“Old souls who get a kick out of revisiting ’60s surf rock, updating it with their own refreshing spin ... their songs feel polished as heck—they’re tight and bite swiftly like the music of their California brethren Thee Oh Sees and Fidlar." - Consequence of Sound

"Created in the grand Californian tradition of garage pop … lovelorn lyrics and airtight hooks that manages to remain rough around the edges. It’s got echoes of Surfer Blood, Beach Fossils, Ty Segall and Mikal Cronin, masters of sweet and sour all. Listen … as you dream of sunshine and ice cream cones.” - Death and Taxes

“Jet Trash’s surfy licks gleam like sunspots off the Pacific Coast highway, separating them from the dominant Castle Face crowd and towards ‘ brighter take on the trash.” - CMJ

"Dive pub punky pop with powerful lead guitars that bring some beach getaway affections that remain dreaming forever of west coast, Ocean Beach escapism." - Impose

“Perfect for jamming while heading to the beach.” - The Deli Magazine NYC

“A blend of Best Coast with surf-rock acts like Beach Fossils and Surfer Blood … encapsulates these hot, breezy summer days quite perfectly." - I Heart Moosiq

"There’s about a million garage bands running around San Francisco these days. Luckily Jet Trash showed promise and rose to the top of the mountain. There’s something about all members of the band singing retro melodies at the top of their lungs that is just too much fun to ignore.” - The Bay Bridged

"San Francisco’s Jet Trash have arrived with a gleefully relentless rush of a song that should kick off every single one of your summer road trip mixes. With “Baby C’mon,” Jet Trash pays homage to their garage rock forebears (and contemporaries), but they imbue the track with enough of their own style and swagger to guarantee your undying devotion.” - KCRW

Claude VonStroke spent over 20 years shaping underground dance music and building a community. After selling the Dirtybird brand and taking a 2 year hiatus, he’s back with a new mindset - playing only where he wants, for those who love the originality of his unique style.

His new "Life of Leisure" rebrand is not a status flex; it’s a vacation on the dance-floor.The ravers are the heroes; Claude is just the guide. Leave your villains at the door—fear, anxiety, and stress have no place in
VonStroke’s vibe. Only music, movement, and energy matter. Every show is intentional, every moment sacred.

Claude VonStroke is finally doing more of what he loves and dumping all that stuff that sucks. Shedding his stressed-out, overachiever role for a more reflective and grateful approach. "Life of Leisure" is a victory lap, but we all know it’s not so easy to forget reality. Join him, even if it’s just for a few hours in the club on a Saturday night.

Check Out My Selected By Playlist: https://on.soundcloud.com/WUs5vpGKQGHVQpv29

Shiba San & Nautik - Drop That Shhh EP out now:
https://basementleak.ffm.to/DropThatShhh

Promos:
promoshibasan@gmail.com

Management:
John Scholz & Tyler Goldberg
contact@shibasan.com

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

🌐 𝞛𝙖𝙣𝙖𝙜𝙚𝙢𝙚𝙣𝙩 / Booking: benjamin@grand-mgmt.com
"G-Spec" is out now !

hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


Signed to Atlantic Records, Singer/ Songwriter/ Producer/ Multi-instrumentalist Max Frost is a citizen of Earth, creating a musical spaceship to travel into distant galaxies. His influences include everything he’s ever heard.

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