Find all my music on Spotify:
http://sptfy.com/kidnap

For all enquires: sophia@tinysaturnmusic.com

Kidnap is an artist whose music overflows with emotion - rich and powerfully evocative.

Recording in London, Kidnap (real name Matthew Relton) likens his process to that of a sculptor, starting with a block of sound and chopping away until a shape emerges. As such, each song exists ornately carved with a handcrafted subtly.

Still just 33, Relton is already something of an industry veteran. Releasing his first single in 2012 kicked off an eight-year stretch of global touring that came to a grinding halt when the pandemic put the world on pause.

2024 marks a new chapter for Kidnap, with his next body of work on the horizon. Set against the backdrop of a changing world and the arrival of a baby daughter, Relton offers a bittersweet reflection on the passing of time. ‘It’s about looking back on the last 12 years — the touring and the friends and the sleeplessness,” says Relton, “and realising that in order to embrace the life I have now, I need to let it all go.’ The music shimmers with nostalgia. Signature sad melodies dance deftly around commanding synth lines, altogether sounding like an artist with a new found sense of purpose.

“What am I to build, if my hands are broken, if I’m not the chosen one?” sings Steven McKellar of Civil Twilight on “Story of An Immigrant”, over a lush, dynamic beat that evokes the sounds of his native South Africa while steeped in the band’s everevolving present. The foursome (Steven, his brother and guitarist Andrew, drummer Richard Wouters and Kevin Dailey on keys and guitar) are living proof of what happens when you stop worrying about being the chosen one and make music built on both the roots that grew you and the love that keeps you thriving every day. Civil Twilight’s songs embrace every corner of human emotion, balancing delicate, poetic lyrics with sweeping arrangements that touch all the senses: a phrase to make you think; a rolling drumbeat you can feel in your bones; a guitar vamp as illustrative as a picture; a shimmer of keys whose light can nearly be seen and heard. Produced by Ben H. Allen (Gnarls Barkley, Bombay Bicycle Club, Cut Copy), their third record on Wind-Up is built on this vibrancy, on the permanent dust of a Cape Town youth; on the connection that unites them all as brothers beyond blood and on their new home in America where they pull from the innate, thriving musicianship of Nashville, where they live. When you listen to Civil Twilight, from their self-titled debut, to 2012’s widely lauded Holy Weather to now, it’s easy to understand why the band has topped five million YouTube views and reached historic success with film and television syncs – because it’s music you can’t shake, that translates experience into moments and creates melodies that become imbedded deep under the skin. We’re all immigrants, in some way, and Civil Twilight’s singing our national anthem.

The Infinite Monkey Cage

Award winning science/comedy chat with Brian Cox, Robin Ince and guests. Witty, irreverent look at the world according to science with physicist Brian Cox and comedian Robin Ince.

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

A platform for Reggae music worldwide. Empowering Artists / Building Community.

𝙁𝙤𝙧 𝘼𝙡𝙡 𝙄𝙣𝙦𝙪𝙞𝙧𝙞𝙚𝙨 𝘾𝙤𝙣𝙩𝙖𝙘𝙩:
rootfire@rootfire.net
𝐖𝐞𝐛𝐬𝐢𝐭𝐞: https://rootfire.net
𝐅𝐚𝐜𝐞𝐛𝐨𝐨𝐤: https://www.facebook.com/RootfireNet/
𝐈𝐧𝐬𝐭𝐚𝐠𝐫𝐚𝐦: https://instagram.com/rootfire_intl/
𝐓𝐰𝐢𝐭𝐭𝐞𝐫: https://twitter.com/rootfire_intl

#KREWLIFE

MGMT:
fiona@small-town.co

Booking: 
asia: robb@supermodifiedagency.com
eu: paul@primarytalent.com

Successfully ruining silence since 1989. 
⚡️ https://www.c-r.link/IWontStop ⚡️

Ivor Novello Award-winner and Mercury, Grammy, and BRIT-nominated artist Lianne La Havas unveils her new single ‘Disarray.’ The track showcases a blend of emotional depth and striking vocal delivery, set against sparse, ethereal finger-plucked electric guitar —a signature of La Havas’ style. 

“The song felt very intimate, almost like a secret just for me,” says La Havas. “It’s about vulnerability, honesty, and giving listeners a window into a moment of my life.”

Over the course of her career, La Havas has released three acclaimed albums — Is Your Love Big Enough? , Blood and her self-titled Lianne La Havas  (which won the Ivor Novello Award for Best Album). She has collaborated with leading international artists and captivated audiences worldwide with her spellbinding live performances.

Released via her own Καλό μήνα (Kalo Mina) Records. La Havas embarks on an exciting new chapter, broadening her sonic horizons while remaining rooted in vulnerability and artistry.

Welcome to GUYS WE F****D: THE ANTI SLUT-SHAMING PODCAST. They spread their legs, now they're spreading the word that women should be able to have sex with WHOEVER they want WHENEVER they want and not be ashamed or called sluts or whores. 

Welcome to a new revolution. 

Each week, Corinne Fisher & Krystyna Hutchinson (together known as the comedy duo Sorry About Last Night) interview a gentleman they slept with. Some they made love to, some they had sex with a few times and some they f****d in a hotel bathroom...er, what? Corinne & Krystyna want to make the world a more sex-positive place...one candid story of intercourse at a time. 

user458035085 is following