worldwide bookings : alex@neptunemusic.net
France bookings : cedreference@gmail.com
all others inquiries : damonjee64@gmail.com

others projects : NOZZ, Holographic Planes
bio :

We are all the product of our influences and there is no substitute for experience. Damon Jee is the embodiment of that statement. Over the last 20 years he has carved a career in a very unassuming way, unintentionally writing an exciting new chapter for the global electronic music scene. He is the journeyman who managed to shine brighter by staying true to himself, a musical alchemist experimenting with different sounds to create a deadly new potion. Today, the producer is considered the main exponent of a fresh and exciting new scene many are calling Dark Disco. 

Getting his start in the studio alongside fellow Frenchman Olivier Giacomotto, the duo became main players on the then booming electro house scene with an impressive run of productions on labels like Definitive and CR2. As he started producing more solo works, Jee naturally veered towards his rebellious heritage growing up on nineties rock and industrial bands like Nine Inch Nails, The Pixies, Nirvana and more. The organic appeal of live rock seeped into his productions: distorted guitars gliding atop fat, off-beat and two-fingered picked bass, all framed within a foundation of percussion and drums that carries Damon Jee’s immaculately engineered and distinct sound. The music he released under his NOZZ moniker is especially steeped in this unique and heavy-duty sound: powerful productions which doubles up as heat seeking missiles aimed straight at the heart of any dancefloor.

It was his remix of Pardon Moi’s ‘Power to the People’ that really pushed the affable Frenchman to  a wider audience. It has it all: trance melodies and cosmic chords, a confidant rock stomp coiled with electronic euphoria, and robotic vocals gleefully riding a wave of energetic drums. It received support from the world’s best tastemakers including Solomun, Job Jobse and HAAi, introducing Damon Jee to a brand new audience. 

Today his singular sound can be heard on the underground’s most sought-after labels including Roam, Hafendisko, Suara and Sincopat to name a few. Huge support came in the form of Jennifer Cardini who signed his massive three track Chamaniac EP to her Correspondant Records. Its appeal reaching wide, the EP received support from various corners of the electronic music sphere with a diverse group of DJs from Andrew Weatherall to Chris Liebing to Joris Voorn all getting around it.

The natural evolution of Damon Jee has lead to the recent launch of his label, Critical Monday. The new imprint will explore Damon Jee’s idiosyncratic sound even further. The first release under his Holographic Planes moniker, alongside producer Alvaro Cabana, is a three track dance floor bomb featuring an equally effective remix from Jennifer Cardini. With upcoming releases from Curses, Autarkic, Fairmont, and, of course, Damon Jee, the label is set to become a go-to for those looking to ignite any dancefloor.

Today Damon Jee is slotting perfectly into his role as a bona fide headliner. Years of experience ensures each set is delivered with a confidant ease and professionalism that sets him apart from the rest. Headlining clubs and events from Spain to Australia to Mexico, Damon Jee is set to spearhead a new generation of electronic music lovers who isn’t afraid to cross-pollinate their music for a thrilling new sound. If you need an antidote for a flailing dancefloor, Damon Jee has the tonic to revive your night. 

written by : Walter Juan van Wyk

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

High-Tech Minimal
be serious!

In 2024, the single "Gravity" went gold in Mexico.

He’s the techno punk, the unboxable nomad: Berlin DJ, producer and label owner Alex Ridha, better known as BOYS NOIZE, made his DJ debut at the age of 15, taking a teenager´s love of house and techno to a global scale. Accolades have been bestowed by Rolling Stone, who named him one of the "Top 10 DJ's Who Rule The World" and Beatport, who elected him “Best Electronic Act” 3 years in a row. He´s rocked the world's biggest stages, lit up Coachella three times, took Lollapalooza by storm, and headlined festivals and clubs on every continent – from Berlin techno temple Berghain to Fuji Rock in Japan to Justin Vernon’s Eaux Claires Festival in the woods of Wisconsin.

As an artist and producer, Ridha has created a sound and a vision that’s peerless, uncompromising, and enduring – respected in the scene, banging from underground to mainstream, it flies in the face of convention at every turn. He’s remixed Depeche Mode, Daft Punk, David Lynch, Feist and Nine Inch Nails, collaborated with Snoop Dogg, Erol Alkan, and Jarvis Cocker, worked on Mark Ronson’s “Uptown Special” and on the soundtrack for upcoming Oliver Stone’s Snowden, and released group projects with genius pianist Chilly Gonzales (Octave Minds), Skrillex (Dog Blood), and Mr. Oizo (Handbraekes). The list of names alone speak volumes about Ridha’s multifaceted approach.

Ridha is also the heart of Boysnoize Records, the label that he started back in 2005. Founded originally in order to retain his full artistic freedom while releasing his own music under Boys Noize, The Berlin-based anarchist collective —and it’s sub-label, BNR Trax— became a home for multidirectional quality electronic music and is responsible for more than 150 releases incl. Strictly Raw (2015), Out Of The Black (2012), Power (2009), Oi Oi Oi (2007) and Octave Minds (2014).

"... and the spinner will spin. and the bass will be thunder subterranean. and the river will rise as raindrops. from berlin. my favorite electronic house music in the world. immediate. throbbing." - Justin Vernon (Bon Iver)

“One of the most prolific and brilliant artists.” - Zane Lowe (Beats 1)

"BOYS NOIZE makes brilliant music. He doesn´t make a lot of music but when he makes it it´s always CLASS." - Annie Mac (BBC1)

"BOYS NOIZE is the only DJ who can play underground techno for 30,000 people." - 2MANYDJS / Soulwax



mgmt: hello@syber.club
bookings: swald@wmeagency.com

Loveland Legacy an extensive collection featuring the very best sets recorded over the 25-year history of Amsterdam-based promotor Loveland.

All sets are recorded live at our events and have been remastered for high quality sound.

MANAGEMENT / GENERAL REQUESTS
silvi@chaosinorder.de

BOOKING REQUESTS 
amelielens@WMEAgency.com

BOOKING REQUESTS North/South America
ferry.rais@CAA.com

NEWS:
https://linktr.ee/amelie.lens

Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.

Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe.

Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode.

Amelie has been focused on her signature sound, emphasised by the use of her own vocals. She wants to capture audiences that may not always be there for techno but feel connected after discovering something new.

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