To book MKN: bookings@twistedartists.com

To send me promos & other enquiries directly: kursemedia@gmail.com

Welcome to the official page of SoundRecording TM

This channel has been created on 01/01/2010 by Aldo R. to promote international music.

We always look for a good quality audio-video, in hoping everyone likes it, we would like to know everyone's opinion about songs we publish.
Subscribe to my YouTube and Facebook channel to stay updated with new songs.
We also specialize in creating album/logos/video edigit covers.
For those who want a logo, an album cover or for those who want to be sponsored on our official platforms, please contact us by e-mail

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GENDER/MUSIC
►House Tech
►Deep House
►Tech House
►Electro
►Electro House
►Drum & Bass
►Trap
►Midtempo
►Garage
►Future/Bass
►Hardcore
►Rock/Metal
►Hard Dance
►Lossless
►DanceHouse

Twenty Six years old
Melbourne
I like playing music

Places I've played tunes at:

Block Party (Orange Whip)
Cheers Tuesdays (Untz Untz) 
East Club (Orange Whip)
Honey (Lou Lous)
Large (Orange Whip)
Let Go Fest (Mornington)
Oktoberfest Festival (St Kilda)
Secret Garden (St Kilda)
Valley Vibes (Fluid Lounge)
Void Nightclub (Ringwood)
Your Mums Bedroom (Her House)

For bookings send an e-mail to djpetersevents@gmail.com

Try our new Repost Trader! 

https://Pump.lnk.to/RepostTrader

Expose your tracks to millions of listenners!

All tools to help you grow your brand in one place. 

What Pump Your Sound Offers?

- Soundcloud Followers, Reposts, Likes, Comments!
- Twitter, Spotify & Fanburst Followers
- Inner Circle / Pump Your Sound Subscribers (Automatic Reposts)!
- Free SoundCloud Planner
- SoundCloud / Pump Your Sound Statistics
- Youtube Followers!
- Facebook Likes!
- Mailing List!
- Up to 12 Soundcloud Channels per gate!
- Unlimited download file size!
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ALL FOR FREE!

website: http://www.sushicreativeartists.com
email: info@sushicreative.com

If you like my music please click follow.

Label showcase inquiries: gregoire@houseum.fr

Our shops: 
- https://houseum-store.com
- https://houseumrecords.bandcamp.com

Our website: https://houseum.fr

For any contact, Premiere or host on the channel: houseum.yt@gmail.com

The label does not accept demo.

HOUZ is a house music label, founded in October 2017, with a mission to support underground artists globally. 🖤 We deliver the highest quality electronic music, showcasing the talent and passion that drive the underground scene.
____________________________________________
Contact / Events  / Collaborations:
houzmusicblog@gmail.com
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Only SoundCloud private links for demos/submissions.

Niko Kotoulas started playing piano at the age of two and has never stopped. Within a few years of publically releasing music, the Greek-American and New York-based pianist, producer and educator has quietly generated over 50 million streams with support from The Chainsmokers, Lauv, Swedish House Mafia and countless artists. His music has been played on TV channels including NBC and ESPN. Niko also runs PianoForProducers.com, an e-learning platform teaching music producers piano fundamentals.

Inspired by everyone from Beethoven to Avicii, Niko has played through and studied over 5,000 songs in his lifetime. While attending Johns Hopkins University, he suffered a season-ending injury in basketball, which gave him free time to create piano arrangements and start his YouTube channel. After graduating from University, Niko continued to release piano arrangements while working full-time on Wall Street - this is when he started to gain recognition for his music.

Given his streaming success and official placement on Spotify’s “Acoustic Calm” playlist, Niko left his Wall Street job to pursue music full-time. He immersed himself in learning electronic music production and received his first official remix "Leave" for Borgeous and Jordyn Jones seven months after leaving his old career path.

Over the next few years, Niko will be releasing both piano arrangements and electronic dance music, while growing his platform on PianoForProducers.com, helping the music producer community.

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