Cafe, bar and multifunctional concert hall in downtown Budapest. 

Supporting local artists!

Worldwide Booking:
ian@analog-a.com

North America & Mexico Booking:
jon@liaisonartists.com

Start everything in 1989 Budapest in the magic Tilos Az Á club and from 1992 in Tilos Radio...playin the world...

Exploring cutting edge electronic music & art in obscure places.

The success of Chriss Ronson could be explained by the time he spent in music history but as we can see through numerous examples the lack of being able to renew could only hold a very few within the music scene. This holds exceptionally true for the electronic scene which is all about progress and renewal since its sole existence – or about change if you like. Chriss has all these capabilities and had all along, which is brilliantly proven by his album SWITCH, as we can speak about a forward-looking album in all aspects and which stands its’ ground on international standards as much as any publication of any other famous prodcer’s latest release. 
SWITCH in this sense is much more plastic in its sound, accommodates to the contemporary electornic music still not a genre release and on which you can truly feel the musicality that drove Criss during the past decades, who on the other hand could manage to create himself in the  intelligent way without any manner and mannerism using his own sound to it.
In compliance with this the flow of the whole album is built on one single perfect structure owing greately to the order of tracks and their separate sets. If we want to see the personality of their creator by all means in it then we could say that Chriss Ronson truly put his personal changes into this album, effects that influenced him and of which the titles of each song tells us a bit along with the already mentioned structure. Not to mention that he could manage to make this with such mucical support as Balázs Fehér, MC Fedora, Sab Martenius or Myra Monoka who all participated in the album for a song and who are all epic figures of the Hungarian light music. 
SWITCH in this sense is one Chriss Ronson’s most characteristic and most ’perceptable’ album which addresses the audience like a swtich that definitively connects the producer, the DJ with the audience and with that media that switches from reality to a different spiritual level the moment the DJ stands behind the mixer and the lights go off.   

“The ultimate underground acid house LIVEact
by a multi-talented creative person.” 1994. Bernáthy & Son // 2012. Bernáthy Zsiga live FMK, Fáklya Klub, Loveparade - Berlin, Supersonic Technikum, Hypnosis, VOLT, BalatonSound, Deadcode & Friends, ...

Biography
November 1994. Formation of Bernáth/Y & Son 
[using exclusively analog instruments – synthesizers, drum machines]  end of 1994 live act at FMKand Fáklya Klub (Hungary)
summer of 1996 Loveparade, Berlin (as the first Hungarian performers ever)  end of 1997 establishment of Supersonic Technikum, the very first Hungarian electronic underground music club, . . . November 2009 [combining digital and analog technology] 
live act at Hypnosis’s Blast From the Past event (Merlin Club), at the VOLT Festival, and at the BalatonSound  13 January 2012 – the end of en era Bernáth/Y Sándor, father and fellow artist passed away  March 2012 – Bernáthy Zsiga Live: Supersonic, Deadcode & Friends, VOLT, BalatonSound, ...


Description
“…his biography is closely intertwined with the life of his father, Sándor Bernáth (or Sándor Bernáth/Y, as he was known in the world of electronic music), who passed away on 13 January 2012. They not only formed a complete unit on stage as the Bernáthy & Son live act project, but have also worked together as artists and graphic designers. For this reason, Zsiga carries on his father’s intellectual heritage genetically (too).” (citation from an interview made in the spring of 2012, published on www.Soundhead.hu)
  Zsiga is neither a DJ, nor a ‘music fabricator ‘– he is a LIVE ACT artist. When he performs, he plays his own music live through the simultaneous use of the newest software and the oldest synthesizers (Ableton Live, iPad, iPhone, and among many other vintage stuff, the 30-years-old TB303 BassLine). The sounds produced with these vintage synths, the never-ending chains of his own loops and grooves intertwoven make every one of his live acts a one-off, spontaneous and unrepeatable show full of improvization. This has been the essence of every Bernáth/Y & Son performances during the past 20 years and this is what Zsiga decided to continue now in solo.  His style is electronic, dynamic and psychedelic – a rich mixture of techno, trance, acid, psy and breakbeat, but without a fixed recipe or scenario. The final musical experienxe is always dependent on the interactions of the audience and the artist there and then, when Zsiga is on stage.  No doubt that his father’s charismatic personality determined Zsiga’s life – however, this only meant a lot more faith, love and freedom. Fine Arts High School and Arts University, then a shared graphic design business with his father, the Solid, and then Zsiga’s own VJ-team, the Urbanizer all evidence the diversity of his artistic talent. Exhibitions, videos, posters, book covers are all examples of his self-expression. Although music is becoming more and more dominant lately: working and composing is continuous, as there is always something to give and say. And as long as an artist feels like this, he just can not keep quiet.

Since 2000...

Our roster includes: 

Fine Cut Bodies, AMB, Raster/Anorganik, Modul, Tipper, Chris Carter, Elite Force, Luke Solomon, Audio Soul Project, Kodek, Cooler, BLIM, Cord, Naga, Synus0006, Ferocious Mullet, Molomekaniske, Flack_su, Ferenc Vaspoeri, DST, Si Begg, EK, Myroslaw Bytz, Erik Sumo, Transparent Sound, Vector Lovers, Zodiac Cartel, Ooah, Dan F, Habersham, Phil K, Skc, carloscontreras, ICR, Headshotboyz, 9b0, ill Gates, Hanssen, etc...



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