Nick Knudsen - Guitar, Vocals
Mark Hembry - Keys
Loxley Eckles V - Bass
Veronica Hanson - Vocals
Adam Pettyjohn - Guitar
Trent Derby - Drums

"I Like To Play" -Garth Algar

Ishiyama (Scott Landriault) was born in march '87 and was raised in BC. Music has been a passion and major influence all throughout his life, and in the last 5 years 
Electronic Music has been the larger influence. When Ishiyama was introduced to electronic music it all changed. 
Looking for a place to showcase the local djs talent Ishiyama and other djs trecked out generators, loudspeakers, lights and party people into the forests of 
chilliwack BC. In these forests their parties would go on till the early hours of the morning... It was a turning point, after putting on these shows there was no 
going back from dance music and the party scene.
As he felt more and more rooted to the music he moved to Vancouver to be closer to the scene. 
Over the last few years he's been heavily promoting all great shows in Vancouver and pushing his djing to the next level.
Soon after getting into the promoting business, the opportunity to dj at these shows opened up. 
Ishiyama has had the honor to open for such acts as:
Spencer & Hill, Paul Oakenfold, Dada Life, Digitalism, Calvertron, Zeds Dead, Dieselboy, Bare, Smash Gordon, Dirty Phonics, Mt Eden, Cookie Monsta, Funtcase, Adroa, 
Bar9, Dodge & Fuski, and Sluggo. And I'm excited to open for many more in the near future!
Aside from promoting and performing he's recently finished an electronic music production program, and
now spends countless hours in his home studio producing house, electro, dubstep and everything in between… 
All the tracks he releases are available for free download. Available for all ears to enjoy.   
Feel free to have a listen and share away if you like it!

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

音楽作ってます🥁
Contact metome.jp@gmail.com

Established in 2009 by Berlin-based DJs and producers Jakob Hildenbrand and Franziskus Sell, known, praised and recognized by fans and followers of electronic club music under their conjunctional moniker Format B, Formatik Records was initially installed as a homebase for the pairs own productions.

After their so-called Motor Funk-sound, a forward thinking take on pumping, straightforward, high octane electronic music represented both by releases on labels like Highgrade Records or Stil For Talent as well as an endless string of captivating live sets, had caught the attention of clubbers and media alike the pair felt the need to create a platform of their own that would grant them full creative freedom as well as unlimited quality control for a fertile and fecund future.      

Whilst taking care of the A& R side of things Format B teamed up with electronic music veteran Hawks Grunert on management duties, setting up an imprint that soon gained massive traction, became one of the major forces on the global club circuit and quickly grew way beyond the teams initial plannings and intentions.
 
With its core sound being defined by the powerful Motor Funk / Tech-Funk production of its founders Formatik Records soon became home and mothership for a vast array of likeminded producers and friends whose single releases are still rocking dancefloors all over the place.

Spreading the labels trademark sound further and catering towards the needs of an ever growing fanbase the label soon expanded and started to set up Formatik Records club nights and showcases all over Europe back in 2014, selling out  shows and leaving punters in awe whereever these nights are taking place.

Aside from carving out an in demand niche as club promoters the Formatik Records crew also started to take care of their artists bookings with their very own booking agency Formatik Booking which was subsequently renamed, restructured and relaunched in 2017 under the name of VIVID Artists which is now successfully handling things bookingwise for a good portion of the labels roster plus a carefully picked selection of other aspiring as well as well established artists and performers.

In addition to these musings the ever busy Formatik Records team established a second, rapidly growing musical outlet in 2017. Embracing a broader musical spectrum than its Motor Funk-oriented mothership, the freshly founded label FMK+ provides a home for a new generation of producers covering a wide range of electronic club music incorporating a musical spectrum including all things House, ElectroHouse, TechHouse, Techno and beyond. With more than 10 red hot releases within the first year the new FMK+ branch has received much love amongst DJ's and from an international dancefloor crowd and quickly turned out to be a launchpad for fresh, upcoming talent from all over the globe.

Branching out even further Formatik Records launched an additional subdivision in early 2018 – FormatikSounds. Focusing on the ever growing demand for high quality samples and grooves this specific and one of a kind label provides exclusive sample packs for DJ's and producers alike, starting operations with Format:B's “TechHouse Signature Cuts”, an acclaimed release which sees the upfront production team unveiling some of their best kept secrets soundwise, catering to the needs of every creator of contemporary club sounds of today.

This is the Official SoundCloud account for Richie Hawtin and contains all audio media from Richie’s career: releases, remixes, DJ mixes, Live shows and interviews. We invite everyone to listen and enjoy what will become the definitive audio history of Richie’s career from past to present. All this material will also be linked into the new richiehawtin.com website that is currently in development.

Please note that we will NOT answer any emails, listen to any demos or tracks, or follow any individuals that are sent to this account. QUESTIONS CAN BE SENT TO info@richiehawtin.com

Thanks and enjoy.

Twitter / TikTok: Skrillex

F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 out now: https://skrillex.lnk.to/fus


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