Who’s in the house? VINNY JAMES is in the house!

Vinny James – Born in Rotterdam (1986) – Has been crazy about music from an early age. During his childhood, Vinny soon discovered that he wanted to do much more with this. Vinny dreamed of a successful career as a disc jockey and decided to pursue his dreams. As a teenager of only 15 years, Vinny bought his first records and was immediately sold! His weekends were then given a fixed interpretation: playing and listening to tracks for hours and hours and together with friends to the Nieuwe Binnenweg in Rotterdam so they could buy the latest vinyl records. The good old days! The record stores in Rotterdam did some really good business because of Vinny cause from that moment on he never let go of his dreams.

Now more than 18  years later he developed his sound. Vinny played real house music, which in recent years has been further developed into deep house, tech house and booming techno. Everything he does he does it with his heart, but gets his inspiration from other talented artists as well. Interaction with the audience, how to get the audience moving and enjoying the music is one of the most important things for Vinny James. In addition, his mission as a DJ is clear: he wants to achieve the following with his target group: “Is Vinny James playing today? Then I’ll be there!” More people on the dance floor guarantees more love!

Five years after purchasing the records, Vinny came in contact with Club VIE Rotterdam; the perfect location to play his house music. Club VIE was – certainly at the time- a leader in the Dutch entertainment scene. It was a great success for Vinny; and in no time he was a resident DJ and played here for over 5 to 6 years. Partly because of Club VIE , where he stood with (inter)national great artist, his final dream was another step closer! After his period at Club Vie, Vinny became a resident DJ at 1NUL8 in Rotterdam for more than 5 years. This new challenge ultimately ensured that the bookings kept coming. Vinny is booked weekly at many great events and in the best clubs. Vinny stands for professionalism and enthusiasm as entertainer, with high quality sets that can be heard on his official Soundcloud channel.

RECENT EVENTS:

Metz on Sunday, 1NUL8, FridayClub, Latin Lovers, Vrijdagborrel, Saturday Club, Morgen Events, Leo’s Borrel, Crazy Sexy Cool, Sexy By Nature, A Day At The Park, De Tuin in Kralingen, Club Villa Thalia, Neon Nights, I Am Vinny James, It’s All About The Music, Hugh Rotterdam, Gersfeest, Broodrooster, Marbella Nikki Beach, Amsterdam Dance Event, IBIZA, Under The Bridge, Club Nora, Club Bed & Escape Amsterdam. Cornelis Rotterdam, Metz Festival, House feeling, Revers, Music is the Answer, Housefeelings. Sparkling

Here to help you find the tunes that matter in your life

Believe the Hype 

Bless Up

Inna Riddim is a record label bringing the ruckus from Brighton to Bondi.

We love music that pushes boundaries across the full spectrum of bass music.

Nuff bass, nuff soul, nuff grit, nuff passion — nuff said.

Klassik und Jazz erfreuen sich immer größerer Beliebtheit. UNIVERSAL MUSIC Stars wie etwa Anna Netrebko oder Till Brönner unterstreichen diesen Trend und sind beste Beispiele für den Erfolg des umfassenden Engagements auf diesem Gebiet. 

Neben der intensiven Arbeit sowohl mit jungen Talenten als auch mit etablierten Künstlern entwickelt UNIVERSAL MUSIC CLASSICS & JAZZ als Marktführer in den jeweiligen Genres kontinuierlich neue, innovative Marketing- und Promotion-Strategien, um alternative und zeitgemäße Zugänge zur facettenreichen und spannenden Welt von Klassik und Jazz anzubieten. Die Unit baut hierfür nicht nur junge Künstlerinnen und Künstler auf und begleitet sorgfältig und verantwortungsvoll ihre musikalische Entwicklung, sondern sorgt vor allem auch kontinuierlich für die Erschließung und Pflege neuer Zielgruppen. Mit grenzüberschreitenden Projekten wie der „Yellow Lounge“, die Klassik an ungewöhnlichen Orten präsentiert, oder auch dem „Verve Club“, der die ganze Vielfalt des Jazz präsentiert, leistet UNIVERSAL MUSIC CLASSICS & JAZZ hier und auf manch anderem Gebiet seit langem wertvolle Pionierarbeit. Diese und weitere Aktivitäten bringen die unendliche Vielfalt der Genres einem stetig wachsenden Publikum näher, das musikalische Entdeckungen als Bereicherung seines Lebens zu schätzen weiß.

My new album 'How Were We To Know' is out Nov 17th, featuring two new singles, 'There For You' and the album's title track, which are both out now! ✨
https://emelisande.lnk.to/HWWTK

FOLLOW EMELI SANDE: 
Website http://www.emelisande.com
Spotify http://bit.ly/SpotifyEmeliSande 
Facebook http://facebook.com/emelisande
Twitter http://www.twitter.com/emelisande
Instagram http://www.instagram.com/emelisande
Youtube http://www.youtube.com/emelisande

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

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