Gorgeous slow crescendo Kevin... I love this track... Just my kind of music...Intense and elegant... Annemarie

One of those false ending which lets us breathe...

Vocal Copyright Nat Daniels 2022
Lyrics and Melodic Composition Copyright Andy Hall & Gary Brown
Produced by Andy Hall

I was thrilled when Andy and Gaz invited me along on this collaboration.  The Lyrics are beautifully written and sung by Gaz and lends itself to great story telling. It was lovely to join him and to bring my creative spirit in harmonisation to the table.  Andy wrote the beautiful melody and created the gorgeous Instrumental track (which has a hauntingly beautiful Guitar solo) and then brought it All to life with his incredible Production / Mixing skills, breathing life into the song,  and giving it a depth of sound to make it "sparkle". 

I urge you to check out these talented folks' individual page links below..
Ladies and Gents.. I give you the Conscience of Kings.   

Noobly :  https://soundcloud.com/noobly-1?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Gaz Brownie :  https://soundcloud.com/user-755327533?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Lyrics:
Our Devine intervention - Gary Brown and Andy Hall.

Standing on the bridge
Staring into the water
(I’ve kept you waiting
An hour and a quarter )
My Head tells me to leave
My hearts a little more naive
(We’ve had 27 days apart
To rekindle this flagging heart )

Chorus
Our Devine intervention
When we had each other’s attention
To were I love being yours
And you love being mine
Our Devine intervention
Needs to work for us this time

V2
Finally you arrive in your own chaotic style
(So my car went and broke down
And i walk the last 3 miles)
I get the big puppy eyes
And a cute little sorry sigh
(What lies beneath in this rivers deep
Are the same things in the
secrets we keep)

Chorus
Our Devine intervention
When we had each other’s attention
To were I love being yours
And you love being mine
Our Devine intervention
Needs to work for us this time

V3
(Let’s stand back to back
Walk in a different direction)
If we just keep right on walking
Then we have lost all affection
(If we both look back and then we stop
We won’t lose what we’ve got)
Well I stopped and looked back
(I kept walking down the path)

Chorus
Our Devine intervention
When we had each other’s attention
To we’re I loved being yours
And you loved being mine
Our Devine intervention
At least we know now this time

Divine Intervention - Nat Daniels & The Conscience of Kings

self examination

When I shall enter the last room

This is a song that was written by the very talented Artur (Surfers Like Us), who is a surf rock master, and delivered to us in the form of a guitar track. Josh (Entheogenic Psychonaught) enjoyed adding the psychedelic, yet foundational four string fretless bass. Ken (K2 and the Three and K2 and the Four) boosted the energy level of the song when he blew our minds with his driving drums. JJ (J.J. Terrell) added the wild, dynamic organ you hear throughout. Tez (Llanpsych) brought lightning down from the sky in the solo over the third section. And last, but certainly not least, Stephen (TexMex Shaman) laid down the mind-bending guitar solos over the first two sections. He also produced and mixed it, with a little help from Ken. We hope you enjoy listening to it as much as our Eclectic Collective enjoyed making it.

A Time Race-Eclectic Collective

Sun10sep

Hermitage Castle At Dusk

δύναμη

A fascinating song by Pat Travers. The changes are really very unique (string skipping and pedal tones).

Feelin' Right (Pat Travers Cover)

Deep Insufficiency

The Return

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Sync Study

Composer, photographer, solo bassist, and cat lover. 

Please check my Bandcamp page for a more extensive selection of my work.

Sun10sep

Kevin Buckland

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Annemarie Borg Antara

Annemarie Borg Antara

Annemarie Borg Antara

Annemarie Borg Antara

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