Name: d0 flutes by uzala
Duration: 2 min 35 s
Description: channel a of the d0 delay is in selfoscillation, the feedback goes through a cwejman mmf6. the channel a output goes through a fsh-1 and through channel b from d0 for regular delay. doepfer ribbon controlls pitch and pressure. mmf-6 is great for these flutey overblown sounds.

Jumpin' jiminy cricket!  Very impressive.

very nice groove ...like herbie hancock on mushrooms lol

Snovi

ParalSense 170

Live recording (excerpt) of 'Wildfires' as performed at the WFS festival on June 5th, 2022 in the New Music Lab at Sonology. 

Stereo reduction from the 192 speakers used during the performance.

Wildfires - (Live WFS, excerpt)

Exosphere

Another collage. Several of the clips are from delay pedals used as loopers, layering takes of an Oberheim SEM.

sketch 4.3.2023

an improvised performance that took place during Oooh festival in Ragusa, 2022
three woman from Iran, Israel and Ukraine, tired of repressions, fighting and war. 
Mahsa Salali - voice, movement 
Dorit Weintal - voice, movement 
Snezhana Reizen - live electronics 
and 
Vittorio Ballato - didjeridoo 



the picture made with AI in photoroom with code-words "there is no freedom, only the process of becoming free, lightning in the body, realistic, 3D"

Oooh Raguza 22 Mahsa Salali, Dorit Weintal, Vittorio Ballato, Snezhana Reizen

Variante de tema "Adversidad controlada" original de Senglar / SenSen. Remixed by Lambmother

Original track: SenSen - Adversidad Controlada de Senglar: 
https://on.soundcloud.com/BvZ2R

SenSen - "Adversidad Controlada Lambmother Remix)"

Jeph Jerman, For Alvin Kelly

NOÉMI BÜCHI - DOES IT STILL MATTER
Cat #: OUS050
Release date: May 24, 2024
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«The new avant-garde isn’t about creating something that doesn’t yet exist, it’s about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past.» — Noémi Büchi @noemibuchi

Noémi Büchi’s album ‘Does It Still Matter’ completes a series of releases whose titles - ‘Matière’, ‘Matter’, and ‘Does It Still Matter’ - place the physicality of music in the center of attention. Büchi’s specific sound structures and aesthetic choices question the state of materiality in a world that is becoming more and more fluid and intangible.

From ‘Matière’ to ‘Matter’, Büchi subtly transferred from a focus on substance to questioning the enigmatic core of
being, passing from a noun to a verb, and from a single word to an inquiry. ‘Does It Still Matter’ weighs in on the importance of questioning. Her pieces juxtapose multi-layered analog synthesizer textures, crystal clear sounds and almost brutalistic noises, while they unfold in compositional structures akin to pop songs. Driven by an orchestra of myriad parts, her music creates transcendent intonations that resonate deeply with the listeners’ bodies. A daring blend of complexity and accessibility are molded into captivating sound sculptures that challenge and intrigue listeners alike.

Deviating from conventional time divisions, ’Does It Still Matter’ immerses listeners in a discordant succession of elements, and guides them towards an eternal present that erases the past with each new revelation, while maintaining it through recurring themes that serve as intimate memories. Büchi’s electronic maximalism questions our linear perception of time, offering a glimpse into a world where the past, present, and future converge into a singular moment. Her avant-garde approach rejects predictability, inviting listeners to immerse themselves fully in the present. Everything starts anew at any given instant. Each musical idea exists for one precise moment, rendering the future unpredictable.

‘Does It Still Matter’ unfolds against a backdrop of collective disaster and biocidal urgency, challenging the very essence of time. Büchi explains: «The world appears to have gone mad. It’s all but impossible to reflect on the meaning of avant-garde in music, considering the future in this sepulchral kind of stability of the human condition.» Her compositions resonate like an infernal machine, questioning the instantaneous dissipation of everything. Finally, echoes and fragments of sounds remain, haunting memories like ghostly companions.

’Does It Still Matter’ is an immersive experience that invites listeners to contemplate the impermanence of our world and the enduring power of sound.



CREDITS
Written and produced by Noémi Büchi 
Mixed & mastered by Manuel Oberholzer, Suoni Speziali (VFBM)
Album cover by Mirko Eremita, Encor Studio
Graphic design by Rebecca Morganti-Pfaffhauser

Does It Still Matter?

Window Display Of The Year

Buy on Bandcamp

Noémi Büchi - 4 - Window Display Of The Year

collage 2.14.24

channel a of the d0 delay is in selfoscillation, the feedback goes through a cwejman mmf6. the channel a output goes through a fsh-1 and through channel b from d0 for regular delay. doepfer ribbon controlls pitch and pressure. mmf-6 is great for these flutey overblown sounds.

d0 flutes

uzala

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