For the first album in the Monument Records discography, D-Leria (aka Giuseppe Di Leria) takes us through different dimensions by weaving a rich patchwork of sound.

Stepping right into the current, the LP opens with spiraling and distorted reverberations, smoothing the way for the LP’s nine tracks, which merge into a steady flow of powerfully progressing waves of warping and chirping sounds and percussive interludes.

As a whole, “Multiverso” is bursting with strength and leaves the listener with a sonically well-balanced and electrifying listening experience that is carried by a constant tension sustained by interlaced contrasts.
credits
releases April 26, 2024

Music, Artwork and Soul by Giuseppe Scaccia
Mastered by Neel at Enisslab Studios, Rome
(P) 2019/2024 (C) 2024
Distributed by Triple Vision
all rights reserved

Order 12"

D-Leria - Avantgarde

【Namine Ritsu】-ERROR 2018ver.【UTAU Cover】
https://www.youtube.com/watch?v=dBymYOAvgdA

error

ZEDS DEAD Live @ Lost Lands 2024

Free Download

Mil Gaya

Maple Death Records invite their favourite wandering bird J.H. Guraj to the Outsiders series. 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Maple Death Records w/ J.H. Guraj @ Kiosk Radio 24.10.2024

The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the victims of human rights violations during the military dictatorship led by Augusto Pinochet between 1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a 24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5 months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer who vanished in the early 2020s. Although they live in a future where technology is advanced, they resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

Piedras 1 

Piedras

New year new edit pack! 8 new edits ready to be played! 🫡

Editpack: https://djsmochibeats.bandcamp.com/album/smochi-grinds-vol-3

Download: https://hypeddit.com/smochi/wannabesmochigrind

sundaze.

utkarsh.