The 'For All Time' LP is out now: https://mayerhawthorne.lnk.to/foralltime

all inquiries: zorenlomusic@gmail.com
ROLLUP CEO @BossaNovaCivicClub

@muakk | @sorry-records | @brokenmindrecordings | @lovelessrecords | @circular-jaw | @planetfokus | @one-eight-hundred | @themflavors | @caballito-netlabel | @lightroastdisco | @youngplanetrecords

zorenLo classix: https://www.mixcloud.com/zorenlo/zorenlos-soundcloud-funeral-in-memoriam-historic-mix-on-wnur/

used to be a big shot at @wnurstreetbeat

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yea my name is Lorenzo but u can call me zorenLo

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Omarion Worldwide
- Single “For War" Listen Now: https://createmusic.fm/forwar

atrak.komi.io
www.atrak.com
www.foolsgoldrecs.com
www.goldieawards.com

A positive change in consciousness has the power to topple barriers almost as easy as a negative change creates them; this simple understanding has fueled my musical drive since the beginning with me using the microphone. Such a power without a proper conduit can be disastrous so I found myself volunteering my music and time to Art-Start (art-start.org) which was easily the most rewarding experience of my life. How lucky I was at so early in my career to be a part of a movement that can go from performing at the national arts club to an american history class at NYU so seamlessly. The program gave me a sense of direction, understanding and a hope for change; real change in myself and my environment. Brooklyn native the most versatile emcee you'll ever meet though the pleasure is always mine...call me Krhazey.

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