Pre-order 'Rock Or Bust', out December 2nd!

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Superfreq is an international community, a quality events brand & a cutting edge record label for innovative yet fun house, acid & techno music. https://superfreq.org

Superfreq was set up by boss Mr.C back in 2002 with the sole aim of entertaining discerning clubbers into innovative dance music & quality life styles. 

The Superfreq label is a platform for creativity. Our artist roster features many new quality producers as well as a few old masters, which keeps the music released on Superfreq extremely cutting edge & very different from the norm of today’s generic dance music.

http://www.beatport.com/label/superfreq/31694
http://www.junodownload.com/labels/Superfreq/releases/
http://www.traxsource.com/label/30877/superfreq?ipp=30

Comast - Hailing from Birmingham in the heart of the UK, DJ & Producer Comast is a hard working member of the music industry, slowly earning his stripes through carefully curated track selections and productions. His music showcases a versatile approach to Techno, creating a niche for himself in the genre. With a focus on hypnotic, high energy and left-field sonics, he produces music for raving on the sweaty dance floor.

Looking at label support, his malleability is clear with releases on Industrial Techno United, Back In Black and Leicester celebrated Beastwang. No stranger to the airwaves, Comast has appeared on DiscoverRadio, Threads, Enigma, Burn FM and has a residency slot with Komunal Radio. Comast is also familiar to the Birmingham nightlife, with current sets with Digbeth Records, Tekno Disco, Shadow City, Lost Projects, performances under Goodchild Collective, Comast displays his careful curation of tracks. 


Looking towards the future, Comast looks to continue shaping his increasingly recognisable and individual style within the Technosphere, with the desired result always the same, to make people dance.

 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

New York City based Grammy Award nominated DJ/Producer/Remixer

Produced multiple top 40 hits on the UK pop charts including “U Don't Know Me” (UK pop charts #1), Dizzee Rascal & Armand Van Helden “Bonkers” (UK pop charts #1), Duck Sauce “Barbra Streisand” (UK pop charts #3), “Koochy” (UK pop charts #4), “My My My” (UK pop charts #12), Armand Van Helden & A-Trak Present Duck Sauce “aNYway”, “I Want Your Soul”, “NYC Beat”, “Flowerz”, “Hear My Name”, “Why Can't You Free Some Time?”, “Ultrafunkula”, “Witch Doctor”, and “Funk Phenomena”

Produced full length artist albums ‘Enter The Meatmarket’, ‘2 Future 4 U’, ‘Killing Puritans’, ‘Gandhi Khan’, ‘Nympho’, and ‘Ghettoblaster’

Mixed compilations ‘Live From Ya Mutha’s House’, ‘Get Up’, ‘Repro’, ‘New York: A Mix Odyssey’, and ‘New York: A Mix Odyssey 2’

Remixed platinum artists including Rolling Stones, Katy Perry, P. Diddy, Janet Jackson, Britney Spears, and Tori Amos (UK pop charts #1)

One half of the duo Duck Sauce with fellow DJ/producer A-Trak

Headlined clubs, festivals, and special events around the world as a DJ

Duck Sauce “Barbra Streisand”, "aNYways" and "Big Bad Wolf"  is out now worldwide with more to come in 2013

Founded in 2014, the Sweet Music project was conceived with the aim of promoting electronic music in its entirety, but always with a melodic touch! Our DNA is to publish what we like, both emerging and already influential artists, and the same goes for the labels.

In 2025 we passed the 60 millions listener mark, and Sweet's little sister, Past and Future, our second channel open to all styles, passed the 20 million mark.

With the same passion, we'll soon be celebrating 10 years of the project, and keeping our DNA.

Don't hesitate to contact us if you want to benefit from our promotion network.

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feelsy electronica

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