** I will NOT be renewing my Soundcloud Premium subscription - it will expire 21.09.2015 - BUT all my mixes will all be available via my hearthis account on this link...  https://hearthis.at/smashdad/ **

1980s
Electro, hip-hop, soul, funk and house
Citronic belt-drive turntables
Small parties

1990s
House, techno and breakbeat
Technics decks
Bigger parties

2000s
House, techno and breakbeat
Technics decks & Pioneer CDJs
Promo CD mixes, parties and promoted bar/club nights

2010s
House, techno, breakbeat, disco, soul, funk, reggae, balearic
Serato & Pioneer DDJ-SX controller & CDJs
Mixes hosted online, occasional promoted nights and private parties

MOODYMAN.
Banda Argentina de Indie Electronico.
Formada por Walter C. (Bass, Sequencers, Keys,Mixes) ; Guillermo Stoltzing (Vocals; Guitars; Bass, Keys y Dj. John Cosani.(Sequencers, Keys,Mixes) Mariano Acosta (Drums)

www.moodyman.com.ar

Chicago house music legend Mike Dunn, has been DJing and producing music for over twenty years. Hailing from Englewood, Chicago, Mike started out DJing at the local block parties that took place playing disco, funk, soul and prototype Chicago house tracks.
“I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live. A lot of my early tracks came from me doing them at the party when the party was going on. I’d save it in memory and bring it home and polish it up. But I listen to it now and it’s like, damn… didn’t use enough cleaner!”
Word soon spread about his talents and Mike was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug, resulting in his first release in 1987, “Dance You Mutha” on Westbrook Records, he also started to produce and engineer for other Chicago artists, such as Armando, Fast Eddie and K-Alexi Shelby.
More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”, some times under the name Mike Dunn but also under aliases such as MD Connection, MDIII and QX-1.
He continued to produce and release throughout the 1990s, with releases on labels such as Nervous, Nitestuff and Tribal America, whilst also working with other producers and vocalists such as Syleena Johnson, Byron Stingley, Mina Jackson, Kool Rock Steady and Kym English to name a few.
More recently tracks like Phreaky MF’ on French label Robsoul and ‘God Made Me Phunky’, re-released on Defected records, have raised his profile and delivered his music to new audiences. Whilst new interest in Mike’s original old school jamz have taken him to work with the new generation of house and techno producers and labels, demonstrated on tracks such as ‘It’s the Music’ produced by Murphy Jaxx and more recently ‘Touch the Sky’ produced by Alden Tyrell and released on Clone’s Jack for Daze imprint.
After a long absence from DJing in Europe, Mike returned last year, playing at clubs such as Panorama Bar, Fabric, Concrete and Sub Club, and festivals such as Glastonbury, Electric Forrest and numerous others across Europe and US, demonstrating why the Chicago OG is still very much in demand.
2017 see’s Mike Dunn celebrating 30 years of Acid & Chicago house since his debut release back in 87’ with ‘Dance You Mutha’. To celebrate Mike’s releasing a single and album on moreaboutmusic and a full ’30 Years of house’ tour. 2017 will also see the launch of his own label Blackball Muzik…
The Phreaky MF is back…

Management: mark@moreaboutmusic.com

Bookings:

grown in Chicago, rooted in Aus

Booking:
James@greens-keepers.com

James Curd began his DJing career in Chicago when he was only fifteen years old. Being underage, Curd was snuck into events to play at raves and clubs he was not legally allowed in. He played along side some of electronic music’s most respected acts and DJs. Through his love of DJing and music Curd began to write and produce for himself. At nineteen Curd released his first track on the globally respected label “Basenotic” out of Paris. From there Curd created “Greenskeepers”, a name to represent himself and the wide range of music he wrote and the artists he collaborated with.

As “Greenskeepers” Curd released an array of music on Classic records. He made his mark on the dance music world by infusing swing music and Chicago house to invent the term G-Swing, being short for Greenskeepers Swing. Curd focused on G-Swing and started a label by that same name to feature this unique sound. Around this same time Curd also owned and operated two other record labels “Igloo” and “Greenskeepers Music”.

Curd has released four full length albums under Greenskeepers, “Ziggy Franklin Radio Show”, “Pleetch”, “Polo Club” and “Live Like You Want To Live”. Curd has also had phenomenal individual success with releases on DFA, Permanent Vacation, Exploited, Eskimo, ETC ETC, Bang Gang, OM, Ministry Of Sound, to name a few. Curd is also highly sought after for his remixes. He has remixed artist such as Juan Maclean, PNAU, Midnight Magic, Poolside, Kaskade, Hercules & Love Affair, Groove Armada, Flight Facilities and more. Curd’s music has also been remixed by great artist like Poolside, Flosstradamus, Juan Maclean, Gigamesh, Treasure Fingers, Pepe Bradock, The Rapture, Dimitri From Paris, Flight Facilities and Derrick Carter.

Four of Curd’s songs have been featured on “Grey’s Anatomy”, while others have appeared on T.V shows such as C.S.I Miami, Point Pleasant, MTV Real World and Keeping Up With The Kardashians. His music can also be found in foreign films as well as main stream movies such as “What Happens In Vegas”,”The Vow” and the hugely successful animation “The Incredibles”. If you listen carefully, you will even find Curd’s work on BBC documentaries and American Airlines inflight radio! His work in T.V. and Film has enabled him to work behind the scenes as a music supervisor. His latest film “Crush” is produced by Intrepid Pictures and features an amazing array of artist from around the world hand picked by Curd to fit each scene perfectly.

Curd has toured the world over, renown for his energy behind the decks and his ability to make a party. Curd has performed at some of the world’s most respected clubs. From Fabric in London, The Avalon in Los Angeles, Home in Sydney to The Arches in Glasgow. Curd has also been part of festivals such as Park Life in Australia, Lollapalooza In Chicago, T In The Park in Scotland and Electric Picnic in Ireland.

Curd continues to consistently release quality new music by pushing his sound while also staying true to his roots. He has started a new band called “Favored Nations” with singer Morgan Phalen who has also worked with Justice and Phenomenal Handclap Band. The third bandmate is Sid Who?, who also plays bass and guitar for Empire Of The Sun. Curd is also putting together a mix CD coming soon on Ministry Of Sound. With Curd anything and everything can be expected. Whether it’s Rockstar Games using his song for the “Grand Theft Auto 4” Ad campaign or his latest EP sitting at number one on Juno, you never know what to expect from the talented Curd or where his music might pop up.

ATTENTION: All my tunes are now here: youtube.com/@DaftLimmy

BOOKING
seppe.maesen@livenation.be

PROMOS 
info@mumbaiscience.net

Henry Saiz, Kevin Di Serna 'Technicolour Atemporal'
https://orcd.co/lnoe186

Send demos to: demos@lnoearth.com

‘Last Night On Earth’ is Sasha’s home for supporting exciting new electronic music talent and his new solo productions.

Demos + Label Contact - music@renaissance.dj

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