The single from the upcoming album 'Similarities Between Fish And A Chair', out 04/30.

Similarities Between Fish And A Chair

Possible Plausible Reversible

Possible Plausible Reversible (feat. Dai Sekiguchi)

Taken from MIXTAPE//002: https://smarturl.it/GAWJUSS-Mixtape002

Insta: https://www.instagram.com/gawjuss_boys
Facebook: https://www.facebook.com/gawjussband/
Twitter: https://twitter.com/gawjuss_band
Spotify: https://smarturl.it/GAWJUSS-Mixtape002/spotify
Apple Music: https://smarturl.it/GAWJUSS-Mixtape002/applemusic

MIXTAPE//002

Gawjuss - Sleepwalker

Pre-save on Spotify   http://smarturl.it/r9om5v

UNTIL WE MEET AGAIN - LYRICS

It’s getting late love, I have to go
I hate to leave your precious soul
But while I’m gone you’ll be in my thoughts
Until we meet again

I feel so vacant when we part
The miles between us seem so far
So kiss me hard and make it last
Until we meet again

In a corner of my mind
There’s a pocket with your name inside
And no one else can reach that high
So baby I’m yours and you’re all mine

Sweet contentment under sheets
I’ll remember nights like these
While I’m away and counting down the days
Until we meet again

(Instrumental)

I’ve thought of things for us to do
When we get a moment or two
But for now I’ve written you this tune
Until we meet again
Until we meet again

Until We Meet Again

OPINEL

To the Ocean Floor

Ocean Floor

This is the world premiere of the new work for double-bell horn, developed during the Virtual Brass Academy with Christine Chapman and Ensemble MusikFabrik, July 2020. This performance took place on July 30th, 2020 - in Cologne.
I am indebted to Ensemble MusikFabrik and the fantastic work they did with us in introducing us to the worlds of double-bell instruments, and to the ever-expanding repertoire of new music for these instruments they are bringing to the world.

The work explores a sense of dual forces that act and react upon each other, and how the relative mediator (the performer) indeed interacts with the score, the instrument and it's two bells, and finally how the theatre of the piece - both through actions and the position of the instrument - is transmitted to the audience. In the four sections of the piece that each explore a different facet of the manipulation of the horn - first through the use of a contra-bassoon reed to produce aggressive yet fulfilling multiphonics; then in the second and third exploring the two bells and their range of possibilities. The final section condenses the instrument down to only it's single-bell form and the mute and interacts briefly with it to express a settling within the performance. Gasping, grunting, growling and grandeur are all some of the ideas explored in this short miniature.

Image: LIGO/Caltech/MIT/Sonoma State (https://www.vox.com/science-and-health/2017/6/1/15721268/gravitational-waves-ligo-future)

Understated Matter - for solo double-bell horn [premiere]

Ballad

https://catbearmusic.com
https://catbearmusic.com/links

~~LYRICS~~
(Music and lyrics by Zoe Konez)

You put a light on in me
You turned off the background noise around me
You started a fire deep within me
And I get it now
I get what they were talking about

Lust is not a feeling it’s a monster and it’s taking hold
Just a taste you feed me and I’m obsessed, I’m out of control
Who are you now?
Who are you now?
Who are you now?

You crossed a line and I liked it
You made me behave in a way I wouldn’t normally
It’s like there a riot inside me
And I get it now
I get what they were talking about

Trust is not so easy when it feels so good to give it up
Lose the rules to live by and I’m undressed I am so exposed
Who are you now?
Who are you now?
Who are you now?

I want you but I can’t decide if I’m the one who’s in control
I want you but I can’t decide if I’m the one who’s in control
I want you but I can’t decide if I’m the one who’s in control
I want you but I can’t decide

Lust is not a feeling it’s a monster and it’s taking hold
Just a taste you feed me and I’m obsessed, I’m out of control
Who are you now?
Who are you now?
Who are you now?

Who are you now?
Who are you now?
Who are you now?
Who are you now?
Who are you now?
Who are you now?
Who are you now?
Who are you now?
Who are you now?
Who are you now?

I want you but I can’t decide if I’m the one who’s in control
I want you but I can’t decide if I’m the one who’s in control
I want you but I can’t decide if i’m the one who’s in control

Trust is not so easy when it feels so good to give it up
Lose the rules to live by and I’m undressed I am so exposed
Who are you now?
Who are you now?
Who are you now?

------------------
https://catbearmusic.com
https://catbearmusic.com/links

Written, recorded and produced by Zoe Konez
Performed by CATBEAR
Mixed and mastered by Oz Craggs at Hidden Track Studios
For licensing enquiries please email hello @ thisistreehouse . com

Luka - Past The Point Of No Return

Monomyth Records