I Dream Of Light At The End Of The Tunnel

I Dream Of Light At The End Of The Tunnel - VadimSkyMusic

Empire of Lights, searing guitar, pounding drums, soaring vocals, thunderous bass.

http://itunes.apple.com/album/id1455874636?ls=1&app=itunes

He is currently a composer and filmmaker working in Hokkaido, Japan, and his main genre is post-classical music.

He studied architectural design at university and later worked in a design office, designing museums and music halls. Influenced by the VJ culture that started to emerge around 2000 due to the CG and multimedia art that he had been working on since his university days, he started his own video production company after working on video works for club music.
In 2003, he started releasing ambient and downtempo music under the name of "and/or" on labels in France, Portugal, and other European countries.As his video production company started to take off, he decided to take a break from his artistic activities for a while to concentrate on his career as a manager.In the business world, he produced a photo app that was one of the top 3 free apps on the app store in the Japanese market.
While continuing to study music theory and composition on his own while working on his business, he will resume his creative activities around 2019 and start releasing music under his own name in 2021.
At the same time, he is currently planning to create video works and applications for his musical works.

Musically, he is heavily influenced not only by Romantic and modern composers, but also by minimalist music and contemporary film music, while his background is in architectural design, which he studied.
 The aesthetics of structure and pattern, and the patterns of light and shadow, their minute changes, and unexpected changes, etc., have been experimentally incorporated into a new style that incorporates not only nature and the environment, but also generative elements made possible by new computer AI and simulation technology.
 In this way, he seeks to expand the dynamism and possibilities of time-based arts such as music and video.

He seeks to create music that combines the structural beauty of Western music with the interstitial aesthetics of the Eastern and Zen worldviews, and the harmony and fusion of nature and the environment. 
While pursuing a simple, piano-based style of music, he is creating the next generation of classical music that is not bound by the format of the context of instruments such as strings and synths.　

He specializes in beautiful and sentimental music, and aspires to provide the world with an environment where tranquility, healing, and relaxation can be obtained through musical content.

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

https://linktr.ee/Barbadel

Barbadel is a Synthwave / Electronic music producer from Canada.

Fort de plus de 20 Années d’expérience. Dj Scientifik est un Dj / Beatmaker et Ingénieur du son  originaire de l’ile de la Martinique  basé à Toulouse, pratiquement tout le temps dans son laboratoire à faire des mixs / remix  et nouvelle composition – Le mix est pour lui  une science –

Ses influences et références musicales sont très riches, allant des années 60 à nos jours, des musiques latines à celles d’Afrique, du Rock au Jazz, de la House à la chanson Française… Mais ce qu’il préfère ce sont les sons qui font danser: Le Ragga/ Dancehall, Le Zouk, la kizomba, la Soul, la Funk, le Hip Hop.
Vous l’aurez compris c’est un Généraliste  à l’aise dans tous les styles et devant tous les publics.
Ses show lives sont chaleureux, festif & So Happy !!

Vous l’avez sûrement déja entendue sur une de ses collaboration avec Admiral T, Keros-N,Mc Duc, Moudjahyz ou encore Gyptian. Disponible sur les réseaux sociaux il cumulant + de 1,5 Millions d’écoutes partout dans le monde.

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.



Visit https://stryknyne.com/ new website

Collabs? Mail me in stryknyne@stryknyne.com 

Dubstep producer from Brazil.
At a young age, he has played on keyboard at art school then he flipped to the metalcore scene and have played bass for a few years in a band. 
When he first time heard dubstep tracks from artists like Skrillex, Zomboy and Datsik, he knew "that's it''.

support from: @hoplon-records

I Dream Of Light At The End Of The Tunnel - VadimSkyMusic

VadimSkyMusic / Composer