Name: Buchla Sonic Mayhem by bartonmusic in Synthés
Duration: 3 min 12 s
Description: a wild and crazy self-propelling patch . . .

Synthés

a wild and crazy self-propelling patch . . .

Buchla Sonic Mayhem

Ghost Structures

Transformateur destiné à utiliser les petites énergies gaspillées

Digital Loops Can Also Be Fun And Unpredictable

free improvisation with electric guitar + chamber ensemble (reacting/created of guitar impro)

ratio of specific heats

the heaven in a wild flower

Rosales
Against the Sky
PYR-033
_______

Limited cassette/digital
https://pyramidblood.bandcamp.com/album/against-the-sky

_______

A1 - Austere
A2 - Words Escape
A3 - Lately
B1 - Moss Rose
B2 - Against the Sky
B3 - Empty Dream


Weightless melodies gently diffuse and coalesce through the delicate veils of time, taking on enigmatic new forms.

Fleeting moments of reverie flicker across the mind’s eye, incorporeal and resplendent.

The pilgrimage begins and ends against the sky.

Against the Sky marks the third release from Brad Deschamps (anthéne) and Ian Hawgood's (Folk Reels) Rosales project, with previous releases on Archives and their own Home Normal and Polar Seas labels. Against the Sky features Brad and Ian's exquisite ambient guitar journeys, and is lushly mastered by Ian on reel-to-reel tape.

_______

Written and Recorded by Ian Hawgood and Brad Deschamps
Mastered by Ian Hawgood
Photography by Paul Duchnay


Released October 10, 2022

_______

https://anthene.bandcamp.com/
https://folkreels.bandcamp.com/
https://homenormal.bandcamp.com
https://polarseasrecordings.bandcamp.com/

Rosales - Moss Rose

3/8/22

Forever in the Sun

The story is told in two acts;

both acts are ‘‘é®±’Ω˙, using only

vaguest of: colours, movements, and shapes.

-

**ACT I**

Colours: blue and orange, interspersed with a bit of red, green and smudgy white;

Movements:

* erratic (chaos)
* multidirectional and short-lasting, as if viewing a galaxy from outside an event horizon*
* swirl that makes sense for only a few moments but keeps swirling,
upholding momentum but no,
no story or:

*no correlation between the sprawling, sculpting lines.*

*dimply smudged, incomplete.
* unwavering
* undisturbed, spacious movements that follow each other almost seamlessly;
* high contrast, stronger hue and light against darkness, clear black and white colours.

* laconic
* exactly two movements are shown before an interval between them.
* after the interval,
a new movement is shown.
* This continues in a repetitive loop.

Shapes:

* a simple, a very simple shape is shown repeatedly.
* the shape is painted a clear colour; the drawing is

almost technological in

a way, purely outlines and

a simple pattern.

Time:
* the first act has two sequential musical compositions by Ocsid.
* the two compositions are shown along with two identically long repetitions: of

music and visuals.

* the compositions stay in medias res.

**ACT II**

Colours: bright, opaque white, pitch black and subtle smudgy beiges.

Movements:

* short, staccato and fast
* light, quick brush
strikes against the paper, adding light, white pigment onto the beige, almost white canvas.

* slightly slower in both moves, but overall very quick and comprised:

of four different movements that are in a repetitive loop.

* controlled
* follows some invisible lines,
sometimes a movement or two branches out and then follows the main line again.

* pixelated

* at first the movement is

a continuosly fluid one, but towards

the end of the composition,

it seems like the movement

is comprised of countless small movements;

technically it still is

a fluid movement, but

visual it seems that these

small movements are

composed of smaller

moves and so on –

the brush-stroke can

be seen as individual blobs:

two in one, four in one, eight, sixteen and so on.

Shapes:

* a line is drawn against

the paper, growing thicker and

thicker as the movements expand and

multiply; it is thick enough

to be called a hexagon,

but with a few quick movements

it becomes a line again.

Time: the second act
* has a longer

composition, which

starts out with

a wibe, and

almost slow,

dragging

movements

and slowly builds

up to a

stronger,

blistering,

pythonian

signature

ﬁnale.

.˛˘ ⁄>\\⁄√/|¸ •.

2023-02-15

Before The Trip

Coral Reef

Cordtail

2023-11-01

Oscillation

Mariana | Bass Lives in Mariana

Exploring using my shakuhachi sound/playing to trigger and shape sounds in the Buchla.

Shaku Buchla

2x lw 258 oscillator through vcfq. er101 triggers dtg which opens the vcfq

lw 258 test

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

Buchla Sonic Mayhem

bartonmusic

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