VOLUME THREE OF "SINECRAFTER’S EMPORIUM XCHANGE YELLOWPAGES TOME, OR A DIRECTORY SITE AND FREE-ROAMING ONLINE GAMER SANCTUARY FOR RECREATING IN ETERNITY, NEW DIGITAL SOUNDS circle"

THIS SONG BY: @cartridgejams

cartridjams - MOON

Composition, Arrangement: Yoann Turpin. 2021
Artwork: https://www.deviantart.com/artof-li/art/Mulan-the-Dragonmaster-810715409

Chiptune: Xiong Chan Battle Theme

A remix of "Love Sonic Shuffle" for Sonic Classic 2's Options menu. @mishikis made the original chords, @dd_prod took the beat I made, and gave it a jazzy flair. @djchidow did the mastering for it as well.

Props to the rest of the @1200-power crew who also worked on the game:

ScrewStache : @big_screwww
SK Fusion : @skfusion
DJ Chidow : @djchidow

Sonic Classic 2 - Love Sonic Shuffle (Options Mix) [ft. DDProd & MiSHiKiS]

RE:DISCOVERY

Re:Discovery Demo

I like this take on Cyber Whiteout better than the other one I did. This one has more of a rock-sound to it, and just feels more natural to me.
https://leilawilson.bandcamp.com/album/hardspeed-love-is-never-over
Art is by Proto!

Cyber Whiteout [alt]

made for maj7's "reverse review revue" event, with the following prompts:
- positive: "the airy, evolving textures evoke a feeling of floating on a river and letting yourself drift downstream, or perhaps swimming through a sea of fluffy clouds."
- negative: "but the lyrics made absolutely no sense at all."

this song is written in arolho lopuo'u, a half-finished conlang i worked on last year. i figured it would be a funny way to have a double meaning of the 'the lyrics make no sense' prompt: the words are in a language only i know anything about, and the limited vocabulary and grammatical structures make it hard to actually write anything meaningful

a side note about the pronunciation: ⟨lh⟩ in the language is supposed to be pronounced with the lateral fricative /ɬ/ but as that sound is not available in the english-speaking voice synth i use i unfortunately had to approximate it with the postalveolar fricative /ʒ/. the rhotic ⟨r⟩ is also a lot uglier here than the flap i would've preferred. i think it's sad but also funny the only public record of this language existing is thus flawed but there was not much i could do 

[8-6-22 ~ 30-6-22; 17h21m]
~ lyrics ~
mau lu lhukoha'u (i am an animal)
lha moalaku'o uola'a huru mau lu'u (my speech heals)

aroma, kuroma karo'u muna'u (flower, sleepy blue)
okaku'o pau lo'a lho uoko'o? (do you all see the nature?)
aroma, kuroma lhuka'u lopo'u (flower, gentle red)
pau aupa'o lhopaku'u mau lu'a (i make many mistakes)

mau lu lhukoha'u (i am an animal)
lha moalaku'o uola'a huru mau lu'u (my speech heals)

aroma, kuroma lopuo'u lhanopu (flower, bright black)
lho uapha'o lanu arolhaku'u mau lu'a (i taste fake victory)
aroma, kuroma papalha'u ruko'u (flower, regal white)
pau aupa'o lhopaku'u mau lo'a (i make many mistakes)

(each stanza repeated twice consecutively)

aroma, kuroma

Zackery Wilson (@zackerywilson) is a composer, pianist, and video game music enthusiast currently living in Austin, TX. Like so many others of similar age, Zack grew up playing the video games of yesteryear and, subsequently, latched onto their infectious soundtracks, particularly the jazz-based harmonic language of early video game music. It wasn't until fairly recently, though, that Zack became directly involved with the VGM/chiptune community, first uploading chipmusic on the now-defunct 8bitcollective back in 2011. Since his formal debut on Ubiktune last year (2013), Zack has released music on various albums, soundtracks, and compilations, while concurrently working on his dissertation [in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (D.M.A.) at the University of Texas at Austin].

Zackery Wilson’s SNESQUE is the marriage of Super Nintendo soundfonts (i.e. collections of samples from original Super Nintendo video games) and modern-day audio production (i.e. EQ, delay, reverb, filters, etc.). For each original track, Zack adhered strictly to self imposed limitations: Each was created using only one soundfont(exclusive to each respective game), again, only taking liberties with audio production and some creative sample manipulation (i.e. pitch-shifting, time-stretching, etc.); the structure of each track limited to roughly a minute’s worth of music, looping once (in the tradition of standard video game “level” music) before fading out.

From progressive rock to jazz fusion, samba to swing, SNESQUE is a hodgepodge of musical styles, connected by the nostalgic sound of Super Nintendo video games and the familiarity of present-day audio production techniques.

SNESQUE will be released this September. Stay tuned!

DOWNLOAD ALBUM

Zackery Wilson - Snowball's Chance In 'L [Breath Of Fire II]

Riffs on a single chord sequence, overlaid and affected.

Slow Build

Twos

This is an official arrangement of "Earth" from PSYVARIAR 2: THE WILL TO FABRICATE (Success/Skonec, 2003).

Main composition and sound design: zinger
Additional composition: bacter

Gear used: FM7, Mega Drive. Interview: http://www.amusement-center.com/project/emusic/records/emca0004_interview_01.html

For EGG Music/SUCCESS 2008

Psyvariar "The Mix"

zinger & bacter - Earth - FM scene mix - (PSYVARIAR 2)

Artwork design by Mushbuh: The flac render of this track only played 1:52 of the song, onralib on the reddit thread pointed this out so its been fixed here.

Super Bowser Kart 64

Mall Shop Super Track

Mall Shop Super Track (Onralib Fix) (Super Bowsett Kart 64)

Nova Scotia-based New Jack Swing/Hip-Hop/R&B/Chiptune/Faux-Nerdcore producer rapper for hire.

Sonic Classic 2 - Love Sonic Shuffle (Options Mix) [ft. DDProd & MiSHiKiS]

Vadell Gabriel (Spyderzip Productions)

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