Good people. Good times. 

🌶️ Pepper - Flowdan, Lil Baby, Skrillex
Out Friday: flowdan.lnk.to/pepper

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

This is the world of The Knife: precise, particular, dark, occult, funny-peculiar, funny-ha-ha.

We're not the best, but we're pretty good.

Hawas is an independent Egyptian band, formed in Cairo in 2014. Hawas presents alternative music that aims at exploring new musical dimensions through mixing different music genres. Hawas’ distinguished sound comes from progressive music mixed with the drama of melody and lyrics as a special mean of human expression. Hawas’ lyrics revolve around tales of humans; be it suffering, happiness, memories or journeys of self discovery.

Hawas self produced two EPs in 2015, “Hawas” and “Like Winter”. Hawas performed multiple live shows in and outside of Cairo, and also took part in important events such as the opening of Goethe Film Week, 2016.

Hawas was formed by five former members of “Maghna Khan” band and currently consists of eight musicians: @Mahmoud_Khateeb (Lead Vocal), Marwan Fawzi (Accordion), Amir Rasmy (Keyboards), @HishamAnas (Oud), Al-Moataz Bellah Moussa (Lead Guitar), Mahmoud Waly (Bass Guitar), Ahmed Tito (Drums) and Bouda Abu El Yazeed (Percussions).

Lyrics
Noor El Deen
Haitham Dabbour
Fahd Ibrahim
Mohamed Dawod
Ahmad Abd Elkhaliq

Resident Sound Engineer, Acoustic Logistics
Ahmad Kamar

Live Sound Engineer
Mahmoud Akram

Official Photographer
Mohamed Mosaad - Octopus Studio

Visual Identity
Fady Galal

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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