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Here to help you find the tunes that matter in your life

Believe the Hype 

Bless Up

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

I'm Dino supakat i bin writin for the most part of23yrs,, I was blown away bak in91 at the first club I went to,,the building it was called,,d.j slave,,witch I became good friends with him at club caffeine,,voodoo,,an my brother d.j producer James Christian,,an Frankie bones,,heather heart,,Adam x,,jimmy crash,,,were my main erly influences I've played many live gigs over the years an allways had a blast doin them,,I'm striking to min tek house cause I love it an my traks vary too,,,I love every thing about writin traks,, I write fast an often,,just get it dun,,don't over think,,an move on to the next one,,god bless,, an happy. Writin,,Dino.  Surakarta,,,oh yeah how can I forget Lenny dee,,an caffine d,is all of them,visious Vic,,,micro,,Dave Trannnnnce,,x dream,,oh yeah d.j rush one of my all time faves was a big influence on my drums at times an it carries,current hero,s,,Donald claud,,Ben Simms,,Carl cox,,,,everything prime evil ever put out,,every thing primate ever put out,,an ill allways have that D.j Rob gee,,bang bang attitude,,an my biggest influence in engineering is my oldest friend,,an music partner joe Gruttola,,he is drop ded amazin audio engineer an music writer,,an wen we sit down an write its magic,,we have a side splitting live act that has left people speechless,, an how did I get the name supakat,,my brother James started callin me that b/c every time we went out of state to an event,,by the end of the night I would be friends with everyone an a cloud of erb allways filled the air,,an my love for all reggea,,old,ska,,,love modern dub,,love 80'90's dance hall,,an all my closest d.j buddies,,,,,George Defoe,,original rob odyssey an brother Ike q,,mike wall,,frank clementi rich the Resinater,,,,Eddie van raven,,dj,osheen,,that kid cris,,The Dever ,,,ab logic,,josh big ears,,my boy Ian dj limelight,a.k.a white boy black,,lol,,,peace an god be with us all,,Dino/supakat,,


!00% Skull Crushing, American Made Metal. Dubstep. Drum&Bass. Industrial.

Deep&Disco was founded by Producer/DJ/Instrumentalist JKriv as a home for original soul, funk, disco, & house productions. Originally a label, D&D is now a blog purveying the finest new dance, electronic and world sounds.

- multi genre music producer & DJ since 1992
- exclusive beats 4 sale. DM for lowres preview link
- award winning charting producer

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

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