Independent label and event series focused on forward-thinking, adventurous electronic music.

> Contact <
defragment.sound@gmail.com

Motor is a machine that converts electrical energy to mechanical energy. Rotor turns motion into heat.

DIY EBM, Wave & Electro label from Ljubljana
A&R by @Schrauff & @Malalavka
Contact: speakup@krirecords.com

Discography:
KRI001 Black Dot (Christian Kroupa & LCN) - Worlds Connect (12" + digital)
KRI002 Trust the Rust Vol. 1 VA (Cassette + digital)
KRI003 Adrian Marth & Diana Berti - Crystal Ball Visions (12" + digital)
KRI004 Dj Nephil - Horizon Rising (12" + digital)
KRI005 R.Gamble - Dream Sequence (12" + digital)
KRI006 O! Kult - Zvestoba (12" + digital)
KRI007 Ole Mic Odd - Mythical Realm (12" + digital)
KRI008 The Spy - Halt and Hack EP (12" + digital)
KRI009 Trust the Rust Vol. 2 VA (Cassette + digital)
KRI010 Hayter - Everyday EP (12" + digital)
KRI011 No Hope, No Fear VA (12" + digital)
KRI012 Facets - Sonic Ocean EP (12" + digital)
KRI013 Violet Poison - Death Of A Man Machine (12" + digital)
KRI014 TBA

Distributed by Bordello & Runas

Debauchery:
2025
07.03. Switch Club Barcelona
08.03. 33 / 45 Barcelona
11.04. Kri Records at Klub K4 w. DJ Nobu
16.05. Mechatronica x Kri x Keep In Mind preparty
20.06. w. The Hacker @ Keep In Mind festival
25.07. Kri x Honest Work present Ole Mic Odd & Alonzo
03.10. Kri x K4: Broken English Club live

Past:
09.09. 2022 KRI x K4: Black Dot Live, TV.OUT, Lavka, Schrauff
17.06. 2023 KRI x Keep In Mind: L.F.T., Schrauff, Lavka, 198319831983
26.01. 2024 KRI006 release event w. Brane Zorman (O! Kult) @ Big Nose
24.02. 2024 KRI Records @ Ment Festival
29.03. 2024 Kri & Zasilni izhod @ bRave, Surogat, Zagreb
21.06. 2024 KRI x Keep In Mind festival w. Adrian Marth @ Metelkova
30.08. 2024 Kri label night @ Pekarna, Maribor
09.11. 2024 Analogue Digital presents Kri Records @ Mostovna

Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Science and Art

CONTACT: plejade15@gmail.com


http://www.youtube.com/user/zavodkru#p/u
	
VERA V BREZBRIŽNEGA BOGA
Opis	
Angleški termin »pixel« je zložen iz okrajšav besed »slika« in »element« in dobesedno pomeni »slikovni element«. Beseda je bila prvič uporabljena v besedilu leta 1965.

MOLITE K SVETEMU PIXLU IN ČAKA VAS RAJ NA ZEMLJI.
Poglavitni nauk te vere je takle. Slabotni človek ne more storiti prav ničesar, da bi pomagal ali ugodil vsemogočnemu bogu, sreča pa ni prst božji.

cerkev povsem brezbrižnega boga: ALI VERA V PIXEL
Pixel - delček in celota vsemogočnega stvarstva.
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SKRBI ZA LJUDI, VSEMOGOČNI BOG PA BO SKRBEL ZASE.
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PRIPRAVITE SE NA MOČ MANIPULACIJE

video chanelll
http://www.youtube.com/user/zavodkru#p/u

SV: PIXEL JE VIDEO ARTIST; 
PRIPRAVLJEN ZA SODELOVANJE Z BANDI; DJ-i, producenti,... 
ZA SKUPNO USTVARJANJE: VJ-ing, VIDEO SPOTE VIDEO INŠTALACIJE....

SV. PIXEL je stalni član kolektiva zAvod kru in banda SPOCK STUDIOS


Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

Intermedia artist / music producer / live performance artist

Free space inspired by the 90s techno music and oldschool way of mixing. 💥
Dedicated to every pioneers 🤘🖤
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contact : thethirdturntable@gmail.com

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