Written and Produced by Uun
Mastered by Neel @ Enisslab

https://moderncathedrals.bandcamp.com/album/aspect-of-obliteration

Uun - Time In Stasis [Modern Cathedrals]

Uun's techno blends widescreen grayscale imagery with propulsive dancefloor pressure. Whether crafting what Hardwax dubs "straight ahead techno juggernauts" or deep, introspective tools, his work is grounded in a masterful command of atmosphere and texture. 

Uun developed his interest in fringe sounds as a guitarist and drummer in his hometown of Kansas City before shifting his attention to electronic music in 2012. This led him to relocate to Detroit, where he spent seven years pushing deeper into the underground techno scene, refining his production and performance methods. Between the Midwest and  several periods in Berlin—another city he's found a deep connection to—he's honed a style that's allowed his music to nimbly navigate between different subgenres, "quietly infiltrating" the genre from multiple angles at once. 

Uun's sound and his ability to mold it into a variety of forms has captured the attention of lauded techno labels like Mord, Semantica, and Soma. On his own Ego Death imprint, he pushes past genre confines and deeper into his music's underlying themes, exploring existentialism, duality, and the role of the artist in the modern era. His first full length, 2022's Derealization, interrogated dreams through rebuilding memories of liminal spaces, and on his latest Ego Death release, 2024's Platform Decay, he laces his tracks with a poignant criticism of social media-driven cultural homogenization while doubling down on his own uncompromising sound. 

As a live performer, Uun distills years of his studio practice into cathartic sets that build off his productions while pushing them into exploratory new territory. His live show has taken him to legendary clubs like Berlin's Tresor, Tbilisi's Khidi, Detroit's Movement Festival, and Brookyln's Basement, and alongside the decade-plus of releases under his belt, it's safe to say Uun's infiltration of techno might not be so quiet for much longer.  


Booking Info - antonia@altaragency.com
Contact - uunegodeath@gmail.com

2025/12/12:
Anybody else prevented from accessing SC servers via VPN?  All of them are blocked for me.  This is the first time it happens to me in six or seven years of almost daily SoundCloud activity.  I use a VPN in SC because when I don't I get horrible delays that show up in many different ways.  The only explanation I have found is that somehow their security/identification system has flagged my IP address and introduced all kinds of speed bumps.  It makes the experience very unpleasant, irritating.

2025/12/06:
Why was Jonathan Bellot's account
[https://soundcloud.com/jonathanbellot] deleted?
...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.