I am NOT Fall Out Boy. All music posted on this account does not belong to me, all rights go to Fall Out Boy and their record labels. I do not profit from this account and all activity on it. This is just an account for me to share their music, so enjoy your stay! :) Send me a message to request a song!

I'm JubyPhonic and I sing english covers of vocaloid & anime songs on Youtube! 
＊Open to collaborate with semi-professionals, remixers, composers!＊
jubyphonics@gmail.com

THREE DAYS GRACE 2X 
Adam Gontier / Matt Walst / Barry Stock / Brad Walst / Neil Sanderson  

Sign up for updates on new music & tour plans 🔥 https://threedaysgrace.com

https://youtu.be/pK5iQpjySIs?si=vXUVLGzcDeRZOxCH

終ることがない苦痛

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

☆ PRINCESS OF POWER (DELUXE) ☆ OUT NOW
https://marina.lnk.to/POPDeluxe

MARINA returns transformed on PRINCESS OF POWER — a euphoric, high-energy exploration of healing, empowerment, and self-reclamation. Written during a period of deep personal reflection, the album marks a turning point for the platinum-selling artist. Where 2021’s Ancient Dreams in a Modern Land looked outward at a fractured world, PRINCESS OF POWER turns inward, embracing vulnerability as strength, turning pain into power and the radical optimism of love.

Now releasing independently through her own label, Queenie Records, in partnership with BMG, MARINA sheds old expectations and fully steps into her own. The album pulses with disco-lit electro pop and lyrical declarations of freedom, feminine energy, and love. Tracks like “BUTTERFLY,” “CUPID’S GIRL,” and “CUNTISSIMO” reflect a woman reborn and thriving on her own terms.


MARINA burst on to the scene in 2009, and has since released five acclaimed albums including Electra Heart (2012), which debuted at Number 1 on the UK’s Official Charts, FROOT (2015), Love + Fear (2019), which debuted Top 5 in the UK and Top 10 on the U.S. Albums chart, and most recently Ancient Dreams in a Modern Land (2021), which featured the Ivor Novello nominated hit “Man's World.”

With PRINCESS OF POWER, MARINA isn’t just making music - she’s building a future rooted in authenticity, creativity, and courage. It’s MARINA as you’ve never seen her, yet never more herself. The deluxe version of the album is out now and features four new songs, including “EVERYBODY KNOWS I’M SAD - REMIX” with Absolutely.

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