These are sounds made by the dehumidifier, recorded with a Zoom H4n, in the practice studio, in the Summer of 2010.

The only modifications of the sound I made were fade-ins and fade-outs, and normalisation at -0.5 dB.  The volumes were all relatively high before I normalised so very little was changed.

Dehumidifier at Colibri motel (2010-07-16)

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Me gusta toda clase de música ritmos, melodías, beat, sampler para inspiración en lo bueno y quedarte con lo Positivo, que sirve para aprender y entender la vida, como  buen melómano,  actividad musical.. https://open.spotify.com/user/31khce5eg7hjeldt6fqquyuukvym …      
     Estuve en un coro cuando era niño durante mucho tiempo, cuando era más joven, también algunas colaboraciones en un local  y ensayos… 
     Me gusta Music conceptual, https://youtube.com/@Inscreup ,electro alternativa con clásicos y visualizar vídeos de todos estos estilos musicales. Sobre todo terminando en crear-componer estos discos-single.. https://youtube.com/@jesush1973 (1.Home-2.Nighy home-
3.Synthetizer-
4.Natural-5.La Experiencia (edad media)
-6.Ambient&Dance. 
Algún formato cd con 
 rock CD, etc …) 
     En vídeos es “homedj1973VEVO” https://youtube.com/@homedj1973vevo con sintetizadores  algún Daw Casas Steinberg, ableton, piooner, tambien VST Native también actualizo algún DAW o VST etc… Arreglos ozone y editor de vídeos seguiré haciendo música para poder realizar https://youtube.com/channel/UCCSRIiRettDsI1UmTD_Q2_A el groove, jazz o hard rock con fusión electro-techno-house, cinematográficas y músicas alternativas-sicodelica con vídeos clip…. 
     La música  que escucho con audial en alternativa como electro progresivo inglés house-dance-tecno.. Groove americano y psicodélico-electro Noruego , Goa alemán o español. jazz o rock-heavy-blues funky o pop.
     La Música “home dj” es seguirla y  disfrutarla.(Al final apoyo por mi cuenta en mi banco a UNICEF en vida y Donación en campañas).
     Apoyar aportar en ayudando a hacer mi música…
 ( https://paypal.me/jeshdez )
     Agradecer familia amigos safecreative…
( https://www.safecreative.org/user/Jeshdez ) y a las Radios, rockCd, SoundCloud, ditto, mil gracias…

LIVE!! on Radiovalencia.fm
LP Lounge Tues 10am-noon(PDT)
I grew up a drummer in a death metal band, this is something I always wanted to do😎follow, like…all that crap🤣

Never any AI in my music, just the pictures 😆🤷🏻‍♂️i can’t draw, but i can play just about anything 🤘🏻😎🤘🏻

https://open.spotify.com/album/3AJW2Z9Y1535vT9Adldd26?si=iXEIAC0ARcS1s5_-Dw1sQQ

http://itunes.apple.com/album/id/1792559626

https://music.amazon.com/artists/B0DTK23TK4?ref=dm_sh_iff5hslqCAMDYZmdRuamn7R8l

Not Underground. Not Mainstream. Just Left Ground.

Left Ground Music stands outside the boundaries of genres and scenes.
We are neither part of the mainstream nor the underground—we exist in the “left ground”, a space where sound refuses to conform.

From electronica, dub, and ambient to post-rock textures, our releases carve out soundscapes that demand attention, not background listening.
Born in Aichi, Japan, our music captures the collision of urban noise and natural silence, offering listeners a sonic experience that feels both familiar and alien.

This is music for those who walk the edges of reality.
This is Left Ground.

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Sjonkel Rolfsen is a vinyl enthusiast and music collector from Trondheim in Norway. He has been welding records at local venues and events for two decades. Nowadays, he mostly enjoys to fiddle around with experimental and ambient in the comfort of his humble abode, but still get the odd epiphany to wonder out into the enchanting world of house and techno. When he is not fumbling about on the decks, he likes to travel. He tries to play with the possibility of combining electronica and leftfield soundscapes, in a mixcast friendly way, catering to your everyday soundtrack needs.

(Don't follow me here, best on my main page ;)

computer crashed. New stuff some day. 👋 

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Benoît, qu'est-ce qui s'est passé?
J'espère que ce n'est pas grave.
Merci pour "Barricades".
Fais un signe quelconque!

°°°°°°°°°°°°°°°°°°°°°°°
Hälfte von @Pentaloops und Mitglied vom Kollektiv Filmstadt Underground.
Vgl. @roebot-muzik und @atze187.
Moitié de @Pentaloops et membre du collectif Filmstadt Underground.
Cf. @roebot-muzik et @atze187.
Half @Pentaloops and member of the collective Filmstadt Underground.
Cf. @roebot-muzik and @atze187.

Dehumidifier at Colibri motel (2010-07-16)

Ha Kékong