Subsonic Music Festival 2024.
Official After Party Tickets Now On Sale:
Boxing Day 2024 ->

Having started his music career in Classical Music, Juan has taken to the decks to play Deep UK Garage sounds, underground Tech House and Techno, and chunky Iberican Circuit sounds that you would expect from event giants Extra Dirty, GIAM, WE Party, SuperMartXé and Matinée.

Juan has played alongside the likes of Jack Chang (GER), Alyson Calagna (USA), Mike Kelly (GER), Sveta (AUS), Leomeo (FRA), Feisty (AUS), Manuel Rotondo (ITA), José González (ESP), Danny Serrano (ESP) and DJ Olivian (ITA) at venues such as Macumba (Madrid), ARQ (Sydney), Alpheus (Rome), The Burdekin (Sydney), Slide (Sydney), and Universal (Sydney).

Juan has headlined at GIAM (Rome, Italy) spinning his tunes to a 4000+ crowd. Juan has hit the decks at Space of Sound (Madrid, Spain), as one of their up-and-coming DJs, as well as still holding residency at Extra Dirty, with his Extra Dirty debut in June 2011 alongside Feisty, Leomeo and Sveta. Other residencies Juan holds are Bear Bar, Room Service and Daywash, among others.

For booking enquiries, email juan.velasco.dj@gmail.com

Emotional Dance Music.

Booking Contact
sarah@paracou.de

Paul Mac is one of the leading figures in Australian electronic music. He is a composer, songwriter, musician and producer. Paul is a conservatorium graduate and a multi ARIA Award winner for his work with underground dance pioneers Itch-E & Scratch-E and for his own solo work. The list of artists with whom he’s collaborated with over recent years includes Sia, Kylie, Daniel Johns, LCD Soundsystem and Troye Sivan.

A decade on from his last solo outing, Paul has released a new album in April 2015. Holiday From Me was written and recorded across three continents, Australia, Europe and North America, when Paul wasn’t composing for a film, touring with his successful remix duo Stereogamous or riding his motorbike. Holiday From Me will feature contributions from a number of guest vocalists, including Kira Puru, Megan Washington, Ngaiire, The Reels frontman Dave Mason, Shaun J Wright (Stereogamous, Hercules & Love Affair), Brendan Maclean, Nathan Hudson (Faker), Benjamin Fraser and Dappled Cities frontman Tim Derricourt.

In recent years, Paul has created original scores for feature films (Kath & Kim, Sucker) and composed for theatre (Bangarra’s Blak, Frank Woodley’s Possessed). He has written with George Michael and Troye Sivan and produced for The Potbellez. His impressive list of credits with his remix duo, Stereogamous includes LCD Soundsystem, Sia, and Kylie and the duo have toured Europe, North America and Australia (Burning Man, Glastonbury, Panorama Bar Berlin, Sydney Opera House).

In addition to his multiple ARIA Awards, Paul’s career highlights include Australian Dance Music Awards for Outstanding Contribution to Dance and Producer Of The Year. He has received an APRA Award, an MTV Award and been named Dance Artist Of The Year three times in Rolling Stone’s Readers Poll.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

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