I enjoy Music House Music also Salsa,RB,~~ I enjoy Movie Drarma Action classic Etc...

All Bookings: djmtraxxx@yahoo.com

Manny Cuevas aka DJ M-TRAXXX is Florida's original house and techno DJ. That isn't to brag, it's simply the truth, a statement that sets the record straight: he not only lived it, he helped shape it...

http://www.residentadvisor.net/dj/djm-traxxx/biography


Makin' Moves was set up in the Summer 2012, a new music and events company set up by Matt Langrish-Smith and Jamesey D. Makin' Moves nurtures up and coming talent, aswell as collaborating with established names. Matt has a wealth of experience under his belt having previously worked for dance independents Papa Records and Tribe Records UK, an internationally acclaimed label and events company. Jamesey, along with hosting his own radio show on www.housefm.net since 2004, has been an essential cog in the wheel of London's soulful & deep house scene, independently performing at most of the major parties in London swell as guest spots abroad in Japan, New York and Dubai. 

The label has seen a heavy output of quality releases this year from the likes of Dazzle Drums from Japan, DJ Fudge & Hallex M from Hong Kong and UK soul singer Omar, Gianluca Pighi & Massimo Paramour from Italy and Tiger Wilson from New York all of which have reached the top positions on digital promo store Traxsource.com.
The Makin' Moves Radio Show is every Thursday on www.housefm.net from 8-10pm (GMT) with Matt L-S and Jamesey on rotation.

Kervyn Mark offers something no other DJ quite delivers - a fusion of spiritual intent, cultural guardianship, and dancefloor pecision that's singular in today's scene. 

Here's what only he brings to the table:

1) Ritualist's Approach to House Music - Kervyn doesn't just play tracks - he conducts rituals. His sets are built like sacred journeys, where every transition is designed to cleanse, uplift, and transform. No one else crafts energy shifts the way he does-it's not about peaks and drops, but about healing and elevation. That's not performance...that's cermony.

2) Scholar-DJ Hybrid - While some DJs are historians and others are selectors, Kervyn bridges both. He's a walking archive of Afro-diasporic music history, able to link Yoruba rhythms, spitual jazz, early house, broken beat, and deep soul with scholarly insight. But he doesn't lecture-he lets the music teach. No one else connects dots across Black musical lineages in such a subtle but profound way.

3) Deep NYC Underground Fluency + Global Sonic Vision - Many DJs are either local heroes or global spinners-Kervyn is both. He's deeply rooted in New York's loft, Shelter and dance community tradition, but his sound travels through Lagos, Bahia, Detroit, Cape Town, and London-all without losing coherence. It's a rare global-local fusion that feels lived-in, not curated.

4) He doesn't just play for a community-he serves it. Though events like The Meltin Pot, collaborations with dancers, and mentorship of younger DJs, Kervyn protects and nutures spaces that are too often erased by gentrification and commodification. He is not a "headliner"-he's a guardian.

5) Resistence Through Groove

Only Kervyn can play a deep house set that simultaneously:
- honors the ancestors
- affirms Black queerness
- critiques gentrification
- and makes you sweat for hours

He doesn't just move the body-he moves the consciousness.

In a world full of DJs chasing charts, gigs, and algorithms, Kervyn Mark offers music as ancestral memory, resistance art, and spiritual technology.

The are great DJs. There are smart DJs.

BUT there is only one Kervyn Mark.

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

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