Influential spiritual thinkers and philosophers emphasised the profound connection between spirituality, music, expression, and dance. 
The unity and interconnectedness of all aspects of life, including spirituality, art, and self-expression. 

I see and experience music, expression, and dance as powerful tools for transcending the limitations of the ego and connecting with the deeper essence of existence. 

For me, music is a way to tap into the rhythm and flow of the universe, enabling us all to express our innermost feelings and insights. I believe that through music and dance, people can break free from the confines of rational thought and engage with the primal, intuitive aspects of themselves.

For bookings contact management.
E: mattsmusicaus@gmail.com

‘Did you know that there’s a tunnel under Ocean Blvd’ 

The New Album Out March 24th, Pre-Order – 
 http://lanadelrey.lnk.to/oceanblvdID  

Listen to ‘Did you know that there’s a tunnel under Ocean Blvd’ – http://lanadelrey.lnk.to/oceanblvd_sID

http://lanadelrey.com


Best-known for playing Lilly Truscott on Disney Channel’s Emmy-nominated Hannah Montana and Gerti Giggles in the Spy Kids movie sequels, Emily Osment has actually been making music almost as long as she’s been acting. And even though she’s just 18, don’t expect disposable Top 40 teen-pop on her Wind-up Records debut, Fight or Flight, produced by U.K. auteur Nellee Hooper, whose credits include Gwen Stefani and No Doubt, U2, Bjork, Madonna, Massive Attack and Soul II Soul.

Writing with such well-respected tunesmiths as Grammy winners Adam Schlesinger [Katy Perry, Jonas Brothers, Stephen Colbert] and Toby Gad [Fergie, Beyonce, Brandy, Jordin Sparks, Alicia Keys] as well as David Gamson [Ke$ha, Adam Lambert, Chaka Khan, Scritti Politti], Osment’s album bow combines her classic rock influences into a mature-beyond-her-years blend of state-of-the-art electro/Europop (as on the first single, “Lovesick” and the feisty “Double Talk”), alternative/indie (“Let’s Be Friends,” “Gotta Believe in Something”), sophisticated, jazzy torch ballads (“Marisol” and “You Get Me Through”) and even rapping over hip-hop beats (“1-800 Clap Your Hands [The Water is Rising]).”

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