See the score at: https://issuu.com/utsyochakraborty/docs/chakraborty_three_instances


Three Instances for Orchestra (2021)
by Utsyo Chakraborty

1. Duos and Trios (0:00)
2. Calls (3:37)
3. Shadows (6:54)

My "Three Instances for Orchestra" were composed rather quickly, between late March and early May of 2021. A suite of three miniature tone poems (one of the reasons I call them "Instances"), it is scored for a relatively small orchestra, having single winds, two horns, trumpet, trombone, 4 percussionists (playing marimba, vibraphone and a variety of unpitched percussion instruments) and a small contingent of strings. 

"Duos and Trios" consists of a single melody fractured into a number of fragments, which are then layered one on top of the other. The texture is characterized by duos and Trios of winds, brass and percussion playing at a time with a halo of string playing. 

"Calls" is a triptych in itself. The first section features some bird like figurations from the individual wind players. The second section has two layers: duos of solo strings with brass and winds along with a steady, yet slightly offset rhythmic pattern played by the percussion. The third section brings back material from the preceding music and ties them together into a short coda. 

"Shadows" is a slow, meditative piece with a focus on textures which can be created by various combinations of instruments in the orchestra. Although one can find many similarities in gesture with the previous movements, there is an individual voice in this piece which makes it serve as an apotheosis to the suite. It looks back reflectively on what has elapsed before. 



Three Instances for Orchestra (2021)

"Mankind, you are an ignorant race. How foolish it is to believe your kind rules the Earth. Know now that your are not alone, there are unseen worlds that exist parallel to yours. These are the worlds of the Makai, a race of demons. And the Jujinkai, those that are half-man and half-beast. There is an ancient legend, a prophecy fortelling the appearance of a super being every three thousand years. He is called the Chojin! A god above all gods, the Overfiend! The Chojin will appear through the body of a human and with his great power he will unite the three worlds. He will create a new world, a world of peace and harmony. His time has now come! Ignorant humans, the truth has now being revealed"

Guy that likes listening to music a lot

._.XD

Farahnoise pudiera ser mas conocido como bajista de diferentes agrupaciones underground de la ciudad de Guadalajara desde los 90'.
Se inicia como ruidista alrededor del año 2006.

Farahnoise quiere agradecer a las siguientes agrupaciones en la que ha participado ya que sin su apoyo jamas hubiera sido posible crear ninguno de estos noises.

Voz sin Cuello - Garagexeprimental
Síndrome de Estocolmo - mathcorexperimental post -hardcore
Pandemia - Hardcoremetal
Imopectore - Hardcoremetal
Le Caterpiller - Worldmusicjazzrockfusion
Cerado dl Noise - Experimentalcircuitbending&feedback 
Cerado dl Hibre - Unknown jazz
David Chanson - Bad Nerved jazz freenoiselanders

Estas piezas son el resultado de una extensa búsqueda por plasmar un momento vivo.

Genres：Juscotech(DIGITAL FUSION), Mallsoft, Synthpop, Retrowave, Muzak and New Age Music

1986
1987
1988
1989
1990
1991
1992
1993

KORG M1
WAVESTATION
Birdonic Waves
Boon Boom🚗
そこにやくいく手帳📗

James Ricci (b. 1954 in NYC) composes compelling works for soloist, chamber ensemble, voice, and orchestra.
 

He studied in Boston at the Berklee College of Music, New England Conservatory, and at Brandeis University with Donald Martino, Martin Boykan, and Harold Shapero. He also participated in diverse seminars and master classes in Europe and the United States with composers György Ligeti, Sir Peter Maxwell Davies, Earle Brown, Jacob Druckman, Ralph Shapey, Betsy Jolas, Sylvano Bussotti, Anthony Payne, Milton Babbitt and Elliott Carter.  He obtained fellowships to attend Indiana University Composer's Forum, the Yale Norfolk Summer School of Music, and in Europe on a Sacher grant (Brandeis University).

As co-director of the LUMEN Contemporary Music Ensemble Ricci curated a series of successful concerts of new music for both concert and educational settings.

His “To the Solar Winds” was commissioned by the Arlington Arts Council and premiered by the Solar Winds Woodwind Quintet.

A collection of his music for piano has been released by David Holzman for Albany Records (TROY1875).


George Grella of NY Classical Review wrote regarding his NYC premiere of Intermezzo, “Ricci explained that he took an intuitive approach to writing the music, exploring the pathways of his subconscious and the sound of the piano. It initially presents itself as an atonal work, but quickly and smoothly becomes the fundamentally romantic reverie of Ricci’s technical approach. The music seems to sound just the way it should and, in Holzman’s performance, was completely absorbing.”


New Music Connoisseur described Ricci’s Sonatina for Solo Viola as “…cleverly expressed, while the string writing is emotive, showy, and telling - a fine listen.”


Ricci’s music was nominated three times for an award from the American Arts and Letters.

His String Quartet No. 1 (1984) won mention in the 1985 Boston League-ISCM Competition and a recording by the QX String Quartet is available on streaming services.

Ricci's album of piano music titled "Musical Connections" was released in September of 2021. It features Grammy-nominated pianist David Holzman. It is available on the Albany Records label (TROY1875).

Two recent works by Ricci for orchestra - Rune and Night Music - were recorded by Filharmonie Brno (Czech Republic) for Ablaze Records and conducted by Mikel Toms. The recording is available under the title "Orchestral Masters Vol. 9" (Ablaze AR-00066).


In Boston Ricci held a position of Assistant Professor of Composition at the Berklee College of Music. He now resides in Chapel Hill, NC.

His work is published by Universal Edition (UE) and affiliated with BMI (Broadcast Music Inc.).

Francisco Merino Morales nació en la localidad de Villabilla (Madrid), en 1963.

Licenciado en derecho por la Universidad de Alcalá de Henares (Madrid), realizó sus estudios musicales de piano y guitarra.

En la actualidad comparte su actividad jurídica con la literaria y musical.
Ha publicado diversos libros (novela, poesía, relatos, traducciones) y ha sido premiado en distintos concursos literarios.

Desde un punto de vista musical, tras su paso en la década de los ochenta por el mundo del pop y del rock, Francisco Merino Morales ha compuesto distintas obras para diversas agrupaciones instrumentales de cámara y diversos solistas, habiendo sido estrenadas obras suyas en España, Italia, Holanda, Chile, Estados Unidos y Argentina.

Su estilo compositivo es muy ecléctico, teniendo en su haber obras tonales, atonales y electroacústicas, aunque lo más peculiar de su estilo es el uso de una libertad total en los materiales y la búsqueda de un lenguaje con una reformulación modal propia en un contexto tonal.

Studied at the Royal College of Music, London. I have, though, never pursued a musical carreer, but have loved music all my life. Now -semi-retired - I have returned to music more actively and resumed composing about a month ago (September 2015) after a gap of over 40 years. 

* 'Prelude - II', due to arrive NOV '21!*

I have studied composition privately with Jaemus Downing, Philip Rayner, and Peter Nickol, although I am largely self-taught.

All compositions Copyright © Mark Dowding 2006-2021

I am a composer and pianist excited to showcase my music online. In 2016, I completed my bachelor’s in music studies at USF.

Hi guys, I'm Anish Dhanrajani, a Classical and Jazz composer, arranger, pianist, violinist, GarageBand, Soundtrap, Musescore, and Logic Pro artist (If you want to listen to more works, go to my YouTube Channel).