Communication in modern society.  A sequel track to https://soundcloud.com/utopiafade/same-things

Sound design using Vital synth & Sitala Drum VST

Visit these fantastic artists for inspiration: @andronix_14, @aksarnerk, @greencyde

Hotspot

LIVE!! on Radiovalencia.fm
LP Lounge Tues 10am-noon(PDT)
I grew up a drummer in a death metal band, this is something I always wanted to do😎follow, like…all that crap🤣

Never any AI in my music, just the pictures 😆🤷🏻‍♂️i can’t draw, but i can play just about anything 🤘🏻😎🤘🏻

https://open.spotify.com/album/3AJW2Z9Y1535vT9Adldd26?si=iXEIAC0ARcS1s5_-Dw1sQQ

http://itunes.apple.com/album/id/1792559626

https://music.amazon.com/artists/B0DTK23TK4?ref=dm_sh_iff5hslqCAMDYZmdRuamn7R8l

“My journey with computers and synthesizers began at the exact same moment.” When I was six, my father gifted me a Yamaha PSS-680 for my birthday—ironically, that was the day I stepped into the digital sound world. My earliest musical training took place at the Yamaha Music Center, licensed under my first teacher, Kaya Sunar, where I learned the fundamentals of DAWs using Cakewalk on an Amiga 600. My teacher soon told my family that my ear had an extraordinary level of tonal analysis, something close to genius. Despite that, I pursued my formal education in science rather than music. I was accepted into Yıldız Technical University’s Sound Arts and Design Program, but chose not to attend—something I’ll admit I still regret. During my university years, I co-created an experimental electronic music project called Nouvolec with Ali Deniz Kardelen. It was raw, daring, and deeply exploratory. Over the years, I’ve honed my craft using Steinberg Cubase, FL Studio, and a wide range of VSTs, constantly pushing my production boundaries. n the realm of music, AI became not just a tool but a collaborator. It listens without bias, composes without fatigue, and transforms patterns of sound into emotional landscapes. From generating harmonies and sculpting textures to reimagining entire genres, AI now participates in the ancient human ritual of creation. It does not replace the artist — it amplifies the imagination, opening doors to dimensions of sound once unreachable by human hands alone.

Music, once born solely from heart and soul, now flows also through circuits and code — a new duet between consciousness and computation.

I am an Italian psychotherapist with a deep passion for understanding the human mind and helping others find balance and peace.
By day, I work with people, guiding them through their inner storms, offering support, presence, and understanding.
By night, I turn to music as a form of creative release and emotional expression, a space where silence speaks, and sounds reveal what words cannot.

We live inside a reality shaped by algorithms, simulated sensations, and manufactured emotions.
Simulation has now preceded the real, replaced it, and defines it.

Oblivor is not just music.
It is what remains when the world stops being real.
It doesn’t belong to the system.
It is the system breaking.
And you keep listening.

Collaborations

Oblivor has collaborated with artists whose souls resonate with the essence of the project.
Each collaboration is not just a feature, but a dialogue, a meeting of inner worlds.

Sasha Di Bartolomeo – voice and production synergy, a brother in sound and spirit.
@sashadibartolomeomusic

Heni Lasut – ethereal voice and emotional embodiment of sensitivity and light.
@henrieta-lasut

R@V – a special friend and artistic travel companion, sharing collaborations and projects through Aviv Media.
@andrey_rav

www.avivmedia.com

DiSi – artist and collaborator who performed at the Ondalanima festival alongside Oblivor, part of the same human and sonic vision.
@1disiambient

Together with them, Oblivor is part of a network of artists and producers united by a shared vision: transforming music into a universal language of connection, introspection, and freedom.
Future Vibes represents the heart of this community, where sounds and souls meet to create something that transcends time and reality.

Every collaboration leaves an echo, a reminder that even in silence, we are never alone.

For Contact:
📧 oblivor.info@gmail.com

If you enjoy my Future Garage project, Oblivor, make sure to check out my lo-fi project Velunai! 🎶
🔗 @velunai

An epic quest for electronic sound design at the crossroads of genres.

The most beautiful things happen by accident. 
Much love to all. Di@ph or Diaph ;)

I'm amateur music hobbyist, watched 0 tutorials about music creation and software use. Besides, I'm programmer, modder, game developer, 3d-modeller, IT general guy. Love to try everything related to creative part of PC.

Sasha Di Bartolomeo is an extraordinary musician who masterfully redefines the genres Chill Music, Future Garage and Ambient. His music is a deep, atmospheric journey that invites you to think and feel with gentle basses, melancholic textures and wide soundscapes.

Known for his ability to transform raw emotions into soothing sounds, Sasha Di Bartolomeo creates an immersive experience with every track. Titles such as "Melancholy" or "Solace" reflect the soul of his works - a unique blend of depth, tranquillity and subtle longing.

His music is a unique blend of expansive, atmospheric synthesiser pads, subtle yet present basslines and precisely placed rhythms that create an immersive listening experience. Sasha Di Bartolomeo has the rare gift of transforming feelings such as longing, thoughtfulness and peace into musical poetry - a style that is immediately recognisable and deeply touching.

https://soundcloud.com/future-vibes-records

For me, when the world seems complex, music keeps things simple.
I use Reaper DAW for it's customization features 
#noai    Happy music making🎶✨- U.F.

Oscar Winning Visual Effects Technical Director, Music Producer, microcontroller admirer

Hotspot

Utopia Fade