Deep House Tehran is an electronic music platform established in 2014 in Iran. They are working towards supporting and introducing local and international artists in the electronic music scene by promoting their work inside and outside of Iran, by broadcasting weekly podcasts, live performances, videos, news and etc, as well as organizing events and showcases all around the world. They are hoping for the future development of electronic music culture.



E-Mail : Info@deephousetehran.net
Website : www.deephousetehran.net
https://www.facebook.com/Deephousetehran/
http://i.instagram.com/deephousetehran

Montreal / Tiohtià:ke based producer & DJ

Cofounder of @saisonsmusique

Resident @ Stereo Montréal

Musique:
https://koramusique.lnk.to/connect

Tour Dates:
https://www.koramusique.com/tour

Newsletter: 
www.koramusique.com/stayintheloop 

Saisons:
www.saisonsmusique.com

Bookings & General Inquiries:
roya@pishiagency.com

Photo Credit: Ashlee Delanee



World. Music. Movement.

Inquiries: info@esoventures.com

One of the amazing things about the deeply Jamaican music called Dub is its ability to act as a conduit. From its early days as stripped down versioning of popular Reggae tunes to its indoctrination into late 80 / early 90s UK Soundsystem & Dance Music culture, to its current massive mutation (with the “Step” planted firmly in its behind); Dub has shown itself to be not only a musical art form that stands strongly on its own, but also a vehicle of sorts that can transport and connect disparate musical universes. And it’s at the unique nexus of Dub and Arabic music that the Spy From Cairo sits the most comfortably. 

The Spy From Cairo aka Zeb is the kind of musician that fits perfectly in with the downtown NYC music scene – Italian by birth, Gypsy by heritage, and Brooklynite by residence, he has been closely associated with the Turntables on the Hudson scene for close to 12 years – producing dozens of albums as Zeb, the Spy From Cairo and the Organic Grooves project, as well as remixing for everyone from Baba Maal to Tosca to Billie Holliday to Novalima, steadily garnering a worldwide collective of fans and followers 

The Spy’s new album, “Arabadub” is perhaps his most realized vision of deep Middle Eastern and Jamaican sounds coalescing into something that sounds right and natural – because it was conceived and produced in just that natural way. There are no samples used on the album, and Zeb has programmed everything, as well as playing traditional Middle Eastern stringed instruments called the Oud, Chifteli and the Saz himself. Check the opener “Alladin Dub”, with its echoed out skanks, pulsing bassline, and majestic strings – and the deepness that is “Taksim Square”, complete with swirling, psychedelic accordion. Other highlights include the tense four-to-the-floor stomper “Desert Tears”, the rolling dub of “Sons of Hannibal” with it’s beautiful Middle Eastern vocal chants, the nostalgic “Egyptian Pulse” with its Steppers sound and melancholy vibes, and the dancehall vibes of “Prince Ahmed” – sounding like 3AM Kingston wrapped in a Bedouin Tent!
credits


Tour dates:
https://www.facebook.com/Kotelett.Zadak/app_123966167614127

Booking: heiko@kotelett.info

Where the two actually originate, nobody knows for sure. Rumors have it that they once had a common love for sprat fishing and point their fateful meeting to somewhere on the North German Coast.
If you believe the various rumors, Zadak lost his pants in a raid by the Department of Fish and Game, while Kotelett, due to an overdose of moonshine, lost his Boating License. Both lost their Fishing Licenses and, whoops!, there went their livelihood...
What was left for them to do but abscond to the interior, a bleary-eyed and shady escape to where no one knew them by name. "From now on ...." one of the two is said to have mumbled into his beard; which one is still not known. All in all it was a perfectly logical development, since the nights were rough anyway and the lamest things always ended up in the Net...if all catfish are gray.
And so, control rod was quickly exchanged with controller, stroke side with backspin, and fog horn with fog machine. What was formerly filleted, is now being filtered, what was being caught, is now pitched. Since then they have never again scrubbed the decks, but instead record from them.
Now, wherever they drop their anchor: there blows a strong bass-breeze, sound waves rise and no shot glass remains dry. Every Mermaid has exchanged her ingenue for a good pair of dance shoes and goes crazy from the unmistakable sound of the two self-acclaimed Club- Irish. Whosoever doesn't hold tight to the bar will be swept away like the sprats in the net.
Even after days-long sets and a potently boozy fee, a glance into the crowd of faces, tanned by the thick club air, reveals all: Kotelett and Zadak remain uncompromised and bring together that which belongs together - music and magic moments.
(The Department of Fish and Game would like to add: "We are simply happy to be rid of them.")

#VectorLA aims to host intimate yet underground electronic music events with curated local & international artists.

Vector in mathematics is defined as a quantity having direction as well as magnitude, especially as determining the position of one point in space relative to another.

Music is our direction.

www.vector.la
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Upcoming Events:

Past Events:
< 12.6.19 > 1 Year Anniversary w/ Sarkis Mikael, MKO & Derias
< 9.5.19 > Sarkis Mikael, Derias
< 8.22.19 > Patrik Khach, Tony L Issac
< 8.9.19 > Armen Ayje, Black Icon & Lucille
< 7.26.19 > Temple Takeover - Ray Kash, Halloran, Artur
< 7.19.19 > MKO , Kietzn
< 7.12.19 > Derias b2b Johnny Om
< 5.16.19 > El Mundo, Johnny OM
< 4.25.19 > DAVI, Ace Brothers
< 3.28.19 >  Patricio, Itai & Derias
< 2.28.19 >  Just Emma, Patrik Khach & Derias
< 1.31.19 > Anton Tumas, Duchess & Ātmanā
< 12.20.18 > SAAND, Sarkis Mikael & MKO
< 11.15.18 > Ali Farahani, Patrik Khach, Ray Kash & Halloran

Proper Hard Industrial Techno. (with a twist)
No time to fk around.

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