Just tryna gather all Jamie xx IDs in one place 🤫

step by step..

Bookings: putitinyourearrecords@gmail.com

Music maker, resident DJ with Data Transmission Radio, and underground artist.

John Pacheco quickly established himself as one of the most exciting underground house & techno queer DJ & Producer talents. Drawing inspiration from leading 90’s female vocalists and the newest sounds in the electronic scene, he’s released verified crowd-favorite remixes “The Groovy Cat” & “Nasty Girl”. His continued successes have landed him spots in world renowned clubs, international radio, and support from leading music authorities such as Data Transmission and Blanc. His sound is aimed towards the newest and grooviest trends being developed in the house and techno scene.

Catch B.B. Sessions to listen to the latest and sexiest of vocal house, techhhouse, progressive, and more.

Frankfurt, DE
&
Dallas, TX

#bossybottoms

autogyro is an NYC-based DJ, taking you into orbit and igniting the dance floor with dark sexy dance beats & fresh mashups

Patrick grew up in Pasadena, TX, a few blocks from Gilley’s, a honkey tonk made famous from the film, Urban Cowboy. Growing up going to rodeos and demolition derby’s as a kid, he started recording live broadcasts of Club 6400 on 93Q. Influenced by the music selection and the dj mixes, he had his Grandfather drive him to record stores in downtown Houston to find this music. 

His vinyl collection started with 80s Industrial club hits from Front 242, Nitzer Ebb, Tribantura and 80s house classics from A Guy Called Gerald, Danielle Dax and 808 State. After clubbing in NYC and playing gigs in lounge/bars in Tribeca, he dove into books like Mel Cheren’s biography, My Life In The Paradise Garage and Vince Aletti’s Disco Files, further expanding his interest in the music played in Mancuso’s The Loft, Siano’s The Gallery and Levan’s Paradise Garage and dancing at Danny Krevit’s 718 parties. Digging in NYC record stores like Village Music World, A1 Record Shop and Brooklyn’s Academy Records, Captured Record Shop and Superior Elevation further expanded his collection into dance floor Rock, Funk, Soul and deep Disco classics. 

Currently, he is djaying at bars and clubs in NYC like Public Records with monthly gigs at Harder’s ConTEAnental, Animal, Exley and C‘mon Everybody and releasing DJ edits while searching for that perfect sound system that elevates the experience of clubbing and brings people from all walks of life together on a dance floor.

Based in Los Angeles, Litch Please is known for his feel-good, high-energy House sets that fuse the groove of disco with the passion of musical theatre.  His blend of big-band brass and sweeping vocals gives his sets an infectious joy that quickly spreads across the dancefloor.  

A goofball lip-syncer himself, he loves nothing more than a big swell with a huge drop and a stupid lyric!   Inspired to spin by the sounds of The Playa, catch Litch Please performing at Burning Man, Palm Springs Pride, Maurice, Elevation Gay Ski Week, Glory, and LA Pride.

Morabito: The Art Of Enduring Excellence

The word “legendary” rolls off the tongue easily and often these days, but in the world of music and nightlife that story is usually told in the past tense. Unless the legend happens to be Susan Morabito. Few names have dominated the dance scene over the course of three decades and remain as relevant, current and celebrated as Morabito.

Susan moved to New York City in 1987, and after opening her own record store in Greenwich Village called BPM, she had her breakthrough as a DJ when she landed a multi-year summer residence at the famed Pavilion in Fire Island Pines. In the early days of AIDS activism, she provided the musical inspiration at many international fundraising parties and became a sought after name on “the circuit”. The GMHC Morning Party on Fire Island, Dance On Washington and Cherry in Washington, D.C., Blue Ball and Blue Redo in Philadelphia, Zoo Party in San Diego, Alegria in New York, Gay Days in Orlando, White Party in Palm Springs, Big Guns on the USS Intrepid for the 25th anniversary of Stonewall and the 20th anniversary of Dance On The Pier in New York are just a few of the events she played.

She kept people dancing until sunrise at after hours events during both Miami's Winter Party and White Party weekends, and her own Equinox and Climax parties became part of NYC nightlife history. She was the first woman to headline (with DJ Paulo one year and Victor Calderone another) one of the most famous dance parties in the world, the sexually infused, leather themed Saint At Large Black Party in New York City. Among many others, she also played The Saint At Large White Party with Peter Rauhofer and Twilo Halloween with Danny Tenaglia.

Susan Morabito has graced every major club and sound system in NYC, including Twilo, Roxy, Tunnel, Sound Factory, Limelight, Palladium, Roseland, Cielo, Pacha, Webster Hall, XL and Stage Forty8. Her musical reach extends to gigs in Tokyo, Sydney, Rio de Janeiro, Milan, Amsterdam and across New York’s cultural landscape, where she created the soundscapes to many must-attend galas by Calvin Klein, American Ballet Theater, Louis Vuitton, Gucci, Sotheby's, Martha Stewart, Anna Wintour and Robert Isabel. Susan was also the musical director for the fashion world's most luminous event, The Metropolitan Museum of Art Costume Institute benefit gala tribute to icon Jacqueline Kennedy Onassis.

In 2013 Susan dropped her first name and introduced a visual identity to emphasize and support a new musical direction as “just” Morabito. Because of her instinctual understanding of music's power and her ability to drive the night with a wide range of tribal, underground, progressive and tech house, the project was enthusiastically received by the community. The past two years brought a quarterly residency at Viva in New York, repeated major club bookings in Los Angeles, Miami, Atlanta, Philadelphia, Houston, Provincetown, San Francisco, Montreal, Washington and Chicago, and saw Morabito headlining the WE Party in New York and San Francisco, Masterbeat for New Year’s Eve and Halloween in Los Angeles, White Horizons during White Party Week in Miami, The Pines Party with Chus+Ceballos on Fire Island and after 22 years, the return to the main event for the 25th anniversary of the famous Black & Blue festival in Montreal.

A new generation is now discovering and raving about the impeccable taste and rare ability to create a cohesive and seamless experience on the dance floor that sets Morabito apart and that earned her the appreciation and respect of dancers and peers alike. Through a new focus on music production and remixing she will take her meticulous standards and craft well into the future and will ensure that the legend continues.

dzimm is following