("VII. Light Suddenly Dark"). The elders, worried that the robots have gone beyond their grasp, banish the group from the town. The robots then travel through the woods at night and are attacked by wolves ("VII. Wolf Ammunition"), leaving many injured or broken beyond repair ("VII. Surviving Remains"). After then traveling through a swamp ("VIII. Swamplife") and a harsh desert ("IX. Through A Desert/Storm of Sand/Oasis") the robots begin to break down, and sleep ("X. Robots Don't Dream"). It is a quiet sleep, as robots don't dream... or do they?



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