Kabale und Liebe AKA Liron van Daalen is a producer, dj, remixer and live performer. Known for numerous club hits and co-founder of the labels Soweso Records and We Dig. Music.

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

vi•sion quest (noun): a search for personal communication with the spirit world. 

Every mystical journey eventually comes to a fork in the road. The seeker of life’s destiny has two options: remain satisfied with whatever level of consciousness he has already attained, or push forward into ever-new domains of promise and possibility. 2014 sees dance music’s best-known spiritual pilgrims, the Visionquest trio of Ryan Crosson, Lee Curtiss, and Shaun Reeves, bravely embarking upon that wondrous journey. Each member of this celebrated DJing and production team contributes a distinct yet interlocking vision that together forms a seamless, organic whole. Just think of Crosson’s enthusiastic shuffle, Lee’s soulful stare, Shaun’s soft touch. Everything they craft has the same unmistakable flair: slow-burning, shape-shifting, expansive techno and house marked by compositional elegance and unabashed pop hooks.

Although long-time partner and co-conspirator Seth Troxler has stepped aside to pursue other projects, 2013 was the biggest year ever for the four. Inspired by the passing of the Mayan calendar, the group embarked upon Visionquest 13, 13 dates where the boys not only played together the whole night, but curated a true multimedia experience. From London to Buenos Aires, from the American hinterland to the Chilean wilderness, Visionquest 13 was a Freudian trip into the deepest recesses of the Detroit rave unconscious, what Ibiza Voice described as a “collective expedition into the depths of your soul”—but with a sophisticated, modern twist.

Their accomplishments are well-known and too many to list. For starters: a critically acclaimed 2011 Fabric mix; year-defining hit remixes for artists as diverse as Kiki, Wareika, Tracey Thorn, and David Lynch; showcases and dates in the biggest clubs and festivals around the world; and the creation of a now iconic-label that’s played host to dancefloor weaponry from the likes of Benoit & Sergio, Life & Death, Dinky, and Laura Jones—all this while each member maintained significant individual production and DJ careers. But, by definition, no journey dwells in the past. So in 2014 they launched Visionquest Special Editions, a limited-release, vinyl only label. Evoking the experimental sounds of the European techno avant-garde that first inspired the boys back in Detroit, the debut release, remixes of Montreal songwriter Quilla, features a stunning collaboration between Shaun and long-time hero Ricardo Villalobos. With Visionquest Special Editions we see the group at home at a breezy, gentle afterparty, not just igniting the club. As Visionquest winds around the corner into their bright future, they remain open and excited for what lies ahead.

Everyone's fate is made of many tales. Although our own destiny might be dwelling in our breast, it also takes strong convictions and the courage to challenge yourself. DJ, producer and label manager Marcel Fengler is the best example that talent isn’t just a matter of luck, but the will to believe in your own passions while constantly developing them. Today, Fengler has not only been quoted as „one of the finest techno DJs“ (Resident Advisor), he has earned international respect for his „well-crafted body of production work“ (FACT) introducing his unique and „multi-faceted personality“ (Electronic Beats). 

While growing up, he was first fascinated by the hip-hop culture, breakdance, and graffiti art, Fengler’s interest shifted towards techno music and the art of DJing after the Berlin wall came down. As a vinyl nerd he began playing records during the early nineties. By witnessing Claude Young mixing with three record players, Fengler followed his path merging both hearts in his chest: turntablism and techno. Carried away by the magic and the togetherness of the first hardcore and trance raves in such clubs like E-Werk or Tresor, he organized his own parties in his hometown Fürstenwalde.

Over the last two decades, Fengler developed a versatile and dynamic style of DJing that made him one of the first resident DJs of Berlin’s infamous Berghain / Panorama Bar in 2005. With his impressive intuition for the very moment, Fengler is capable of changing pace, atmosphere, and energy reacting to the mood on the dance floor: whether industrial-drenched hardness, broken beats, gloomy dubs or melodic and funky grooves – next to his inimitable instinct, Fengler draws from a varied repertoire. The approach of allowing to drift away within the momentum also applies to his first singles as a producer on such labels like Ostgut Ton and Mote Evolver. His debut album „Fokus“ (2013), in particular, was a statement of his ambitious claim, awarding his own tracks with emotional densities as well as unexpected contrasts. 

Bringing together both his melodic groove and beat tracks and his straighter cuts, he founded his own imprint Marcel Fengler Index (IMF) in 2011 – a platform that not only continues evolving his timeless techno approach but represents a creative center introducing new and young talents. A logical step for an artist who’s always interested in looking beyond his own nose represented by his project DIN, the mutual collaboration with Philipp Sollmann (Efdemin), for the contemporary dance project „Masse“ of the Staatsballett Berlin. 

As a DJ and producer, Marcel Fengler stands for imposing surprises and the appeal of variety. For him, techno is both unconditional passion as well as an essential part of his identity. He’s not bound to a linear or one-dimensional sound, instead, he’s constantly seeking for new ways to express his emotional storytelling skills. His willingness to challenge himself and to stay curious, while establishing changes as his secret persistence, is showing his true vision of techno which makes Marcel Fengler to one of the today’s most exciting electronic artists in these days.

Robert Dietz, a luminary in the world of electronic music, has carved an exceptional path through the industry, leaving an indelible mark on both the global stage and the artistic realm.

Rise to Stardom and Residency Highlights: During the exhilarating decade of the 2010s, Robert Dietz held the spotlight with a thriving DJ career that spanned continents. He stood at the helm of acclaimed residencies, notably in New York and at Robert Johnson in Offenbach, where his masterful sets captivated audiences with an enchanting blend of soundscapes. His name became synonymous with the vibrant pulse of Ibiza's nightlife as a resident at Pacha, a testimony to his command over the decks. Moreover, his longstanding collaboration with Gerd Jansons' Running Back Records solidified his stature as a musical trailblazer.

A Journey of Reinvention and Innovation: Around 2019, Robert Dietz embarked on a transformative journey, temporarily veering away from commercial stages to rediscover the essence of his artistry. Under a series of captivating aliases, including DJ Discipline, R10, and Hokaiido, he breathed life into a new sonic identity. Simultaneously, he unveiled Teiwas, a visionary sound design studio, a testament to his commitment to pushing creative boundaries.

A Synthesis of Sound and Brands: With an ever-evolving creative spirit, Robert Dietz ventured into uncharted territory. His musical prowess found a new canvas as he composed evocative soundscapes for distinguished brands like Mercedes Benz, Louis Vuitton, Rimowa, and Nike. This fusion of artistic sensibilities and corporate aesthetics showcased Dietz's ability to create sonic landscapes that resonate beyond the dancefloor.

A Return to Records and Future Horizons: Undeterred by his diverse pursuits, Robert Dietz returned to the studio with unwavering determination. Amid his multifaceted endeavors, he cultivated two forthcoming EPs that are poised to grace Nous’Klaer Audio from Rotterdam. These releases stand as a testament to his enduring dedication to the art of crafting music that defies conventions.

Robert Dietz's journey is a symphony of exploration, reinvention, and creative fusion. A name that resonates through iconic venues, global stages, and intimate studios alike, Dietz's legacy continues to evolve, leaving an indelible impression on the ever-evolving landscape of electronic music.

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Magda is amongst the most high-profile and in demand artists, having proven herself as a consistent, adventurous and exceptional performer, with a knack for bringing music together in unexpected ways.
Magda's realm as an artist pans far beyond the typical role of DJ and producer. With an open mind, Magda will try her hand at whatever feels right – from music technology collaborations and events to producing premium Tequila - creating a truly unique, multifaceted expression of herself.
Born in Poland and raised in Detroit, Magda discovered beauty and inspiration in Detroit’s raw urban landscape. In 1998, she joined the Minus label and began touring as Richie Hawtin's main DJ.
Since her first international tour in 2003, Magda established herself globally as an artist known for pushing musical boundaries and expressing her unique style. She released her forward-thinking DJ mix album 'She's A Dancing Machine' in 2006, followed by her debut artist album ‘From The Fallen Page’ in 2010 among other single releases. Magda’s remix work includes Plastikman and Depeche Mode and DJ mix albums for Fabric, Balance, as well as a BBC Radio 1 Essential Mix, among others.
In 2006, Magda established the Items & Things label and booking agency with Troy Pierce and Marc Houle.
In 2017, she launched the Perm event series in Berlin. Sitting pretty at the crossroads between art and club culture, Perm was a collective initiated by Magda and established in the name of artistic cross-pollination with a very strong multimedia aesthetic. Guests included Atom TM, Burnt Friedman, Jan Jelinek, and Cristian Vogel.
Recently, Magda has produced and performed alongside T.B. Arthur as Blotter Trax. The Blotter Trax live show combines modular synthesis, live improvisation and rhythmic exploration. Performance highlights have included live audio- visual duets with video artist Lillevan (Morton Subotnick, Christian Fennesz) and a recent club tour of Japan which saw the duo performing live and transitioning into Magda’s signature DJ sets.

DJ, producer and label head.
@musiconofficial 

Marco Carola is a global ambassador of techno. From Napoli in the south of Italy, Marco was instrumental in the development of the electronic scene in the early 90s, he took the flourishing techno Napolitano scene to the rest of the world. Over twenty years later and Marco is still one of the most respected artists amongst the techno scene, widely regarded as one of the key factors in driving the genre towards worldwide recognition within electronic music.
 
As a revered producer and successful label head, Marco has spearheaded imprints such as Design Music, Zenit, Question, One Thousands and Do.Mi.No whilst releasing music on a selection of the words finest labels such as Minus, Plus 8 2M and Primate Recordings. In addition to five critically acclaimed albums, including his most recent Play It Loud, Marco has also been responsible for a clutch of seminal mix compilations. In 2006, his mix for legendary London club Fabric’s series was a lesson in sleek, future-facing minimalism. That was followed up by well received compilations for Time Warp in 2009. In 2010 Cocoon label boss Sven Väth asked him to mix the Frankfurt based label’s Party Animals CD alongside Nick Curly, which took Carola's dj taste and skills to new heights.
 
Famed for his energetic and impressive three-deck style of mixing and long journey set, Marco has remained one of the most in demand DJs on the planet throughout the last two decades. Favoring mammoth eight hour plus sets, Marco is predisposed to a subtle working of the crowd that has made him a favorite among fans from Ibiza to New York, South America and beyond.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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