B E E F is an avant-garde experimental black metal cunt punk imp scream noise band. They perform live in pain with selective guest artists.

They are aggressive, intense, manic, suffocating, tense, anxious, uncompromising, urgent, visceral and volatile.

Dark Psy / High Tech.

Punk tambem vem trabalhando em seu Live ,  Kranium .

Um live que leva grande influências de bandas de punk rock, dos anos 70/80, apostando em muitas melódias melancólicas e agressivas, timbres hi-tech e muitas variações de linhas de baixos, para bombar e deixar a sua marca em qualquer dance-floor.
Enjoy ;D

Skype : Kranium.punk 
Facebook : http://www.facebook.com/Kraniumpunk 
Msn : kranium-live@live.com
http://speedsoundrec.com/
Page : https://www.facebook.com/pages/Punk-Speedsound-Records-Damaru-Project/571014209579959
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English.

Having chosen a line that has been, recently, more explored and appreciated, brings in its repertoire a range of projects South Africans Portuguese and Mexicans in the fusion of sinisters melodic harmonies and synths hi tech and futuristics (night / twilight) has been pumping and burning up dance-floors wherever he goes.
His Djsets have as its main characteristic the fact that they do not follow a single specific line but rather walk among them; tense moments, moments of reflection moments of euphoria among others.
With bold mixes, techniques and impressives, ensures an euphoric and introspective dance-floor.

 Damaru Project
*Terramorph Records
*Paleolithic Records
 *Lucy Forest Records


Enjoy ;D

Skype : Kranium.punk 
Facebook : http://www.facebook.com/Kraniumpunk 
Msn : kranium-live@live.com
Page : https://www.facebook.com/pages/Punk-Speedsound-Records-Damaru-Project/571014209579959

Metta & Glyde are a UK-based duo who are frontrunners within the modern wave of trance. Their signature sound, an ultra-modern take on energetic classic trance, is rocking the planet, making them one of the most sought-after acts on the global scene. Hailed by Sean Tyas as "The modern-day Alphazone", their no-nonsense, emotional yet high-energy style captures the imagination and translates perfectly to the trance floor. Topping the Beatport trance chart has already been achieved three times through tracks 'Renaissance' and 'Storm' on FSOE and FSOE Fables, and also with their remix of ‘The Oasis’ by Talla 2XLC on That’s Trance. A collaboration with their mentor Sean Tyas 'The Unfamiliar' on Surgikal plus many more successful releases keeps this production juggernaut rolling out tracks and remixes on labels such as FSOE, VII, Skullduggery, Regenerate, FSOE Fables, Nocturnal Knights, Find Your Harmony, Amsterdam Trance, and their own label, One Forty, to name a few.

The Beatport Top 10 is a regular hang out for this awesome twosome, collaborating with artists such as Sean Tyas and Ferry Tayle, plus remixing Talla 2XLC 'The World In My Eyes', David Gravell & Corti Organ 'Bliss', Sean Tyas & Darren Porter 'The Potion' has propelled the Metta & Glyde name worldwide. Regular features on multiple compilations and featured guest mixes and streams for heavyweights Aly & Fila, Andrew Rayel, Dreamstate, and Luminosity, have further helped build this exciting duo into a fan's favourite.

Metta & Glyde are a must-see act and their mission to give people those special dancefloor moments and long-lasting memories is well underway.

Worldwide Bookings - natalia@mettaandglyde.com

Contact: info@mettaandglyde.com
Demos: demos@onefortymusic.com
Promos: promo@mettaandglyde.com

Your pulse quickens, your muscles tense, and you start to sweat.  Your amygdala, a tiny walnut shaped region of the brain, sets off a chemical reaction that ends in adrenaline coursing through your veins.  Blood flows away from your skin and towards your vital organs, leaving you ashen but prepared to defend yourself.  You’re scared shitless. You try to breathe through it and remain calm, but your pupils betray your attempted demeanor.  In the middle of this all encompassing dread you begin to accept your fate and a sense of peace washes over you.  You stop fighting and embrace the fear.  You can live here.  You can live…Phobic.


Sunbeam Rd., a Bay Area three piece, craft a tense and expansive sound via psychedelic guitars, purposeful melodies, and restraint. Willing to fall apart completely exploring the margins of harmonic rock, their live shows can toe the edge of cacophony. At their best they reach into hook-laden, fuzz-saturated trance states.

5th Edition Dungeons & Dragons live shows streamed on twitch.tv/RunawayRobot_ !
Currently in its second year running, the show runs multiple campaigns (both official modules and homebrew), all of which have an emphasis on production quality, and feature things like political intrigue, tense combat situations, and various shenanigans aplenty by players and DM alike; in short, everything that makes the 5e system so popular!

I am a hard dance DJ and aspiring producer from the north west of England, my main genres being UK Bounce/Hard Bass but never miss out on the opportunity to step it up a notch to a bit of UK Core/Powerstomp! I’ve always been partial to the harder side of dance music and my main inspiration to become a DJ comes from legendary DJ’S like Carl Cox and his performance at Fantazia The Big Bang in 1993 and Q-tex Live PA performing Power of Love for the first time! Huge stages and outstanding acts at these raves in the 90’s inspires me to try capture a piece of that in each of my sets and hopefully make the crowd feel a little of what I feel every time I play the music I love. 
I started djing when I was around 15 but didn’t take it more seriously than just messing around at my mates until I started to learn and get better. I can remember that moment when it all clicked and didn’t seem so confusing anymore, this encouraged me into buying my first set of decks at 18 a pair of belt driven home mix 2000’s with matching mixer they were awful but I loved them! I eventually upgraded to some direct drive Numark TT1625’s with a Stanton sa-8 mixer made an outstanding difference to my performance pushing me even more to become pro. To help further my skills i also signed up to North west music academy which taught advanced djing and basic music production and mastering in a 12 week course
All though it was years later when I finally got my break and got my first booking @ Sanctuary Summer Jam Club Sanuk Blackpool 23rd August 2013 was a tense set and really didn’t go that well for me due to some technical difficulties I was absolutely gutted really thought I’d messed everything up on my first crack at it and thought id never DJ again, but I persevered and later started to get more and more bookings @ Dirty Beatz, Infusion, unbeatable bounce, Dance District, Stir Crazy all quite minor until i landed a booking @ Bounce Heaven Ascention Bowlers Main Stage May 4th 2014 via Shaun Lever and Exxposure. This was djing on a different level really enjoyed the experience of playing such a huge stage in a legendary venue like Bowlers and can only thank the people involved for giving me the chance. This opened more doors for me not instantly but gradually promoters have started to approach me more and more rather than me bombarding them with links to mixes demo cds etc. This was a great feeling to have strangers approach you that have heard u play and want to book you gives a great feeling of accomplishment. 
I later returned to Sanctuary & Sopranos NYE 2014 and opened room 2 with DJ Jeff Roscow performing a Dirty Beatz resident set which we filled in 5 mins and absolutely smashed it really enjoyed that set. I have been booked by Sanctuary deviation again recently and am set to play @ Sanctuary The Return on October 17th 2015 performing alongside the legend DBC. There is some great opportunities for me ahead to show what I can do Sanctuary The Return mentioned above and my biggest booking to date Exxposure 2015 Bounce Arena can’t wait to perform at the mighty bowlers again and hopefully impress some more. Either way its an honour to play and a great opportunity to further my career which I will grab with both hands.
DJ John Shaw



SATOSHI IMANO is not only well known in the West, but has also become the focus of much attention in his native Japan as one of today's most popular artists. Ever since the Polish label "6p-records" released his hit "Take it back" on 12 inch vinyl, his sensitive but bold track-making style has continued to rock the charts. At present he has released 2 full-length albums of original material, and ever since his debut he has continued to stoically advance a career which has set him aside from all mere DJs and track-makers. After producing numerous original works and remixes he released the "Marvelous EP" on the Portuguese hard techno label "Envenom" in 2011. With this he continued to take the lead at the top of Amazon's dance and electronica charts. Furthermore, one of the preeminent Japanese techno labels, "PLUS Records", released his "Explorer EP", and he showcased it with a live performance at the "PLUS TOKYO" event, hosted by the label at the Daikanyama Air venue. That same year he also released the "Nano Metal EP" which received high praise from overseas, and this lead to a Shanghai Tour which proved to be a great success, an event which is still fresh in people's memories. Thanks to the growing attention he was receiving from abroad, in 2014 he started the first radio program in UK's Liverpool station Framed.FM to be entirely specialized in Japanese techno DJs, and named it "Tokyo Techno Liner". He is currently in charge of several aspects of the show, such as planning, producing and artwork duties, and listener numbers are skyrocketing. As a key promoter of Japanese techno to international audiences, his reputation in that world also stands high. He has also been awarded the No.1 grand prize amongst many submissions to the "Remix Contest for the track 'thirst' by the HIATUS", hosted by Sound & Recording Magazine. This remix has breathed new life into the club scene, causing many more people to take notice of his skills. This is evidenced by the fact that many movies and stage plays have sponsored his music, and offers from all quarters have not ceased coming. It is rare to find someone with such a bottom-up approach to management and to his craft as SATOSHI IMANO, an artist whose constant exploration of next-gen music is always spelled out in the "present continuous tense".

Wilford Leith is following