captains of the club

MGMT: gon@notedmanagement.com
eli@notedmanagement.com

BOOKINGS: lhandelsman@teamwass.com
igoldenring@teamwass.com

Tour Dates: https://songkick.com/artists/9458029-ship-wrek

Promo: tstack.app/shipwrek

SURRENDER :: REMIX :: OUT NOW: https://www.aydenloyde.com/surrender-remix

AYDEN LOYDE is a conceptual artist based in Sweden, defined by his introspective approach to melodic techno. Distinguished by sounds of exploratory design, his work seeks to uncover new dimensions of electronic music, blurring the lines between genres.

Marking his breakout act is AYDEN LOYDE ° SELECTION, a carefully curated mix series centered around an artful expression of sound and vision. Since then, he has emerged as a rave tastemaker in the electronic scene, contributing mixes to household names within the industry, gaining recognition for his emotive performances that craft narratives through sound.

AYDEN LOYDE is set to bring his audiovisual world to life, now releasing his debut single Breathe on RISE with Tomorrowland Music. A composition embodied by the dark and abstract nature of his conceptual world, influenced by his roots while exploring the multifaceted essence of sound.

With his debut single set to release, he positions himself at the outset of a promising musical journey - a pursuit of innovation that marks the beginning of a larger story yet to unfold.

The unknown awaits.

Contact for bookings: DJBrentMilne@gmail.com

Collé is a versatile producer with a unique, emotional sound that reflects years of musical experience and cultural influences. His breakthrough came in 2018 with the anthem "Owami," heavily supported by major names like Solomun, Âme, and Black Coffee.

With releases on renowned labels such as Human by Default, Calamar Records, Siamese, and Zamna, Collé continues to evolve. He is also one of the driving forces behind the label Point in Time, which focuses on vocal electronic music while avoiding clichés. His track "Kupata" was heavily supported by Keinemusik.

Collé has delivered incredible performances at Tomorrowland, Pacha, and Mysteryland, to name just a few. Always in search of timeless originality, exciting new projects are on the horizon.

fable w/ robert miles is out now: www.lsrcity.com/fable

Gareth Emery is one of the most prestigious names in electronic music. A world-renowned songwriter, DJ, and record producer, the British artist is known for racking up millions of monthly listeners, billions of lifetime streams, and repeatedly reaching iTunes #1 in over 25 countries with his prolific discography.

A world-class performer, Gareth’s reputation for jaw-dropping visuals, cutting edge laser design, and live instrumentation make him an undeniable leader in the live space. Millions have attended his headline shows and festivals around the world, and this year he debuted LSR/CITY - the successor to his world famous laser arena tour Laserface - to a sold out crowd during EDC Week in Las Vegas.

In the back half of 2022, Emery will be launching his most ambitious tour yet: LSR/CITY 2.0 will debut never-before-seen technology and a live performance aspect that’s the first of its kind, raising the bar for multi-sensory live concert experiences yet again.

Serving you that NYC Big Room Sound, Joe Pacheco takes you on a euphoric journey reminiscent of the Concrete Jungle he grew up in.

Inspired by an international sound, he delivers a vibrant sound that spans the electronic dance music spectrum; with a mixture of addictive beats and powerful vocals, be prepared for your deep seated carnal soul to emerge.

Having toured major world capitals including New York City, Tokyo, London, Sydney, Bangkok, Mykonos, Toronto, and Puerto Vallarta, and headlining renowned events and festivals such as New York World Pride, Sydney World Pride, White Party Bangkok, Winter Party Festival, XLSIOR Mykonos, and Market Days Chicago, Pacheco continues to elevate and evolve his craft with each experience.

He has played alongside world renowned superstar DJs such as Tony Moran, Abel, Tom Stephan, GSP, Dani Toro, Nina Flowers, Las Bibas From Vizcaya, Alex Acosta, Anne Louise, and Dan Slater.

Along with his music, Pacheco has taken the scene by storm with his signature aesthetic and exuberant, commanding presence. Integrity, Authenticity, and desire to create unique moments take center stage; the goal is simple: bring happiness through the universal language of music.

It is this symphony of sound and showmanship that Pacheco strives for; to live unapologetically, to stay true, and to “Do It Dapperly.”

BOOKINGS
Patti Razzeto
dflmanagement@me.com

Curated podcasts on the House-to-Techno genre spectrum. Compiled, mixed & mastered by Anthony Allie. 
It's a Vibe.

Anthony is a House & Techno DJ/Producer from Denver, CO.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


Born into the arts, Autumn Leilani has spent her lifetime creating a world of beauty, music, dance, art, positivity, truth, reality, escape, love and adventure. From a very young age her days have been devoted to writing and producing music, singing, stage designing and DJing. Surrounded by every type of music has allowed her to become diverse in all of her creations. Autumn has spent many years traveling all over the United States performing as a DJ/singer for events, clubs, bars and festivals. She plays many styles of music with a collection of over 100,000 songs updated weekly, but finds her main love for house music accompanied by live instruments. She has played along side of horns, strings, pianists, drummers, guitarists and vocalist (herself included).

As a Graduate of SAE Los Angeles Audio engineering she is well versed in Ableton, Logic and Protools. She personally writes and records all of her work.

Equipment includes:
Technique Turntables, CDJ 2000's/Rekordbox, Traktor S4 Controller, Macbook Pro, Serato software, Traktor Software, Ableton push 9, JBL Professional Speakers and lighting.

Music generes include:
Deep house, Tech house, house, Techno, Indie Dance, Deep Cuts, Lounge, Funk/Soul, Rock, Oldschool Hip Hop, Punk, Electroswing, Downtempo, Trip Hop, Glitch, and Other.

A few events/clubs and bars Autumn has played at.
***LAS VEGAS and HOLLYWOOD RESIDENT DJ***
● So you think you can Dance: Wrap Party
● American Idol: Wrap Party
● LA Fashion Week
● Adidas sports wear: New product launch parties
● Eufora hair products: Hair shows and new product launch parties ● Hollywood Film and Television: Wrap parties and Holliday events ● Chase Bank: Holiday Parades
● LA Weekly: Party Events
● SAE Audio Technology: Special Events
● Gay Pride San Diego
● Bedrocktober Music Festival: Los Angeles
● Palm Springs International Film Festival
● Bartender Industry Events at the San Diego Chargers Stadium
￼￼● Jagermeister Bartender Golf Tournaments and Motocross event
￼● Swing Dance: Hollywood Parties
￼● Viper Room: West Hollywood
● The Roosevelt: Hollywood
● Confidential: Beverly Hills
● Searsucker: San diego
● Burlap: San Diego
● Open Bar: San Diego
● Pure: Las Vegas
● Voyuer: Hollywood
● The Hill: Beverly Hills
● Las Palmas: Hollywood
● W Hotel: LA
● El Cid: Los Angeles
● Fox Theatre: Pomona
● The Ace Hotel: Palm Springs
● The Double Down Saloon: Las Vegas
● Hilton: Beverly Hills
● Sheraton: Carlsbad
● The Standard: LA
● Krave: Las Vegas
● Vanguard: LA
● The Secret: Hollywood
● Dim Mak: Hollywood
● Room 86: Hollywood
● The Central: Santa Monica
● Guzmans San Felipe Spring Breaks
● Cat Club: Los Angeles
● Rainbow Los Angeles
● Velvet Margarita: Los Angeles
● AC Lounge Los Angeles/San Diego
● Casbah: San Diego
● Wonderland: Hollywood
￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼● Premier: Hollywood

￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼https://www.facebook.com/pages/Autumn-Leilani/371041209627465?ref=hl 
https://soundcloud.com/autumn-leilani 
http://www.mixcloud.com/autumnleilani/ 
http://www.gigmasters.com/DJ/DJAutumnLeilani/ 
http://www.autumnleilani.com
￼￼￼￼￼￼￼￼￼￼
Autumn Leilani 619.719.2377 autumnleilani@gmail.com

Loved Techno before it was called “EDM”. 😉
Lover of house music (et al.) 
God is a DJ.

Dancemau5 is following