Стендап комики из Санкт-Петербурга Самвел Гиновян и Константин Широков делятся своими мыслями

Bookings: finnworoni@gmail.com

Not Quite Disco was founded in 2015, and has since pulled out the stops breaking out unheard rarities from the world’s disco, funk and soul music scene. The podcast pays homage to the greatest music from the past, through perhaps an unhealthy obsession of scouring the world for songs that time has forgot. Our hope for the Not Quite Disco podcast series is simple, we just want to warm up your night with the sweet sounds of history’s culture, through the people, events and music that make it so great.

Acid Doctor from Berlin
Bookings : alex@biota.agency
Americas: nicole@muisca.la

VIVa Limited - Armada Subjekt - Suara -  Simma Black - Cr2 and more...
Music Director @istreemradio
All Enquiries: sacha@istreemradio.com

“Gooooood DJ” - Eats Everything

“Wax Worx’s music stands out from the pack” Steve Lawler

Winner of Fatboy Slim and LWE Events Smile High DJ competition; Wax Worx is a true DJ that was born to make people dance.

Whether he be in the studio or behind the decks, Wax Worx has an undeniable energy that stands out in his production and is a sight to behold in his killer sets.  Over the last few years his unstoppable rise has seen his music make its way into the sets of the biggest names in the business including Claude Von Stroke, Solardo, Todd Terry, Low Steppa and Jamie Jones, Carl Cox dropping his hit “One House’ at his closing party at the legendary Space, Eats Everything smashing his remix of Human Resource, ‘Dominator’ at Warehouse Project in Manchester, while Paco Osuna hammered it in nearly every set he played that summer, Monki premiering his first release ‘Bump Shake’ on his own label Shanghaied on Radio 1 and Black Madonna finishing 2018 for him in style by dropping his unreleased track ‘One Green Laser’ on her Radio 1 show and telling him she loves him – What more can any DJ want!

With such critical acclaim for his music the last couple of years have seen releases on Suara, Armada and a 3 track EP on Steve Lawlers VIVa, with 2019 set to be even bigger with his next release on London Records Believe music imprint, a stomping remix of the Stretch & Vern classic ‘I’m Alive’ and kicking off the years gigs opening the terrace for the biggest party promoters in the world; elrow at their original Barcelona home club alongside heavyweights Claptone and Fisher, with an incredible set that earned him the love of all at elrow and seriously high praise with a hug and a handshake from Juan Arnau Snr the father of the elrow family! 

Wax Worx’s skills, presence, dedication and pure love for the music and the scene shines through and will always leave you shouting for one more…

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

A multifunctional renaissance machine, hip-hop propaganda and funky juvenile. We post legendary music, sound poetry, timeless voodoo and contemporary sound art. Powered by Surf Coffee® irresistible talent, we drive past-to-future propaganda machine back to back with most talented musicians of all time. Stay tuned...

The Comet Is Coming has possessed an air of inevitability almost from the word “Go”! Much like the trail-blazing name they originally lifted from a BBC Radio Workshop record, the trio has participated in a kind of Big Bang. Its immediately relentless sound demands a sense of being present in the moment yet lost within it, much like how visceral punk rock, interstellar jazz blasts, deepest dance-floor trances and real-time technological breakthroughs do. Octavia Butler once wrote that, “There is nothing newunder the sun, but there are new suns.” And on their third album, Hyper-Dimensional Expansion Beam, synthesist/studio-magician Danalogue, drummer-producer/intuitionist Betamax, and saxophonist/spiritual riffologist Shabaka bring her verses to life. They burn brightly, directly and confidently, soundtracking our epoch of change in ways their contemporaries simply aren’t trying to. Like great artists throughout the recorded century, they possess, in Shabaka’s words, “a sensitivity to the zeitgeist,” channeling their sound into both a mirror to our times and a potential healing process for it. If that seems like asking a lot, The Comet Is Coming is uniquely qualified. Because even by their own telling, that other-worldly power was almost instantaneous.

On Hyper-Dimensional Expansion Beam, they turn it back onto the listener. Wish us all luck!

kevyt parta is following