Tulalip Tribes Lesson-5: ʔaləxʷ k̓ʷid (What time is it?) Recorded by Michelle Myles

ʔulub ʔi kʷi ʔiɬčəx̌ ʔal kʷi ɬup – 10:30am

x̌ʷəl ʔi kʷi ʔiɬčəx̌ ʔal kʷi ɬup – 9:30am

təqačiʔ ʔi kʷi ʔiɬčəx̌ ʔal kʷi ɬup – 8:30am

c̓uʔkʷs ʔi kʷi ʔiɬčəx̌ ʔal kʷi ɬup – 7:30am

yəlaʔc ʔi kʷi ʔiɬčəx̌ ʔal kʷi ɬup – 6:30am

cəlac ʔi kʷi ʔiɬčəx̌ ʔal kʷi ɬup – 5:30am

saliʔ ʔi kʷi ʔiɬčəx̌ ʔal kʷi ɬup – 2:30am

These recordings were made by Hiromi Lorraine Sakata and Tom Sakata between August 1966 and July 1967 in Afghanistan. They are excerpted from several larger field recording collections deposited at the UW Ethnomusicology Archives in Seattle. More about Hiromi Lorraine Sakata's collections: guides.lib.uw.edu/archives/sakata
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Rights: This recording was digitized for preservation/access purposes by the University of Washington Libraries in Seattle. Its copyright status may be protected by the U.S. Copyright Law (Title 17, U.S.C.) or state copyright statute(s). Its reproduction and use may also be restricted by terms of gift or purchase agreements, donor restrictions, ethical considerations, privacy and publicity rights, licensing and trademarks. This work is made accessible within the context of this website for purposes of noncommercial educational use. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of copyright owners. Responsibility for any use rests exclusively with the user. If you have questions, concerns, or information about this recording, please contact us at ethnoarc@uw.edu.

Afghanistan, Throat Games (1983069-1)

This playlist features recordings from the Accents & Dialects and World & Traditional music collections of the British Library Sound Archive and has been curated by the artist Jill McKnight, as part of her exhibition 'Desire Lines' at Leeds Art Gallery and online from 25 March to 16 October 2022. Jill took inspiration from these collections and those of Leeds Art Gallery in the creation of her new artworks for the exhibition.

It also includes new recorded versions of the songs 'The Derby Ram' and 'The Cruise of the Calabar' performed by the Yorkshire Trans Choir, which were chosen by the artist for their focus on reinterpreting traditional folk songs with a political twist.

Further details on the project can be found by following this link: https://museumsandgalleries.leeds.gov.uk/leeds-art-gallery/desire-lines-by-jill-mcknight/

Credits:

'Three Jolly Fishermen', Steve Gardham, 1970, Roy Palmer Collection, British Library Shelfmark: C1023/62 © Steve Gardham.*

*We have been unable to locate all owners of the copyright in this material. Please contact copyright@bl.uk with any information you have regarding this item.

Three Jolly Fishermen, performed by Steve Gardham (1970)

ECHOES FROM A TURKISH DISCO BENDER (RIAFC150)

Gong bangers from southeast Asia

1-2 Rooster Dance by Isneg Group & Tadok by Kalinga (Izne Philippines) – Yasuhiro Morinaga
Bumper/ID – Realms and Layers - Asia 2005-2023 #5 - Jesse Paul Miller 
3-4 Nyaheun Tha #1 & #6 – Brao Tha Cambodia Laos – Kink Gong
5 Shan (Mru) Traditional Dance - TV Myanmar (Myanmar 2009)
6 Very Heavy Drinking Parties - Dayak Headhunting – Tom Harrison (Borneo 1959)
7 Night Recordings from Bali (Sublime Frequencies)
8-9 Kavet Brao Village Party & Kanying Brao Flat Gongs – Gongs of Cambodia & Laos – Kink Gong & Tiger Gong 
10 Hamong Gongs – Brao Gongs Laos – Kink Gong
11 Nkriang Song & Bells - Sekong Laos - Kink Gong
12 Brao Drinking Session – Gongs of Cambodia & Laos – Kink Gong & Tiger Gong 
13-14 Funeral Music by Churu & Funeral Music - Se Dang (Cambodia) – Yasuhiro Morinaga
15 Music of the Buffalo Sacrifice Ceremony of the Jarai (Vietnam) – Vincenzo Della Ratta
16 Excerpts from Gongs of the Bahnar (Vietnam) – Vincenzo Della Ratta


GONG BANGERS RADIO (RIAFC153)

Founded in 1962, the UW Eth­no­mu­si­col­ogy Archives is home to more than 100,000 rare and unique films, videos, and sound recordings. Collected by ethnomusicologists and community members, these materials document global and local music across a range of traditions and styles: Some materials may be restricted or require special permission to access.