DJ: bookings@darkroomdubs.com
Label: hq@darkroomdubs.com
Press: dina@eclectica.berlin

website & all portals link: www.daveleatherman.com
For bookings contact: info@daveleatherman.com

Dave Leatherman aka René van der Weijde is a music producer / DJ with his roots in the early 90's. He was partly responsible for the success on the early 90's stealth label (Rotterdam) with releases like TFX (Deep Inside Of Me), Trancemission (Keep this Party Slammin') Techno Grooves and Space Trax (Bounce). Later on he joined the Pegasus label and together with Lex van Coeverden he produced the 90's hit Atlantic Ocean - Waterfall which was a huge success in many countries. In 2010 he picked up on producing and DJ ing again. Currently producing tracks on the Ibiza based Golden Key label, which also brings him to Club Lio  - Ibiza for gigs in the summer season.

Techno is a family affair.

Arriving onto the electronic scene with "I Believe", featured on the monumental (10 Records) compilation "Techno 2: The Next Generation" (alongside Carl Craig, Marc Kinchen, and Jay Denham) in 1990, Octave One is the brainchild of the phenomenal native sons of Detroit, MI (USA), the Burden Brothers. The core unit of the band, made up of Lenny and Lawrence Burden (with revolving members of Lynell, Lorne, and Lance Burden), have had the privilege of bringing their high energy live shows to many parts of the world, including Australia, Belgium, Denmark, France, Germany, Greece, Ireland, Italy, Japan, Netherlands, Portugal, Romania, Russia, Slovenia, Spain, Switzerland, UK, and the USA, among many other places.

The brothers have released groundbreaking dance anthems on their own Detroit based record label, 430 West Records. Including DJ Rolando's "Jaguar", Random Noise Generation's "Falling in Dub" (the other Burden brother moniker), Aux 88's "My A.U.X. Mind" (on the 430 West sister label Direct Beat), as well as their own Octave One recordings: "Empower", "Nicolette", 'The X-files", "Meridian", “Love and Hate”, “The Greater Good”, and 'Siege". They have remixed tracks for such artists as Massive Attack, Akabu (Joey Negro), DJ Rolando (Jaguar), Steve Bug, John Thomas, Aril Brikha, Vince Watson, The Trampps, Rhythm is Rhythm, and Inner City.

Internationally renowned music producer and composer Henrik Schwarz is known for his eclectic musical approach to composition and sound design. As a producer and performer, he has successfully maintained a balance between electronic music, classical and jazz, and between energetic, highly charged dance sets at huge Techno events and concert performances in seated auditoriums.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Ricky started his music career at age 12 as a DJ in Holland and soon became recognised for filling dancefloors !

At that time, the vibe was mainly disco so syncin' 2 pieces of music was a real art, he clearly had this artistry of comparing a steady tempo with the use of click-trax and drum machines, as most music of today demands.

It didn't take long for Ricky to be sort after for different projects, bands and production teams as both a musician and programmer.

His first record deal was immanent and since then he has released various 12 inches, remixes and albums.

Ricky has produced, written and recorded a lot of sessions and worked on many projects for various artist ranging from jazz musicians to even a classical orchestra!

This revered DJ/Producer has been a hidden gem but is fast becoming one of Hollands most sort after DJ’s, mostly booked for dj-ing classic house party's but can handle many styles and his true heart goes out to the more soulful, deep and funky house music as club DJ and radio performer

If you wanna purchase one of the tracks the price per wav file is 1.99  Payments can be made by paypal 
Pay your amount to nightvision_records@yahoo.com and i will send you the wav file.

Don't forget to check out my site! www.orlandovoorn.com

Peace!

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